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Articles 1 - 3 of 3
Full-Text Articles in Translation Studies
Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You
Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You
CLCWeb: Comparative Literature and Culture
As an emerging literary subgenre in the twenty-first century, Children’s Gothic challenges and blends the norms of both children’s literature and Gothic literature, featuring child characters’ self-empowerment in the face of fears and dark impulses. The foreignness and strangeness that pertain to the genre haunt the border of its translatability. Daniel Handler’s A Series of Unfortunate Events (1999–2006), written under the pseudonym Lemony Snicket, poses a chain of translational challenges due to its linguistic creativity, paratextual art, and mixed style of horror and dark humor intended for a child readership. To investigate the interplay between Children’s Gothic and its (un)translatability …
Excerpts From An Anti-Standardized “수능”: A Design-Fictional Approach To Korea, Seo-Young J. Chu, Seo-Young J. Chu
Excerpts From An Anti-Standardized “수능”: A Design-Fictional Approach To Korea, Seo-Young J. Chu, Seo-Young J. Chu
Publications and Research
"Excerpts from an Anti-Standardized '수능'” experiments with design fiction to disrupt overly rehearsed ways of thinking about Korea’s past(s), present(s), and future(s).
N.C. Wyeth, Howard Pyle, And The American Imagination: Medieval Myth In 19th- And 20th- Century Children’S Literature, Alyssa Kowalick
N.C. Wyeth, Howard Pyle, And The American Imagination: Medieval Myth In 19th- And 20th- Century Children’S Literature, Alyssa Kowalick
West Chester University Master’s Theses
This thesis attempts to elucidate how the illustrated images and text of the medieval myths of King Arthur and Robin Hood were translated from an English national epic to an American classic and used, I argue, to construct a new American identity. My analysis looks at both the written word and illustrated images in Howard Pyle’s The Story of King Arthur and His Knights and The Merry Adventures of Robin Hood, as well as The Boy’s King Arthur written by Sidney Lanier and illustrated by N.C. Wyeth, and Robin Hood written by Paul Creswick and illustrated by N.C. Wyeth. …