Poetry Commons^™

Music Lessons, Cecilia-Rose Louise Bender

Dissertations, Theses, and Capstone Projects

music lessons is a digital chapbook that explores the relationships between James Baldwin’s writing and Beauford Delaney’s paintings through music. From Delaney’s “Composition 16” (1954-56) to Baldwin’s “The Uses of the Blues” (1964), their collaboration with the core elements of jazz music gives their work rhythm and melodic contour that any/body can vibe with. Absorbing the influences of artists Ella Fitzgerald, Miles Davis, Ray Charles, and putting them to paint and text, music lessons demonstrates how music not only transforms the ways we experience and move our bodies but also the ways that we perceive space, relationships, and time. What’s …

To The Studio, In The Studio, Home, Miquel R. Veldkamp

Theses and Dissertations

A curated series of poems and mini essays that reflect on personal life, politics, art history, folklore, science, identity and race. It addresses the questions that inform my work, and echoes its ethos of play, exploration, curiosity, vulnerability.

21st Century Ecopoetics (Selected Topics In Literature And Science), Robert Balun

Open Educational Resources

Ecopoetics is the study of literature that is concerned with ecology and nature. However, beyond just literature about nature, this course will examine how ecology and nature have become complicated in the 21st century, the age of the Anthropocene, the age of the climate crisis and the 6th mass extinction (don’t worry, we will define these and other key terms).

In the 21st century, humans are now confronted with a growing awareness of their destructive impact on the earth, its environments, and its human and non-human inhabitants. In this class we will examine how ecology and nature have become complicated …

An Open Bag, Matilde Benmayor

Theses and Dissertations

What do we take with us? How much space should we leave in the bag for what we might find? This paper is a journey from under the rug and onto the pavement. Sowing spiderweb maps I try to make a new city my own.

I Like America: Painting In The Expanded Field, Isaac Aden

Theses and Dissertations

Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.

Chimerical Mosaic: Self Test Kit In D# Minor, Seo-Young J. Chu

Publications and Research

CAPTIONS for CHIMERICAL MOSAIC : SELF TEST KIT IN D# MINOR (This was never meant.) Return address: landscape of raindrops or holes. Enclosed, to be opened by recipient only: (1) a picture held within a picture; (2) maplike divination; (3) a specimen of missing twin; (4) capsules of pure time; (5) invisible tears. …Perhaps you will wonder if these contents are alive or simply uncanny. …Perhaps you will seek in vain a symmetry that no longer exists. Let its absence equal noon , unreal gravities and unspeakable thirsts. (Do not estimate what she knows.) A mirror is also an exit. …

Angels And Demons: Christina Rossetti’S Goblin Market As A Social Critique Of The Victorian Ideal Of The “Angel In The House” And The Pre-Raphaelites’ Response To That Ideal, Melissa Adams

Theses and Dissertations

Christina Rossetti’s poem Goblin Market presents a subversive critique on the socially constructed dichotomy of Angel versus Demon as depicted in Pre-Raphaelite artwork, Dante Gabriele Rossetti’s poetry, and Coventry Patmore’s poem Angel in the House. An analysis of Goblin Market in relation to Patmore’s poem and the Pre-Raphaelite paintings The Annunciation, Ophelia, Lady Lilith, Circe Offering the Cup to Ulysses, and Sibylla Palmifera and Dante Gabriele Rossetti’s poems “Soul’s Beauty” and “Body’s Beauty” illustrate the ways in which Rossetti presents a counter-image that breaks down this socially constructed dichotomy. This is additionally supported by an exploration …

Review Of William Blake, Antoni Pizà

Publications and Research

Although William Blake is the quintessential multidisciplinary artist – his achievements in literature and the visual arts are for the most part uncontested – as far as we know, he was never particularly interested in music. Indeed, neither his poetry nor his pictures describe or depict music directly. Yet, in the last 200 years or so, his work has made an astounding mark on composers and music. One sees Blake's influence primarily in the numberless musical settings of his poems, but also in more general, indefinite, and ineffable way – a very Blake-ian one, I am tempted to say. I …