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Articles 1 - 30 of 97
Full-Text Articles in Chinese Studies
Brief History Of A Family, John C. Lyden
Brief History Of A Family, John C. Lyden
Journal of Religion & Film
This is a film review of Brief History of a Family (2024), directed by Jianjie Lin.
Signifying And The Feeling Of Differences, Samuel Weber
Signifying And The Feeling Of Differences, Samuel Weber
Theoretical Studies in Literature and Art
What does Werner Hamacher's concept of archiphilology have in common with Saussure's view of intralinguistic， differential function in language? Perhaps the way in which the indefinite of language itself “slowly defines itself，” both in response to past acts of appropriations， and appealing for new signifieds the meaning of which can only be seized and unseized over time. Several of Kafka's short stories illustrate how literary works play out the same tension within what can be called a “progressive and digressive” narrative， warding off any internal principle of closure or conclusiveness while continuing to require endings and answers. Holderlin's “Remarks on …
Guest Editor's Overview, Yue Zhuo
Guest Editor's Overview, Yue Zhuo
Theoretical Studies in Literature and Art
No abstract provided.
Learning Chinese Vocabulary: Understanding Students' Perspectives, Austin Gasiecki, Zuotang Zhang
Learning Chinese Vocabulary: Understanding Students' Perspectives, Austin Gasiecki, Zuotang Zhang
The Coastal Review: An Online Peer-reviewed Journal
This study used a survey to investigate self-study and university-enrolled Chinese learners’ habits in studying Chinese vocabulary in order to determine what study methods influence a.) learners’ confidence in learning Chinese vocabulary and b.) what aspects of Chinese vocabulary they consider easy or difficult. We were particularly interested in seeing what the data had to say about students’ attitudes towards characters and the written language, given that the field of Chinese language pedagogy is known for a stronger focus on the written language as opposed to the spoken language. We found that aspects of Chinese vocabulary associated with the spoken …
Between Pain And Glory: Memory Disputes Of The Brazilian Dictatorship In Retrato Calado And O Que É Isso, Companheiro?, Angela R. Mooney
Between Pain And Glory: Memory Disputes Of The Brazilian Dictatorship In Retrato Calado And O Que É Isso, Companheiro?, Angela R. Mooney
The Coastal Review: An Online Peer-reviewed Journal
This article analyzes Luiz Roberto Salinas Fortes’ Retrato calado (Silent Portrait) published in 1988, considering the theoretical discussions on testimonio's epistemology—addressing the challenge of narrating trauma and the risk of stylization. It compares Fortes' memoir with Fernando Gabeira's O que é isso, companheiro? (What's This, Comrade?) from 1979, examining diverse approaches to capturing historical trauma through literature and its impact on collective memory about Brazilian Dictatorship (1964-1985).
Recontextualization Of Sun Wukong’S Heroism In The Monkey King Film Trilogy 2014–2018, Adi Kristina Wulandari, Manneke Budiman, Nurni Wahyu Wuryandari, Suma Riella Rusdiarti
Recontextualization Of Sun Wukong’S Heroism In The Monkey King Film Trilogy 2014–2018, Adi Kristina Wulandari, Manneke Budiman, Nurni Wahyu Wuryandari, Suma Riella Rusdiarti
Paradigma: Jurnal Kajian Budaya
The classic Chinese novel, Journey to the West, written by Wú Chéng’ēn in the 16th century of the Ming Dynasty, is an influential work in Chinese culture. The main character of the novel, the Monkey King Sun Wukong, has become a highly popular character and been adapted into various cultural products. Sun Wukong’s popularity was adapted into three films directed by Cheang Pou-soi, namely Monkey King 1 (2014), Monkey King 2 (2016), and Monkey King 3 (2018). This article analyzes the reconfiguration of Sun Wukong in the films based on the monomyth schemes by Joseph Campbell, focusing on the construction …
Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane
Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane
The Coastal Review: An Online Peer-reviewed Journal
This article explores the innovative language strategies employed by Senegalese writer Ken Bugul in her novel Aller et retour to construct a dynamic and interconnected linguistic landscape that challenges fixed language boundaries. Ken Bugul's "langue fabriquée" combines elements of French, Wolof, and English, reflecting a transglocal dimension that embodies the essence of afrophonics—a poetics of resistance that empowers local cultures in a globalized context. Through a detailed analysis of Ken Bugul's linguistic choices, including the use of quotation marks, footnotes, and arbitrary transcription, the study reveals how she creates a language that defies categorization and decolonizes French without resorting to …
Sounding Out Stories: A Critical Analysis Of The Prince, How To Become A Dictator, The King Of Kowloon, Three Narrative Podcasts On Contemporary China, Siobhan Mchugh
RadioDoc Review
It’s unusual and welcome to see not one, but three, well-produced narrative podcasts made in the West about China. Hosted by female journalists with a Chinese background, all provide strong context on Chinese history and politics but focus essentially on an individual: The King of Kowloon (produced by the Australian Broadcasting Corporation) memorialises an eccentric graffiti artist called Tsang Tsou-choi, his art seen in the context of Hong Kong’s shrinking democracy. Both The Prince (by The Economist) and How To Become A Dictator (by The Telegraph) zero in on Xi JinPing, President of the People’s Republic of …
La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez
La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez
The Coastal Review: An Online Peer-reviewed Journal
Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …
De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe
De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe
The Coastal Review: An Online Peer-reviewed Journal
In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …
Potentiality, Resistance And Bare Life: Giorgio Agamben On Melville’S Bartleby, Yanjun Wang, Yaping Wang
Potentiality, Resistance And Bare Life: Giorgio Agamben On Melville’S Bartleby, Yanjun Wang, Yaping Wang
Theoretical Studies in Literature and Art
The idea of potentiality runs through Giorgio Agamben’s political philosophy. In his analysis of Herman Melville’s Bartleby, the Scrivener, Agamben thoroughly interprets potentiality and bare life through Bartleby’s “I prefer not to”. Agamben believes that Bartleby’s inoperativeness is the highest form of resistance, which exists as pure potentiality against the power apparatuses in modern society. Agamben considers Bartleby’s inoperativeness as the exact way to redeem bare life in modern society, where the state of exception already becomes normality. This article starts with Agamben’s reading of Bartley, focuses on potentiality, resistance and bare life to analyze the pure and thorough way …
Employing A Chinese Ghost Story To Teach The Syncretism Of Chinese Religions, Gloria I-Ling Chien
Employing A Chinese Ghost Story To Teach The Syncretism Of Chinese Religions, Gloria I-Ling Chien
Journal of Religion & Film
Upon its release in 1987, the Hong Kong blockbuster A Chinese Ghost Story resulted in sequels, adaptations, and two remakes in 2011 and 2020. Despite its popularity, only a few critics have noticed its eclectic representations of Chinese religions, nor has there been any evaluation of its pedagogical potential. This article details how the author employs this 1987 work to teach the syncretism of Chinese religions in an undergraduate course “Asian Religions in Film.” By decoding the embedded concepts, the meanings and history behind “the Jade Garland talisman,” the inclusion of the Diamond Sutra for exorcistic efficacy, and the portrayal …
The Fallacy And Verification Of Criticism On Contemporary Chinese Confessional Poetry, Lei Wei
The Fallacy And Verification Of Criticism On Contemporary Chinese Confessional Poetry, Lei Wei
Theoretical Studies in Literature and Art
Contemporary Chinese confessional poetry has engaged much academic attention despite its short existence between the 1980s and the 1990s. The confessional poetry has been related with female poetry by scholars since the beginning, and they have been criticized for lacking Chinese cultural characteristics, skills or aesthetic values etc.. However, contemporary Chinese confessional poetry is not exclusively the product of female poets, as there are quite a few male poets who created some fine confessional poems. Chinese confessional poetry of new period turned out to be embodied with a literary form of strong nationalistic features and contain rich elements of traditional …
Live As Fireflies: The Narration Of Traumas In Two Films, Tucker Obrien
Live As Fireflies: The Narration Of Traumas In Two Films, Tucker Obrien
Senior Theses and Projects
The films To Live, directed by Zhang Yimou 1994 in China, and Grave of the Fireflies, directed by Isao Takahata in Japan, tell the stories of two families’ daily life as they endure the aftermath of historical tragedies in the 20th century. Affected by the histories of China and Japan in the twentieth century, the actions and thoughts of the characters embody different forms of their traumas. I argue that these two films depict traumatic expressions of the Chinese and Japanese people to their respective historical tragedies, through the abnormal behaviors and uncanny psychologies of the characters. The visualized …
Exploring Chinese Audience’S Responses Toward American Film Representations Of Chinese Culture And People, Yue Yu
Theses and Dissertations
This qualitative study focuses on the Chinese audience responses to Chinese media representations in American films. The goal of this project is to create a white paper that can be present to American film producers or potential movie investors who want to earn a bigger market share in China. Semi-structured focus groups were conducted among college students, addressing four research questions. Findings revealed that the participants in the focus group were able to identify and acknowledge the Chinese media representation and stereotypes in American feature films. Furthermore, most of the participants were positive towards Chinese elements incorporations and were capable …
La “Border Culture” Del Personaje Mexicoamericano En El Sureste De Estados Unidos En Los Cuentos De Lorraine López Y Mijito Doesn’T Live Here Anymore De Jaime Martínez, Jaime Chavez
The Coastal Review: An Online Peer-reviewed Journal
This paper explores the concepts of "Border Culture" and "Borderlands" by Gloria Anzaldúa in Soy la Avon Lady and Other Stories, Homicide Survivors Picnic and Other Stories, by Lorraine López and the novel Mijito Doesn’t Live Here Anymore by Jaime Martínez. The paper argues that the Mexican American character in the southeast of the United States lives in the "Borderlands" and practices a "Border Culture" because they don't follow the traditional stereotypical role of the Mexican American character within the literary canon of both the dominant culture and Chicana/o literature.
Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho
Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho
The Coastal Review: An Online Peer-reviewed Journal
This article investigates the way in which Cuban literature reflected on indigenous people during the early half of the nineteenth century and uses the symbol of the Amerindians to demonstrate a moral disjuncture between them and the colonizer. In this article, I call attention to the way Cuban independentists and Spanish nationalists used this figure to support their views and thus created a split in the Cuban creole imagination. I start by pointing out that these appropriations started at the end of the 18th century when historian José Martín Félix de Arrate, and poets such as Miguel González and Manuel …
The Somaesthetics Of The Multitude: The Politico-Aesthetic Logic Of Antonio Negri And Michael Hardt In Constructing The Subjecthood, Jinying Li
Theoretical Studies in Literature and Art
"The Multitude", a concept reconstructed by Antonio Negri and Michael Hardt after the deconstruction of the subjecthood by post-structuralism, is a combination of singularity and commonality, and physicality and affection, and it is the subjecthood of postmodern society that overthrows the control of the empire and constructs the commonwealth. In the early days, Negri began to explore social issues from the perspective of the relationship between art and the multitude. From this perspective, his logics in constructing the multitude can be summed up as aestheticization and bio-politicization, and its inner trajectory of reasoning can be summarized as a transformation from …
Nelson Goodman On Exemplification, Hui Zhang
Nelson Goodman On Exemplification, Hui Zhang
Theoretical Studies in Literature and Art
Nelson Goodman holds that there are two forms of symbolizing, namely, denotation and exemplification. In denotation, a symbol is used to refer to an object, while in exemplification the exemplifier has a label or is referred to by a label. Exemplification explains how abstract works perform symbolic functions and express metaphorical exemplifiers. Being highly creative and influential, Goodman's theory is valuable and can serve as a reference for Chinese scholars.
“Inaesthetics” And The “Passion For The Real”: Alain Badiou On The Avant-Garde Art, Kaifeng Xia
“Inaesthetics” And The “Passion For The Real”: Alain Badiou On The Avant-Garde Art, Kaifeng Xia
Theoretical Studies in Literature and Art
Alain Badiou distinguishes between the didactic schema, classical schema and romantic schema in art, and further suggests that the avant-garde art does not create a new schema, but synthesizes the previous schemata into a didactico-romantic schema. Badiou strives to propose a new schema, the "inaesthetics" schema, which is both immanent and exclusive, that is, taking art as a truth-procedure. The inaesthetics schema is actually modeled around the avant-garde art, as Badiou believes that the avant-garde art embodies the "passion for the real" which implies two approaches of "destruction" and "subtraction." When Badiou attempts to combine these two approaches in his …
Wang Guowei's Theory Of Intuition And New Practice Of Symbolizing With Affective Image In Ci-Poetry, Bailing Yang
Wang Guowei's Theory Of Intuition And New Practice Of Symbolizing With Affective Image In Ci-Poetry, Bailing Yang
Theoretical Studies in Literature and Art
The category of "perceiving" runs through all the fields and the whole process of Wang Guowei's research. He insists that art is based on intuition, but this does not mean that he is an anti-rationalist. He is not opposed to the use of bi(comparison) and xing (affective image) in classical Chinese poetry, yet reforms these methods with his theory of intuition, thereby giving them connotations of symbolism in modern Western poetics. Taking sorrows for the change of seasons, observations of moonlights, and astronomical phenomena as examples, this article analyzes the symbolic means of intuitive cognition embodiedin Wang Guowei's statement, "all …
Mao Qiling's Comments On The Romance Of The West Chamber And The Value Of His Concept Of “Lyric Example” In Literary Criticism, Xurong Yang
Theoretical Studies in Literature and Art
Theatre critics of the Ming dynasty spoke only occasionally about the "example (li)" of the Yuan-dynasty plays (za ju). In early Qing dynasty, Mao Qiling proposed "lyric example ( ci li)" as the primary commentary approach to The Romance ofthe West Chamber. The concept of "lyric" refers to the Yuan-dynasty plays, and the concept of "example" refers to the conventions, commonalities, laws and paradigms. Mao's concept of "lyric example" provided a comprehensive analysis of the language, the temperament, the system, and the performance as well as the critical standards in evaluating not only The Romance of the West Chamber but …
The Breakthrough And Limitations Of Qi Biaojia's Xiqu-Play Criticism, Shiyang Zhang
The Breakthrough And Limitations Of Qi Biaojia's Xiqu-Play Criticism, Shiyang Zhang
Theoretical Studies in Literature and Art
In his letters to friends, Qi Biaojia expressed his hope to compile a collection of xiqu-plays in the Ming dynasty to promote contemporary xiqu-plays with textual criticism of the manuscripts. Qi inherited Wang Jide's idea of being the first to bridge the gap in the xiqu world and Lv Tiancheng's "intention to be close to the secular." Therefore, he tried hard to collect all the xiqu-plays in the Ming dynasty available to him, and compiled a monograph on xiqu-plays. Qi focused on manuscripts rather than on the playwrights or actors as his basis of evaluation. As opera music meters and …
Multidimensional Construction And Deconstruction Of The Claim That The Eight-Legged Essay Was Epitomized In The Ming Dynasty, Xiong Zheng
Theoretical Studies in Literature and Art
The claim that the eight-legged essay was epitomized in the Ming dynasty was solidified by scholars of the Ming and Qing dynasties with the belief that each generation had an exemplary genre since the Yuan dynasty. The claim was constructed from four dimensions of the three relationships between writing and, respectively, societal politics, scholar's vitality, and tradition of adhering to the classics and doctrines, as well as generic transformation and its value. The value of the eight-legged essay in the Ming dynasty had also been criticized in the above mentioned four dimensions by the Ming and Qing dynasty scholars. However, …
The Aesthetic Concept Of On The Absence Of Sentiments In Music And A Reflection On The Construction Of Chinese Aesthetics, Kai Lin
Theoretical Studies in Literature and Art
Ji Kang's ( 223-263) On the Absence of Sentiments in Music has three types of aesthetic concepts. First, listeners of sorrowful music release his emotions through listening. Second, peaceful listeners obtain aesthetic pleasure through appreciating the beauty of musical form. Thirdly, peaceful listeners focus specifically on moderate music, in order to acquire peace and preserve his health. Going beyond utilitarian emotions, Ji Kang laid more emphasis on the second type of aesthetic concept, which was close to Kant's definition of disinterestedness. Yet, he regulated desire due to vigilance, rather than stressing "aesthetic freedom" like modern aesthetics. Therefore, Ji Kang's three …
Fictional Text And Reality Of The Possible, Shusheng Zhang
Fictional Text And Reality Of The Possible, Shusheng Zhang
Theoretical Studies in Literature and Art
This article explores the issue of reference in fictional texts, that is, the relationship between fictional texts and reality. Paul Ricoeur thinks that the reference of poetic language is not cancelled, but only suspended. Through its semantic creativity, it possesses the ability to transform reality and to turn our personal environment into a habitable world. The interpretation of the concept "world /Welt" and "environment /Umwelt" by Martin Heidegger and Hans-Georg Gadamer shed light on the significance of fictional texts in reality, for they propose to us possible modes of existence in the ontological sense. In other words, fictional texts can …
A Paranoid Anxiety Of Life And Its Artistic Expression: A Thematic Study Of The Story Of Zhuangzhou Drumming The Basin, Yugui Jing
Theoretical Studies in Literature and Art
The original story of "Zhuangzhou Drumming the Basin" as first appeared in the Stories to Caution the World has been circulated both in China and abroad, and the motif of "unfaithful widow" is given distinctive artistic forms of expression. Zhuang's wife, the female protagonist in the story is constructed as an embodiment of carnal desire. Such representation reflects the status and tragic existence of women in a patriarchal society. Zhuangzi, who tests his wife's faithfulness, is in fact a representative figure of ancient scholars of little means who are separated from society and family, and a sexually jealous character of …
Juxtaposition, Narrative Strategies, And Multimedia Explorations: Representation Of Time In Comics, Xu Lian
Juxtaposition, Narrative Strategies, And Multimedia Explorations: Representation Of Time In Comics, Xu Lian
Theoretical Studies in Literature and Art
Following the tradition of narratology and comics studies, this article explores various ways of representing time in comics and displays the complexity and diversity of temporal representation in the grammar of comics. It focuses on spatialization, closure, order, speed, and innovation enabled by virtue of multimedia explorations. Spatialization strategies such as juxtaposition and collage are basic ways to represent time in comics, and closure of perception is also critical in understanding time. However, new forms like music comics and webcomics have significantly changed the structure of temporal representation.
The New Development Of Marxist Literary Criticism Today: An Interview With Barbara Foley, Shengzhen Zhang, Barbara Foley
The New Development Of Marxist Literary Criticism Today: An Interview With Barbara Foley, Shengzhen Zhang, Barbara Foley
Theoretical Studies in Literature and Art
This interview with Prof. Barbara Foley covers a wide range of critical approaches and new challenges in the fields of Marxist theory, Marxist literary criticism, and Marxist pedagogy. Prof. Foley holds that Marxism provides a meta-theory, a privileged standpoint from which to study the connections between literature, politics and history. After examining fundamental principles of Marxism － － historical materialism, political economy, and ideology critique － － Foley analyzes long-standing debates over the nature of literature and sets forth key concerns of Marxist literary criticism. This interview also examines a broad range of literary works － － from classical to …
“Poetic Wisdom”Or “Poetic Knowledge”: On The Interlingual Transformation Of “Della Sapienza Poetica”, Weixuan Lin
“Poetic Wisdom”Or “Poetic Knowledge”: On The Interlingual Transformation Of “Della Sapienza Poetica”, Weixuan Lin
Theoretical Studies in Literature and Art
While the term “Poetic wisdom” as the translation of “della Sapienza Poetica” helps to convey the aestheticconnotation of the original, it shadows the meaning of “poetic knowledge” and its epistemological background. Since René Descartes's rationality denied the value of philology, Giovanni Battista Vico tried to use “della Sapienza Poetica” as his method to seek truth in philology, and as his determination to defend philology. When approaching “della Sapienza Poetica” from the perspective of “poetic knowledge," we can understand and justify many of the puzzling arguments in Vico's New Science and give due respect to the concept which lacks among Western …