Creative Writing Commons^™

"Dear Stanford: You Must Reckon With Your History Of Sexual Violence" By Seo-Young Chu, Seo-Young J. Chu

Publications and Research

In 2000 a Stanford professor raped me. My rape is now older than I was. (I’m still not as old as he was.) The more time passes the more I’m struck by Stanford’s apathy and fecklessness about sexual violence. I wrote a letter asking Stanford to stop compounding the abuse and to reckon with its rape culture. This letter—including the “Incomplete Compilation of Links to Sources Documenting Stanford’s History of Sexual Violence, in Chronological Order”—should be mandatory reading for administrators, faculty, students, alumni, and stakeholders at both Stanford and CUNY. #MeToo #MeTooAcademia

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

The Weak, The Wicked, The Divine: A Collection Of Poems, Grace Hedin

University Honors Theses

The Weak, the Wicked, the Divine is a collection of thirteen original poems based on the female figures of the Iliad and the Odyssey with scholarly analysis. The Introduction gives background on Homer and his works as well as their impact on both modern day and myself. The second section contains both the original work of Grace Hedin and the author's scholarly analysis of both their own work and the figure the poem is based upon. The Conclusion will hold the final thoughts and dedications from the author. An audio reading of all poems is attached to this thesis, with …

Testimony, Violence, And Silence: An Examination Of Agamben And His Critics, Yagmur Uygarkizi

Dignity: A Journal of Analysis of Exploitation and Violence

This paper investigates the difficulties faced by survivors of atrocities in testifying. I work on the case of female victims of domestic torture as reported by Jeanne Sarson and Linda MacDonald. The starting point is Giorgio Agamben’s Remnants of Auschwitz with his discussion on Primo Levi’s paradox and the testis/superstes/auctor distinction. I build on his nuances while arguing that he has not looked enough into power dynamics that render one speechless. “Unspeakable violence” refers simultaneously to incapacity and not being allowed to speak. Pain renders the victim speechless; perpetrators distort language and speak over survivors. Victims are often not allowed …

“But For Those Of Us Who Live Here”: Performance Of Work And Community By Women Employed In Rural, Predominantly White, Small-Town Schools, Telena M. Turner

Masters Theses, 2020-current

Rural, small towns are incredibly complex cultural centers. Although rural places are consistently portrayed as unchanging, the operation of cultural and identity within these locations is consistently on the move. Using reflexive interviewing, poetic transcription, autoethnographic writing, this project (re)presents poems on community and identity from five women employed in schools in rural, mostly White, small towns in the Central Appalachian region. Analyzing the poems through concepts in performance studies and work on space and place, this project positions movement and change at the center of small towns and examines how notions of rural place and community are performed through …

Women Without Bodies: Autonomy, Empowerment, And Embodiment In Southern Women, Martha Peyton Ford

Honors Theses

This thesis explores the relationship between rural, upper-class, Southern, white women and their bodies. In my attempts to understand this relationship, I analyze sources from the fields of gender studies, philosophy, and psychology, utilizing concepts such as the Cult of True Womanhood, the newly-emerging field of body memoirs, and the long-lasting but elusive idea of Southern ladyhood to make sense of cultural expectations of Southern women and their bodies. This research, alongside my use of autoethnography and oral history, serve as an anchor for my analysis of women’s relationships to their bodies, in which I use myself, my mother, and …

The Mythos Of Lilith: A Collection Of Madwomen, Megan Mau

Master's Theses

For too long, women’s stories have been mitigated, translated, truncated, and censored, if they were even recorded at all before the world could hear them. What could women be writing that would be so threatening to incite such censorship? To a male-dominated world, anything that could disrupt their illusions of power is a threat. If a woman penned a narrative of her experiences in this world, or if she were to begin speaking on a new way of thinking that called for change, that must be stopped. The ultimate goal is to prevent women from writing or stepping out of …

Anatomy: The Makings Of Me, Janey Locander

Women's and Gender Studies: Student Scholarship & Creative Works

Anatomy & the Makings of me:

(A Chapbook)

Back in 2020 quarantine took a mental toll on many, including myself. I was already overwhelmed with academics, personal issues, and an overall pessimistic outlook. For years I've struggled with my body image, and for the past year or so I've been trying to improve on my self-love and acceptance. Taking back my body and my feelings towards it by keeping centered on my thoughts, not the thoughts of others. Hence the concept for this chapbook project.

Anatomy is a look at all the squishy bits of matter and emotion I’ve been …

1% Left Of 100: Taino History And Puerto Rican Identity, Alanis Gonzalez Torres

Undergraduate Research Symposium

1% left of 100 is a documentary poetics research project exploring the confluence of identity, family, and language. Crafted in a hybrid format that mixes Spanish and English according to my personal idiolect, which is itself a product of my heritage as a Puerto Rican, Africa, native Taino American, this poem engages with exciting new approaches to thinking about race which liberate us from talking about physical features and takes us instead toward race as a social fact, a product of culture, history, and family. I seek to intervene in a narrative of American history that, though it teaches about …

Inheritance: A Memoir, Jennifer Skoog

Dissertations, Theses, and Capstone Projects

I was born and raised on a small farm in central Minnesota, the youngest of nine. Our lives centered around a dogmatic faith that banned sex education and birth control in any form. The consequences of these teachings put my life on a tragic course, and I paid dearly for my ignorance. With the help of a therapist and a deep commitment to myself, I left the faith. After I earned a college degree in my early 40s, I began to critically examine my upbringing. Through my educational journey in Black studies, I saw deeply troubling ways in which my …

Janet Malcolm And Me: The Biographer Enters Her Book: Some Post-Modern Reflections On The Personal Of The Critical In Recent Biographies Of Women Writers, Joanne E. Gates

Presentations, Proceedings & Performances

Largely because publishers resist the expenses of precise and plentiful documentation, contemporary biography is a slippery, sometimes stale, but sometimes electrifying discipline. If any recent biographical project deserves further attention and analysis, it is Janet Malcolm's three-part biography of Sylvia Plath, first appearing in the August 23 and 30, 1993 double issue of the New Yorker and now published in book form as The Silent Woman: Sylvia Plath and Ted Hughes (Knopf, 1994). With the perspective of an autobiographer examining (yet never mentioning) the incendiary implications of her own "missing tapes" incident which led to the New Yorker's defense of …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Eve The Ezer: Minerva Teichert Award Winner 2021, Kayla Becknuss

AWE (A Woman’s Experience)

No abstract provided.

What Is The Female Gaze In Literature?, Cadence Dangerfield

Williams Honors College, Honors Research Projects

Just as Laura Mulvey defined the male gaze, feminist scholars are constantly working to identify a female gaze in visual arts and literature. Does it exist? This project works to answer the following questions: What is the female gaze? Is it simply the male gaze in reverse, or is it something more, a lens encompassing the desire of intimacy instead of an inherent sexual desire? To find the answer, or at least one possible answer that I can situate myself and my writing into, I plan to read both fiction and scholarship and write utilizing a female character as she …

We: Women In A Traditional (Zapotec) World, Ida Day

Modern Languages Faculty Research

This chapter focuses on the female roles and relationships in Natalia Toledo Paz’s bilingual collection of poems, Ca gunaa gubidxa, ca gunaa guiiba’ risaca/Mujeres de sol, mujeres de oro (2002). The author sets her poems in a world, where all the themes and plots are performed by women. Natalia is the daughter of Francisco Toledo, a prominent Mexican painter, sculptor, and graphic artist, and Olga de Paz, a Zapotec weaver and hammock maker. In 2004, she was awarded a prestigious Nezahualcóyotl Prize for Indigenous-Language Literature. Her bilingual works (Zapotec/Spanish) have been recognized in numerous anthologies all over the world and …

A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen

Theses and Dissertations

This paper consists of a series of scenes in which various narratives with proximity to the truth plays out. within it I aim to articulate the dispersed subjectivity and forensic aspects to my work, as well looking at the perverseness in the desire for proximity to the fantasy, utilizing the self as a vehicle of desire.

Hannah & Nana: A Personal Memoir On Appalachian Intergenerational Trauma, Womanhood, & Family, Hannah Dunn

Honors Projects

I was deeply affected by the death of my beloved nana in 2018. After her death, my family asked me to be the storyteller for us. Thus, for my Honors Project at Bowling Green State University (BGSU), I decided to write a personal memoir on my family. This memoir explores how we fit into notions of womanhood and family in Appalachia, as well as studying the effects of intergenerational trauma on us. Qualitative research, in the form of the autoethnography, serves as the methodology for this project. In writing a creative memoir, I have transformed my personal to the academic.

Great River Legs, Laura Madeline Wiseman

Zea E-Books Collection

Great River Legs is a lyric collection of prose poetry, creative nonfiction, and found poetry. This creative response documents my 1,398 mile, 25-day bicycle ride from Muscatine, Iowa, to Baton Rouge, Louisiana, between October 2017–March 2018. The journey took place in legs over breaks during the school year, with two additional back-to-back weekend rides that started the adventure.

In her latest book, Great River Legs, Laura Madeline Wiseman takes you on an intimate journey as she weaves in and out of a cross-country, long distance bike ride. In this beautifully curated book that includes prose poetry, creative non-fiction and …

The Legacy Book In America, 1664–1792, Roxanne Harde, Lindsay Yakimyshyn

Zea E-Books Collection

Legacy books in colonial America were instruments for the transmission of cultural values between generations: the dying mother (usually) instructing and advising children on the path to salvation and heavenly reunions. They were a popular and influential form of women’s discourse that distilled the ideologies of the religious establishment into practical and emotional lessons for lay persons, especially the young.

This collection draws together legacy texts written by colonial American women and girls: five mother’s legacy books and two legacies by children, organized here chronologically. These legacies were writ­ten in anticipation of dying, making awareness of death central to the …

Looking Back, Or Re-Visioning: Contemporary American Jewish Poets On “Lot’S Wife”, Anat Koplowitz-Breier

CLCWeb: Comparative Literature and Culture

Although mentioned only twice in Genesis (19:17, 26), Lot’s wife has been a topic of much discussion amongst both traditional and modern commentators and exegetes. The traditional midrashim seek to explain why she chose to disregard the instructions she was given and the nature of her punishment. In doing so, they follow two principal directions, representing her a) negatively as a wicked sinner, a Sodomite who acted as such even before disobeying the divine decree not to look backwards—thus linking her disobedience with her intrinsic character (e.g., curious, greedy, inhospitable, faithless); or b) positively as a loving mother and daughter. …

If I Knew What My Mother Was Going Through. Book Review. Not Dead Yet: Feminism, Passion, And Women's Liberation. Edited By Renate Klein And Susan Hawthorne, Dana Vitalosova

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea

Dissertations, Theses, and Capstone Projects

This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …

Critical Introduction To No Easy Way Out: A Memoir Of Interruption, Cameron S. Steele

Department of English: Dissertations, Theses, and Student Research

No Easy Way Out: A Memoir of Interruption is a collection of personal essays examining themes of race, the body, violence and desire as it seeks to examine and interrupt inherited, normative understandings of work, art, beauty, love, and belonging. An illness narrative that follows my experiences as a girl born into a family of white Southern wealth, as a young crime reporter in the Deep South, and as a mother, scholar, and writer in the Midwest, No Easy Way Out raises questions about the entanglement of privilege, illness, and access to care. The book considers the stories I covered …

Reclaiming The "I": Memoir Writing As Feminist Activism, Michela Sottura

University Honors Theses

When I set out to write about my body and what happened to me, I knew I was going to have to sit with parts of myself I had long silenced, overlooked, maybe even abandoned. When I first took a class on women's memoir writing I was struck by the power of the stories we read. I felt like a door had been opened for me, as I witnessed the importance of sharing one's personal lived history. Reading the words of women with different identities and experiences than mine taught me how memoir can inspire, challenge, educate, rewrite, heal, and …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

Poems Of Debate And Praise: Women As Published Authors In Sixteenth-Century France, Anna Soo-Hoo

Dissertations, Theses, and Capstone Projects

Non-fictional, published poetic exchanges between men and women in sixteenth-century France provide new perspectives into how women writers operated in a literary culture whose main producers and dominant voice were male. Contrary to the notion repeated by many critics that women of that period were supposed to stay out of the public sphere, my study finds that publishing a woman’s poems did not destroy her reputation, and there appears to have been no major backlash when a man decided to include poems by a female contemporary in his book. My study takes as its point of departure the notion that …

'Disembodied Bones': Recovering The Poetry And Prose Of Elinor Wylie 2021, Sarah R. Bullock

Master's Theses

Picking a book to read is like diving for a pearl, writes Elinor Wylie, a 20th Century American poet, novelist, essayist and prominent magazine literary editor. In her essay "The Pearl Diver", she writes that it is the diver that risks the unknown- unaided by diving equipment in the form of library indexes-who gains the greatest joy, Wylie states (Fugitive Prose, 869). Wylie explains:

I venture to perceive an analogy between the rebellious pearl diver and myself, in my slight experience with public libraries...how much more delightful, how much more stimulating, to abandon the paraphernalia of card indexes and mahogany …

Gender Roles Reviewed Through Shakespeare's Twelfth Night With 21st Century Applications, Hannah Lewis

Scholar Week 2016 - present

This thesis focuses on a modern-day adaptation of Shakespeare’s Twelfth Night which aims to address negative gender stereotypes that are still in existence today. Through Shakespeare’s use of character representation and language, he creates a story that confronts the issue of gender stereotypes in the Elizabethan age. However, much is to be said about how gender roles in Shakespeare’s Twelfth Night is applicable to the 21^st century. In this thesis, gender roles in both the Elizabethan age and the 21^st century are explored in depth to provide examples of gender stereotypes. Thus, the study of gender roles is …

Poetry Beyond The Page: A Case For Spoken Word Poetry In Florida's Secondary Classrooms, Sarah Matherly

Senior Honors Theses

Florida’s B.E.S.T. Standards, Florida’s most recent K-12 educational standards to promote literacy, lack the rising art of Spoken Word Poetry. However, Florida’s Department of Education should integrate Spoken Word into Florida’s Secondary curriculum. Spoken Word Poetry, by its definition, holds researched benefits that align with the B.E.S.T. Standard’s poetry recommendations and literacy-centered goals. In light of such benefits, Florida’s Department of Education should consider various Spoken Word poets and poems to include in Florida’s Secondary Curriculum, as well as explore the resources and integration methods included in this thesis for both teachers and students.

On Being Seen Or For Those Who Break Like Me, Shanisha K. Branch

English Theses & Dissertations

The nature of truly seeing is something I’ve had a hard time grappling with. If you understand the difficultly of seeing and wanting others to see you that same, then these pages are for you.