Poetry Commons^™

“Caroline”: Deviance In Southern Women’S Poetry, Sage Aspyn Short

All Theses

Deviance in Southern women’s poetry can be characterized by uncertainty, religious images, and through the telling of stories often unheard of, forgotten, or erased, like racial and gendered violence. Glenis Redmond’s poetry in The Listening Skin and What My Hand Say both explore Southern womanhood alongside race, history, violence, illness, and legacy, among other themes and topics. In Caroline: Poems some deviances include religious metaphors alongside obsessive compulsive disorder, excessive cursing from a woman speaker, and historical graveyard musings. Critical texts about lyric theory and voice provide some background and historical significance to be used in this contemporary study and …

Appealing To Truancy: How Mary Oliver Escapes Americana, John Wise

Student Writing

How the work of Mary Oliver disagrees with the American Cultural way of thinking.

Detroit Poet Laureate: A Local And National Necessity, Rosemary O'Meara

Rushton Journal of Undergraduate Humanities Research

From 1981–2020, Detroit officials appointed a city-recognized poet laureate. Though the position has been vacant since the 2020 death of Naomi Long Madgett, this essay advocates for reinstatement of a Detroit poet laureate to help spotlight important Detroit artists and to ensure that the words and ideas of Detroiters are sustained and celebrated. A poet laureate would continue to uniquely serve Detroit to help preserve its complex history and contribute to a literary canon specific to the city.

Doc/U/Ment: Affinities In 20th And 21st-Century Documental Poetics, Katherine Payne

Dissertations, Theses, and Capstone Projects

This dissertation presents, analyzes, and builds on the existing literary genealogy of documental poetry. In 2020 Michael Leong proposed the term documental poetry to describe the turn toward source materials in 21^st-century North American poetry, seen in longform research-based poems that explicitly incorporate documentation and seek to intervene in cultural memory. Using Ludwig Wittgenstein’s concept of family resemblance, I argue that there are clear affinities between 21^st-century poets and their 20^th-century literary forerunners, also that an expansion of the scope of documental poetics is needed. The three nodes of connection I examine are works …

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

A Claiming Of Kin: A Linguistic Analysis Of Southern Appalachian English In Melissa Range's Scriptorium: Poems, Jolee White

Undergraduate Honors Theses

The research studies the Southern Appalachian dialect present in five poems in Melissa Range’s Scriptorium: Poems. The linguistic phenomena characteristic of Southern Appalachian English observed and analyzed in the poems include lexicon, grammatical features, and phonological aspects. The research seeks to bring attention to this Appalachian woman writer as well as to bring understanding of her reasoning behind incorporating the dialect in her poetry. It establishes that the five poems by Range contain the lexicon, grammatical features, and phonological aspects of the SAE dialect. It holds meaning both grammatically and pragmatically within the context of the poem and Appalachia.

Joanne Kyger And “The Kook Strain” In Olson: A Reading, Patrick James Dunagan

Gleeson Library Faculty and Staff Research and Scholarship

Jerome Rothenberg's "that dada strain" at once hilarious grandiose epic lyric historical and ever adventurous charts the highs discovered in his reading of the dada era. In like occurrence this writing seeks to poke around in the occult cupboards of Olson's mystical leanings. Looking not only at his work and assorted readings/engagements but delving also into the works of various others (Joanne Kyger, Jack Hirschman, Paul Blackburn, Gerrit Lansing, David Meltzer, Robert Duncan, Diane di Prima, Robin Blaser et al) who fell in alongside as well as after his work's star-eyed haul. Loquaciously gifted as a talker, how much (if …

Walt Hunter. Forms Of A World: Contemporary Poetry And The Making Of Globalization. Fordham Up, 2019., Jeremy Glazier

Studies in 20th & 21st Century Literature

Review of Walt Hunter Forms of a World: Contemporary Poetry and the Making of Globalization. Fordham UP, 2019. 190 pp.

Akron Poetry Catalog And Reader September 2019, University Of Akron Press

University of Akron Press Publications

In our mobile-sized poetry catalog and reader, you can read poems from new books by Oliver de la Paz, Joshua Harmon, Brittany Cavallaro, Krystal Languell, Tyler Mills, Caryl Pagel, Emily Rosko, Emilia Phillips, Aimée Baker, Anne Barngrover, Matthew Guenette, Leslie Harrison, Sandra Simonds, Philip Metres, and Jennifer Moore.

Shale Play: Poems And Photographs From The Fracking Fields By Julia Spicher Kasdorf And Steven Rubin, Kelly Shepherd

The Goose

Review of Julia Spicher Kasdorf and Steven Rubin's Shale Play: Poems and Photographs from the Fracking Fields

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …

A Matter Of Life And Def: Poetic Knowledge And The Organic Intellectuals In Russell Simmons Presents Def Poetry, Anthony Blacksher

CGU Theses & Dissertations

This dissertation unpacks the poetry, performances, and the production of Def Poetry Jam to explore how a performative art embodied and confronted racial discourses, including stereotypes and also, addressed the racism, patriotism, and imperialist discourses that circulated after 9/11. Def Poetry Jam contributes to the intellectual capacity of spoken word and performance poetry, and poets as intellectuals, where poets produce and disseminate knowledge, ideas, and data, in the form of narratives, that contribute to critical consciousness. The effectiveness of the series lay in the consistent blurring of entertainment, knowledge, anti-capitalism, and capitalism. This research demonstrates how Def Poetry Jam provided …

The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore

Master's Theses

This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …

The Fluid Pastoral: African American Spiritual Waterways In The Urban Landscapes Of Harlem Renaissance Poetry, Maren E. Loveland

Criterion: A Journal of Literary Criticism

In 1921 Langston Hughes penned, “My soul has grown deep like the rivers” in his poem “The Negro Speaks of Rivers” (Hughes 1254). Weaving the profound pain of the African American experience with the symbolism of the primordial river, Hughes recognized the inherent power of water as a means of spiritual communication and religious significance. Departing from the traditional interpretation of the American pastoral as typified by white poets such as Robert Frost and Walt Whitman, the African American poets emerging from the Harlem Renaissance established a more nuanced pastoral landscape embedded within urban cultures, utilizing water in particular as …

Poetry Of Roe 8, Nandi Chinna

Landscapes: the Journal of the International Centre for Landscape and Language

Poetry of Roe 8

The occasion for the writing of these poems was activism surrounding the controversial highway known as the Roe 8 extension in the areas of Cockburn and Fremantle in Western Australia. Planned in the 1950s, Roe 8 is contentious for a number of reasons, including extraordinary political deals over funding, undue process regarding environmental reporting, lack of a business case, inadequate noise and traffic modelling, erasure of Indigenous heritage sites, and clearing of the sensitive Beeliar wetlands and Coolbellup banksia woodlands which were designated a Threatened Ecological Community in 2016. During the summer of 2016/2017 contractors started …

The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure, Lara Rossana Rodriguez

Dissertations, Theses, and Capstone Projects

When a provocative style of autobiographical verse had emerged in postwar America, literary critics christened the new genre “confessional poetry.” Confessional poets of the 1960s and ’70s are often characterized by scholars of contemporary poetry as a cohort of writers who, unlike previous generations before them, dared to explore in their work the personal and inherited traumas of mental illness, family suicides, failed marriages, and crushing addictions. As a result, the body of work these writers produced is often experienced as a collection of stylized, literary self-portraits. What can these self-portraits reveal to us about the connection between confessional poetry …

Watersheds In Life, Molly Morgan

Robert Penn Warren Essay Contest

No abstract provided.

The Systems Of Life, Madeline Stephenson

Robert Penn Warren Essay Contest

No abstract provided.

Watershed, Matthew Doyle

Robert Penn Warren Essay Contest

No abstract provided.

“Yellow Crowfoot In The Pond,/Not Lotus, Not Lily”: Mapping The River, Mapping Voices, Pamela J. Rader

Asian American Literature: Discourses & Pedagogies

This paper examines the prosody of Chin’s eponymous poem, "The Phoenix Gone, The Terrace Empty," through an eco-critical lens. While it does not dismiss the hybrid cultural influences of the poem, it focuses on the ways the non-human agents, or the figures in the poem’s landscape, “speak.” Poetry, like the poem’s terraced gardens, traces tension between the controlling human forces experienced by the narrating female I personas and the natural world’s affective inclinations.

Unusual Lavas, Caily Begley Herbert

Senior Projects Spring 2016

Senior Project submitted to The Division of Languages and Literature of Bard College

Happy Halloween Song For My Grandchildren, Charles Kay Smith

Charles Kay Smith

No abstract provided.

Poems Shared By Yazmin Monet Watkins At The 2014 Race & Pedagogy Conference, Yazmin Monet Watkins

Race and Pedagogy Journal: Teaching and Learning for Justice

Included are a selection of poems shared by Yazmin Monet Watkins at the 2014 Race & Pedagogy conference. "A Lesson in this Queer African American Woman's History," was the opening poem for Angela Davis' speech and "Love Letter For Puget Sound," was performed at the Youth Speaks, Youth Summit. The other poems were shared at the What Now Is The Word evening performance. Although these poems were shared as a spoken word performance, it is important to share and document them in this journal as art and activism go hand in hand.

"I Looked Here; I Looked There; Nowhere Could I See My Love." The Problem Of "Presence" In The Black Riders And Other Lines, Nat Gustafson-Sundell

All Graduate Theses, Dissertations, and Other Capstone Projects

Although the poems of The Black Riders and other lines, by Stephen Crane, have often been treated as if they are simple--easy to interpret and easy to categorize--these poems actually support a multiplicity of interpretations. The multiplicity of interpretations available in the poems informs the possibility of tracing a variety of interrelationships through the poetry. While a few previous scholars have treated the poems as if they are interrelated, the interrelationship of the poetry has not been explicitly and substantially addressed as a feature of the poetry. The poems, in fact, support a combinatorial complexity only previously hinted at in …

Rapture, John Gery

John R O Gery

No abstract provided.

The Girl I Knew Once, John Gery

John R O Gery

No abstract provided.

Bestial Oblivion, John Gery

John R O Gery

No abstract provided.

Shape-Note Singing, Traci Rae Letellier

Graduate Theses and Dissertations

Shape-Note Singing is a collection of poems about what is loved, lost, and being lost. Placed in the landscape of the Ozark foothills in the northwest corner of the state of Arkansas, the collection explores the poet’s connection to kin, land, and lore. Shape-Note Singing is the story of plain-spoken folks of simple origins telling the truth as they see it and as best they know how.