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Full-Text Articles in Art Practice

Hand-Eye, Michael S. Pszczonak Aug 2015

Hand-Eye, Michael S. Pszczonak

Electronic Thesis and Dissertation Repository

This integrated article thesis has two distinct chapters: The first chapter is a case study on a selection of works by German artist Sigmar Polke using Hal Fosters writing on the historical and neo-avant-gardes. The study traces the way Polke revisits the first avant-garde project and comprehends its attempted traumatic rift from dominant ideologies for the first time. The second chapter is a comprehensive artist statement which simultaneously outlines the theoretical underpinnings of my work as well as the process leading to the body of work on display at McIntosh Gallery. The research sets out to answer the following question: …


Pressing: Where The Objective Meets The Subjective, Mariana Parisca May 2015

Pressing: Where The Objective Meets The Subjective, Mariana Parisca

Undergraduate Theses—Unrestricted

Through this essay I describe the theoretical and anthropological ideas that led to the creation of the Cushing Series. An interest in the obsession with photography in popular culture leads to an understanding of the permeation of structured reasoning beyond scientific research and into everyday life. Taking evidence from photography, and philosophy of science I establish the limitations of structured reasoning, both as a way of perceiving the world and as an understanding of identity, and define surface and frame as its physical representation. Using Sartre’s existential theory and phenomenological anthropology I then describe the infinite subjective existence of …


Critical Mass: An Exhibition Competition, Allison Kirsch May 2015

Critical Mass: An Exhibition Competition, Allison Kirsch

Honors Capstone Projects - All

I organized Critical Mass: An Exhibition Competition for my Honors Capstone Project. This was a juried art exhibition for undergraduate visual artists in the College of Visual and Performing Arts at Syracuse University. Ten artists were selected from student applications to represent a broad range of artistic achievement.


Oh, Lazarus…Whom God Has Helped, Wala Ka Bang Hiya!, Lazaro Juan May 2015

Oh, Lazarus…Whom God Has Helped, Wala Ka Bang Hiya!, Lazaro Juan

Theses and Dissertations

Art as a means and a vehicle towards a higher form of consciousness, and state of awareness to communicate complex issues and a way of healing. Within the context of the decolonization process.


"To Deal", Kyle Peterson Apr 2015

"To Deal", Kyle Peterson

Art and Art History Honors Papers

My objective in beginning this series was to, quite simply, deal with personal issues. I wanted to begin to dissect and make sense of my experiences through critical understanding of the different internal and external social pressures I was feeling. I did so by creating a series of life-size objects referencing and conflicting with both my own and other’s bodies in space. These objects in their scene have taken on a life of their own that places them in a dialogue beyond just my own experience, furthering to allow for other’s experiences to be reflected as well. The result was …


Expanding Eco-Visualization: Sculpting Corn Production, Jennifer E. Figg Jan 2015

Expanding Eco-Visualization: Sculpting Corn Production, Jennifer E. Figg

Theses and Dissertations

This dissertation expands upon the definition of eco-visualization artwork. EV was originally defined in 2006 by Tiffany Holmes as a way to display the real time consumption statistics of key environmental resources for the goal of promoting ecological literacy. I assert that the final forms of EV artworks are not necessarily dependent on technology, and can differ in terms of media used, in that they can be sculptural, video-based, or static two-dimensional forms that communicate interpreted environmental information. There are two main categories of EV: one that is predominantly screen-based and another that employs a variety of modes of representation …


Belt Melon Grass, Andrew M. Francis Jan 2015

Belt Melon Grass, Andrew M. Francis

Theses and Dissertations

This essay was written largely after the completion of my thesis exhibition which shares its title. An integral aspect of the work was the after-­hours maintenance it required. Below I describe the unforeseen personal significance that labor came to hold and the way in which it functioned as a healing ritual. Through this work, and those leading up to it, I have a reinvigorated awareness of the importance of therapy as an aspect of my art­making, of which this thesis is a testament.


Play Doh's Cave And The Pursuit Of The American Cream, Becky S. Sellinger Jan 2015

Play Doh's Cave And The Pursuit Of The American Cream, Becky S. Sellinger

Theses and Dissertations

Take a minute. Imagine Wiley Coyote and Road Runner are in a domestic partnership. What would that look like? Close your eyes and Pause for 30 seconds. Don’t you see? Coyote never catches up. They keep running faster and faster. Everything in the house gets swept into the whirlwind they’ve created in their paths - the books, the shelves, the bed, and the desk lamp. Their circling movement creates a vacuum, which ultimately causes the entire structure to implode upon itself.

This text is an examination of my work and its relationship to the economic and the domestic. The metaphor …


New Patriarchies: A Turbulence Of Source And Subject, Stephen Fuller Jan 2015

New Patriarchies: A Turbulence Of Source And Subject, Stephen Fuller

Theses and Dissertations

Experiencing a turbulence of source and subject in the variable inversions and supports of one source to another--the wreck of the U-352, Carpeaux’s Ugolino and his Sons, a movie poster for J.A. Bayona’s The Impossible, and Cassiopeia mythology--these four sources as sons, in sacrifice to and surviving by way of “daddy” documentation, are here refigured to reenact and critique the patriarchally recreational, monumental, cinematic, and mythological infrastructures supporting the sources of this work and thereby serving to critique the newer patriarchies to which these sources and their subjectifications here seek to cross consumptively dead end. Following three public …