Open Access. Powered by Scholars. Published by Universities.®

Classical Archaeology and Art History Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 2 of 2

Full-Text Articles in Classical Archaeology and Art History

"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff Dec 2014

"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff

History Faculty Publications

From the Intro: “Arms and the Man I sing…” So Vergil begins his epic tale of Aeneas, who overcomes tremendous obstacles to find and establish a new home for his wandering band of Trojan refugees. Were it metrically possible, Vergil could have begun with “Cities and the Man I sing,” for Aeneas’ quest for a new home involves encounters with cities of all types: ancient and new, great and small, real and unreal. These include Dido’s Carthaginian boomtown (1.419–494), Helenus’ humble neo-Troy (3.349–353) and Latinus’ lofty citadel (7.149–192). Of course, central to his quest is the destiny of Rome, whose …


All Roads Lead Through Rome: Imperial Armatures On The Triumphal Route, Machal E. Gradoz May 2012

All Roads Lead Through Rome: Imperial Armatures On The Triumphal Route, Machal E. Gradoz

Classical Mediterranean and Middle East Honors Projects

The cityscape of ancient Rome was filled with opulent buildings that created armatures— fluid, connective thoroughfares throughout the city. These armatures came together to form narrative pathways. The triumphal route, the memorialized, celebratory course of victorious generals, is one such narrative pathway. Among other strategies to legitimize his sole rule, Augustus constructed a self-promoting armature along the triumphal route, thereby linking him with the triumph. This paper examines how the construction of the Augustan armature along the triumphal route promoted Augustus and how the Flavians responded to it in advertising their own legitimacy in the wake of a civil war. …