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Ancient History, Greek and Roman through Late Antiquity Commons

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Full-Text Articles in Ancient History, Greek and Roman through Late Antiquity

Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, Christina E. Farella Jun 2020

Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, Christina E. Farella

Dissertations, Theses, and Capstone Projects

This thesis offers a new reading of William Shakespeare’s late play The Winter’s Tale (1623), positing that in order to understand this complex and eccentric work, we must read it with a complex and eccentric eye. In The Winter’s Tale, planets strike without warning, pulling at hearts, wombs, and blood, impacting the health and emotional experience of characters in the play. This work is renowned for its inconsistent formal structure; the first half is a tragedy set in winter, but abruptly shifts to a comedy set in spring/summer in its latter half. What’s more, is that planets, luminaries, and …


The Aesthetics Of Storytelling And Literary Criticism As Mythological Ritual: The Myth Of The Human Tragic Hero, Intertextual Comparisons Between The Heroes And Monsters Of Beowulf And The Anglo-Saxon Exodus, Daniel Stoll May 2020

The Aesthetics Of Storytelling And Literary Criticism As Mythological Ritual: The Myth Of The Human Tragic Hero, Intertextual Comparisons Between The Heroes And Monsters Of Beowulf And The Anglo-Saxon Exodus, Daniel Stoll

Undergraduate Honors Theses

For thousands of years, people have been hearing, reading, and interpreting stories and myths in light of their own experience. To read a work by a different author living in a different era and setting, people tend to imagine works of literature to be something they are not. To avoid this fateful tendency, I hope to elucidate what it means to read a work of literature and interpret it: love it to the point of wanting to foremost discuss its excellence of being a piece of art. Rather than this being a defense, I would rather call it a musing, …


Failures Of Grace: Limits Of Tragedy In The Late Nineteenth-Century Novel, Anick S. Rolland Feb 2020

Failures Of Grace: Limits Of Tragedy In The Late Nineteenth-Century Novel, Anick S. Rolland

Dissertations, Theses, and Capstone Projects

Failures of Grace argues that nineteenth-century novelists challenge the hegemonies of literary form and the value of personal suffering through what I call the trans-genre tragic novel. This new form is emblematic of a period in which values hang in the balance and places traditional values at odds with themselves by combining the low form of the novel with the highest mimetic mode in the Western tradition: tragedy. It simultaneously proposes the most vulnerable members of society as tragic heroes in contrast to the noble figures who previously were presumed to define the genre.

Through close readings of works by …


Tragedy And Theodicy: The Role Of The Sufferer From Job To Ahab, Nora Carroll Feb 2018

Tragedy And Theodicy: The Role Of The Sufferer From Job To Ahab, Nora Carroll

Dissertations, Theses, and Capstone Projects

The character of Job starts in literature, a trope and archetype of the suffering man who potentially gains wisdom through suffering. Job’s characterization informs a comparison to Sophocles’ Oedipus Rex, Shakespeare’s King Lear, Milton’s Paradise Lost, and finally Melville’s Moby-Dick. These versions of Job rally, fight, and rebel against a universe that was once loving and fair towards a more chaotic and nihilistic one. Job’s suffering is on the mark of all tragedy because he not only experiences a downfall, he gains wisdom through universalizing his torment. The Job trope not only stresses the role of suffering, it …


Immortality In Literature: The Goddesses Of Ancient Greece, Rebecca Lozier Jan 2018

Immortality In Literature: The Goddesses Of Ancient Greece, Rebecca Lozier

Williams Honors College, Honors Research Projects

The following text explores the connections between the mythology of ancient Greece and the society from which it arose. Women are often at the heart of classical myth despite being oppressed members of society. Understanding the role of women in mythology provides insight into women's treatment in ancient Greece. It follows the lasting influence of ancient Greece and its mythology through to the Romantic Period. Understanding how poets used myth, provides understanding into the culture's beliefs about women.


Erichtho’S Mouth: Persuasive Speaking, Sexuality And Magic, Lauren E. Devoe May 2015

Erichtho’S Mouth: Persuasive Speaking, Sexuality And Magic, Lauren E. Devoe

University of New Orleans Theses and Dissertations

Since classical times, the witch has remained an eerie, powerful and foreboding figure in literature and drama. Often beautiful and alluring, like Circe, and just as often terrifying and aged, like Shakespeare’s Wyrd Sisters, the witch lives ever just outside the margins of polite society. In John Marston’s Sophonisba, or The Wonder of Women the witch’s ability to persuade through the use of language is Marston’s commentary on the power of poetry, theater and women’s speech in early modern Britain. Erichtho is the ultimate example of a terrifying woman who uses linguistic persuasion to change the course of nations. Throughout …


Lies Breathed Through Silver: Mythological Constructs In Tolkien’S Works, Joshua Mccrowell Apr 2007

Lies Breathed Through Silver: Mythological Constructs In Tolkien’S Works, Joshua Mccrowell

Undergraduate Theses and Capstone Projects

It’s not hard to imagine the English air being warm the night John Ronald Reuel Tolkien brought Clive Staples Lewis hard won into Christianity. The image of their lengthy midnight talk has since become almost mythic to those who study those two authors because of the impact that Christianity (and the other) had on each other’s lives. Lewis’ most famous works - everything from Narnia to his Space Trilogy to his apologetics - all are based on and inspired by his faith. Similarly, Tolkien once said that “The Lord of the Rings is of course a fundamentally religious and Catholic …