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Full-Text Articles in Poetry
Bodies Of Water: Somebody | Nobody (For E.D.), Clark Lunberry
Bodies Of Water: Somebody | Nobody (For E.D.), Clark Lunberry
Clark Lunberry
On a pond adjacent to the University of North Florida’s Thomas G. Carpenter Library, parts of Emily Dickinson’s well-known poem about being a “Nobody” were recently written on the water. During the fall of 2014, the familiar words of that poem’s opening line – “I’m Nobody! Who are you?” – appeared to float upon the library’s pond, reflecting vividly in the light of day (yet disappearing entirely in the dark of night). While inside the library’s large open stairway, on the tall windows that face directly out onto that pond, the first line of the poem’s second stanza – “How …
That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry
That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry
Clark Lunberry
The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …
Commonthought (2017), Commonthought Staff
Commonthought (2017), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Phobophobia: A Study In Fear, Rebecca C. Josephson
Phobophobia: A Study In Fear, Rebecca C. Josephson
Senior Honors Projects, 2010-2019
This thesis is the poetic culmination of a creative writing study in fear. Though here it only consists of the written word, the thesis was the content of an artists book of the same study.
Satori 2017, Winona State University, Sajda Omar, Elyse Hoffmann, Colin Kohrs, Rachel Willilams Belter, Audrianna Wichman, Ben Mccrary, Megan Wefel, Lisa Daraskevich, Nicole Johnson, Zachary Vix, Kaitlin Mccoy, Annette Deyo, Ben Teurman, Melody Vang, Zach Spanton, Alexis Prowizor, Charlie Utzman, Rich Herrmann, Ali Johnston, Danielle Eberhard
Satori 2017, Winona State University, Sajda Omar, Elyse Hoffmann, Colin Kohrs, Rachel Willilams Belter, Audrianna Wichman, Ben Mccrary, Megan Wefel, Lisa Daraskevich, Nicole Johnson, Zachary Vix, Kaitlin Mccoy, Annette Deyo, Ben Teurman, Melody Vang, Zach Spanton, Alexis Prowizor, Charlie Utzman, Rich Herrmann, Ali Johnston, Danielle Eberhard
Satori Literary Magazine
The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.
The Satori 2017 editors are:
- Editor-in-Chief: Sajda Omar
- Poetry Editor: Karl Hanson
- Art/Design Editor: Danielle Eberhard
- Prose Editor: Cassie Douglas
- Poetry Committee: Kelly Johnson and Lydia Papenfuss
- Art/Design Committee: Aurie Brighton and Xinyue Wang
- Prose Committee: Katie McCoy, Madison Wilke, Megan Back, Alayna Godfrey, Madelyn Hall, and Sam Stormoen
- Faculty Advisor: Dr. Gary Eddy, Professor of English
Tygr 2017: Student Art And Literary Magazine, Brianna Rose, Luke Jungermann, William Greiner, Jill Forrestal
Tygr 2017: Student Art And Literary Magazine, Brianna Rose, Luke Jungermann, William Greiner, Jill Forrestal
TYGR: Student Art and Literary Magazine Archives (1985-2017)
TYGR is the student art and literary magazine for Olivet Nazarene University
Theme: Vision.
[Historical Muse] The Tyger -- William Blake, p. iii.
Saga Vol. 80 / 2016-2017, Alyssa Froehling, Elena Leith, Emma Smith
Saga Vol. 80 / 2016-2017, Alyssa Froehling, Elena Leith, Emma Smith
SAGA Art & Literary Magazine
No abstract provided.
The Lantern, 2016-2017, Lauren Toscano, Kara Travis, Courtney Duchene, Sarah Gow, Ray Macedonia, Ria Malones, Kevin Moore, Serena Schaefer, Paige Szmodis, Brian Thomas, Solana Warner, Zooey Cox, Mara Koren, Nicole Kosar, Eden Patrick '17, Arthur Robinson, Emily Shue, Tommy Armstrong, Angela Antoinette Bey, Kathryn Bormann, Dustin Brinker, Chiara Demelfi, Matt Dwyer, Athena Gainey, Sophia Gamber, Michael Heimbaugh, Rae Hodenfield, Juan Lopez, Joe Makuc, Valerie Osborne, Megan Sear, Althea Unertl, Anthony Alvarez, Sydney Cope, Sarah Defelice, Neomi Haut '17, Yanlin Li, Sarah Wilbert, Mario Heitman '18
The Lantern, 2016-2017, Lauren Toscano, Kara Travis, Courtney Duchene, Sarah Gow, Ray Macedonia, Ria Malones, Kevin Moore, Serena Schaefer, Paige Szmodis, Brian Thomas, Solana Warner, Zooey Cox, Mara Koren, Nicole Kosar, Eden Patrick '17, Arthur Robinson, Emily Shue, Tommy Armstrong, Angela Antoinette Bey, Kathryn Bormann, Dustin Brinker, Chiara Demelfi, Matt Dwyer, Athena Gainey, Sophia Gamber, Michael Heimbaugh, Rae Hodenfield, Juan Lopez, Joe Makuc, Valerie Osborne, Megan Sear, Althea Unertl, Anthony Alvarez, Sydney Cope, Sarah Defelice, Neomi Haut '17, Yanlin Li, Sarah Wilbert, Mario Heitman '18
The Lantern Literary Magazines, 1933 to Present
• Our Lady of Perpetual Virginity • Essential Terms for the Audience • Stories Untold • Jesus Camp • The Second Avenue Schmear • Driving to the Beach • Thanks, Alice • Decay • Peanut Butter Rhapsody • Transactions • Traffic • Sissy • Melting Wings • Ocean • Small Town Summer • Third Story • Family Trees • Mixed, Just Like Me • Sour Graves • How Sweet the Sound • Goodnight, Halfmoon • I'm Going to Ask Him How • Music • Pizza • Manhoodlike • Meditations From a Bunk Bed in a Home on Mount Pocono • …
A Window The Color Of Her Sunburn, Joana Stillwell
A Window The Color Of Her Sunburn, Joana Stillwell
Theses and Dissertations
I use video and material fragments to investigate the collapse of virtual and physical spaces as memories, lived environments, and digital interfaces become overlaid and interchangeable. I am interested in the capacity for technology to propose alternative strategies in which to engage with the world as we continue to extend ourselves in new and enduring methods. Seemingly unremarkable fragments offer new potentials in questioning meaning, worth, and care within spaces of downtime, boredom, and play.
This document accompanies my thesis exhibition a window the color of her sunburn. It provides background information on selected fragments and residues from my own …