Ancient History, Greek and Roman through Late Antiquity Commons^™

Two Notes On P. Merton Ii 100, James Keenan

James G. Keenan

The papyrus now accessible as P. Merton II 100 was first edited by H.I. Bell as "A Requisitioning Order for Taxes in Kind," in Aegyptus, fasc.2 (1951) (Raccolta Vitelli), pp. 307-12, and subsequently reprinted as SB VI 9232. The document, written during the emirate of Jordanes (ca. A.D. 699-704), is dated 23 Phaophi of the thirteen indiction (21 October 699). Difficulties of decipherment are owed to the colors of the inks that were used (they fade into the color of papyrus itself), the frequent use of abbreviation, and the extreme cursiveness of the second hand (lines 5-8). Nevertheless, some improvements …

Asking For Plato's Forgiveness. Floyer Sydenham: A Platonic Visionary Of 18th-Century Britain, Kyriakos N. Demetriou

Kyriakos N. Demetriou

Floyer Sydenham (1710–1787), the eminent British Platonist, has been unduly neglected in the interpretative historiography of the modern Platonic tradition. Amid a climate of indifference, he set out to offer the first complete English translation of the Platonic dialogues, begging for subscriptions that never materialized. He died in debtors’ prison on April 1, 1787. Between 1759 and 1780 he managed to translate nine dialogues incorporating a large number of explanatory notes and linguistic emendations to the existing texts. Set in the context of the intellectual and discursive tradition of the era, Sydenham’s Platonism expanded on Lord Shaftesbury’s teleological views of …

Well That Escalated Quickly: Infanticide And Duality In Euripides’ Medea As An Expression Of Athenian Anxieties In 431 Bc, Molly B. Hutt

Molly B Hutt

Euripides wrote his Medea at a time when normative and transgressive behaviors were confounded. After fighting one war against the barbarian Persians and in between two wars with the other Greeks from the Peloponnese, the Athenians could not be sure what to think about barbarians, other Greeks, and even themselves. It is against this background that I have read the Medea and closely examined it for the purposes of this paper. Euripides’ version of this myth emerged at a time when the lines between man and woman, Athenian and barbarian, and normative and transgressive were being blurred in Athens, and …

Artículo Político Campaña Electoral 2011, Pablo Rosser

pablo rosser

Artículo de opinión del autor, como miembro del PSOE en Alicante.

Revealing Iberian Woodcraft: Conserved Wooden Artefacts From South-East Spain, Pablo Rosser

pablo rosser

Yolanda Carrion & Pablo Rosser Six wells at Tossal de les Basses in Spain captured a large assemblage of Iberian woodworking debris. The authors’ analysis distinguishes a wide variety of boxes, handles, staves, pegs and joinery made in different and appropriate types of wood, some – like cypress – imported from some distance away. We have here a glimpse of a sophisticated and little known industry of the fourth century BC.

The Three-Figured Reliefs: Copies Or Neoattic Creations?, Peter E. Nulton Ph.D.

Peter E. Nulton Ph.D.

The well-known group of four three-figured reliefs, existing in several copies and once assigned to the Altar of Pity in Athens, has always eluded interpretation as a coherent iconographical program. The four scenes depicted are Orpheus and Eurydice, Herakles in the garden of the Hesperides, Herakles with Perithoos and Theseus, and Medea with the Peliads. Though some have questioned the association of the reliefs with the Altar, the conventional dating has not been challenged, in spite of the growing recognition that some of the pieces (most notably the Orpheus relief) are largely unparalleled in the Classical Greek idiom. Careful reexamination …

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles, he is likely …

Classics In The Nineteenth Century, Kyriakos N. Demetriou

Kyriakos N. Demetriou

This set comprises the first comprehensive collection of reviews, essays, and articles on George Grote''s writing. It offers a revealing picture of Victorian scholars and their understanding of classical antiquity, and is an indispensable primary source on the reception of Grote in Britain and America. Each volume is prefaced by a lenghty and informative introduction.

The Sanctuary Of Apollo Hypoakraios And Imperial Athens, Peter Nulton

Peter E. Nulton Ph.D.

The Cave Sanctuary of Apollo on the North Slope of the Acropolis at Athens was investigated in 1896-97 and produced a rich collection of inscriptions relating to the cult. These inscriptions are published in full for the first time in this work. The author discusses the history of the cult. Far from being of great antiquity as readers of Euripides' "Ion" have long assumed, the cult was instituted in the time of Augustus when "The Athenians thought it fitting that their archons swear an oath that upheld tradition in connection to Apollo Patroos, but simultaneously honored their 'new Apollo'", the …

Apollo Hypoakraios Reconsidered, Peter Nulton

Peter E. Nulton Ph.D.

In 1897, the excavations of P. Kabbadias uncovered ten votive plaques in a cave on the northwest slope of the Athenian Acropolis, thereby fixing the location of the "sanctuary of Apollo in a cave" mentioned by Pausanias (I.28.4). The inscriptions indicated that they were meant as dedications to Apollo Hypoakraios or Hypo Makrais, and that the dedicants were invariably members of the college of archons. Although the corpus has increased steadily since then, the inscriptions have not been treated together since Kabbadias's original publication.

In this paper, I will offer some conclusions drawn from a thorough re-analysis of the corpus. …