Ancient History, Greek and Roman through Late Antiquity Commons^™

"All That Remains Of Husband", James L. Kleerup

Scripps Senior Theses

Within Book 4 of Virgil’s Aeneid, the question of marriage is repeatedly raised. Specifically, it is debated whether or not Dido and Aeneas are married. This question is hotly debated by both the characters and scholars, as the answer is not definitively given within the text. This paper seeks to provide an answer, as the contemporary Roman reader would likely have interpreted their relationship, and also address why Virgil remained purposefully vague. Within Book 4, three key scenes are examined: the discussion between Juno and Venus where Juno proposes the wedding, the cave scene, and Dido and Aeneas’ argument …

Ἀντιάνειραι: Applying A Model Of Homeric Warriorship To Female Warriors In Ancient Greek Literature, Ruby M. Laufer

Scripps Senior Theses

In this thesis, I attempt to address the erasure of female warriors from the discussion of Homeric warriorship. I first create a model of the attributes and values of the Homeric warrior, based on the men of the Iliad. I then apply that model to four women: three Amazons—Penthesileia, Antiope, and Hippolyta—and one Greek—Atalanta—to show the ways in which they fit into the model. I conclude by examining the erasure of these women in other Homeric warrior models, and ultimately argue that these women are crucial to the study of warriorship, and should be considered as such in scholarship going …

Myrrha Now: Reimagining Classic Myth And Mary Zimmerman's Metamorphoses In The #Metoo Era, Claire A. Pukszta

Scripps Senior Theses

This paper represents the final culmination of a theater senior project. The project consisted of an analytical research paper, performance in a mainstage department production, and supporting process documentation. I portrayed Myrrha, Hunger, Zeus, and others in a production of the play Metamorphoses.

Through research on Mary Zimmerman’s 1998 play Metamorphoses, adapted from the works of Roman poet Ovid, this thesis grapples with the historical meaning of the myth of Myrrha. A polarizing figure, Myrrha was cursed to fall in lust with her father. By exploring of portrayals sexual assault onstage, I tackle themes of audience relationships to …