Poetry Commons^™

Who We Are: Incarcerated Students And The New Prison Literature, 1995-2010, Reilly Hannah N. Lorastein

Honors Projects

This project focuses on American prison writings from the late 1990s to the 2000s. Much has been written about American prison intellectuals such as Malcolm X, George Jackson, Eldridge Cleaver, and Angela Davis, who wrote as active participants in black and brown freedom movements in the United States. However the new prison literature that has emerged over the past two decades through higher education programs within prisons has received little to no attention. This study provides a more nuanced view of the steadily growing silent population in the United States through close readings of Openline, an inter-disciplinary journal featuring …

There Are Moments That Hang Suspended, Mark B. Lennon

UNLV Theses, Dissertations, Professional Papers, and Capstones

This project is the culmination of ten years of work in poetry. It was begun in imitation of those who impressed, not only with their fine words and dexterity with language, but also with their clear conviction in their subject material. Reflected in the works of Allen Ginsberg, Walt Whitman, and Adrienne Rich, among others, was evidence of a life lived, in Thoreau's term, deliberately. The writing of poetry seemed to be not simply a means of expression, but a goad to live a life worth examining, and to keep doing so; a progress report for a radical mind.

Politics …

Transnational Influence In The Poetry Of Sarah Piatt: Poems Of Ireland And The American Civil War, Amy R. Hudgins

Global Honors Theses

Sarah Piatt, a recently recovered nineteenth century poet, is best known, where she is known at all, as an American poet. While this label is certainly appropriate, it should not obscure Piatt’s decidedly international focus, or more precisely, her transnational focus, especially in regard to Ireland. Piatt’s verse, considered by some to be the best poetry of her time second only to the work of Emily Dickinson, is remarkable for its quantity and breadth, but more importantly, for its subversive use of genteel style. Though her poems are generally divided into four overlapping categories, the two thematic classes of her …