More Than Just Food, Haden King

Masters Theses, 2020-current

Our relationship with the natural world--as it relates to our production of food--is complex. Drawing inspiration from principles of regenerative agriculture, my paintings explore the dynamics and perceptions surrounding food, health, and a sustainable future. I deliberately use idealized images--some of which comes from corporate marketing campaigns--to examine the tension between what is real and what is fake.

Nest, Camillia Elci

Masters Theses, 2020-current

The major themes in this body of work are time and layers. These themes are linked by the materiality of the work. Intentional destruction and recreation, perpetually. The work is constantly being made, destroyed, and remade. It is always partly past and partly future. Nest is a self portrait displaying objects acquired and made over the past several years.

Spinning Plates, Anikó K.L. Sáfrán

Masters Theses, 2020-current

Spinning Plates is an intermedia exhibition based on multitasking, at times to an absurd level, to address the gendered division of care labor in a typical, heteronormative household. One hundred years into the pursuit of passing an Equal Rights Amendment, women are still taking on the majority of duties related to managing and caretaking the household and its children, even though most women have also joined the income-generating labor force. At the core of the exhibit are performance-based videos of the mother-artist multitasking, completing household chores, exercising, and creating art. Some of the artworks are action paintings, others are drawings …

Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont

MFA in Visual Art

This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …

New Animals, Alina Iakirevitch

Theses and Dissertations

To transfer the rhythms of the body into the earth, in Lippard’s language, one has to engage in a non verbal, illogical action. Art is the sphere of this action. Staying engaged with the unpredictable in us, the random, the primal, is the core of art making and encountering art.

Break Time, Quinlan Maggio

Theses and Dissertations

In this graduate thesis artist Quinlan Maggio describes their two-part art project in which they create site-specific private/public spaces and encounters within a larger public, specifically, that of the Hunter MFA community and its art-viewing audience.

Scene By Scene, Katita Miller

Theses and Dissertations

Katita Miller’s paintings and drawings depict quotidian scenes through the filter of an overactive mind. Populated by spectral figures and swirling portals, her interiors and landscapes fluctuate between the mundane and the fantastical. This paper explores the parallels between painting and theater and the context and process behind five paintings.

The Quads, Elmer D. Guevara

Theses and Dissertations

My work attempts to reconcile my familial history. By reconstructing narratives, I am advancing a new sense of our family archive. My goal is to grant the viewer with autobiographical snippets delivered through the piecing and meshing of multiple scenarios and events that derive from family album photos and reimagining spaces.

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

I Crawled Out From The Palimpsest Crater, Jessica Willittes

Theses and Dissertations

This paper is a dissection and examination of my art-making practice through the analogy of the palimpsest landscape found in Arizona’s Meteor Crater. I attempt to elucidate the process by which a “palimpsest artwork” is made through an unfixed cycle of scavenging, rupturing, joining and offering.

Dust, Mist, Haze, Michael C. Tracy

Theses and Dissertations

This paper explores painting through the ideas of dust, mist, and haze as specific atmospheric metaphors that could be used to describe ontologies of space, time, memory, and history.

The Screen To Desire, Joseph Parra

Theses and Dissertations

Joseph Parra reflects on our often embellished online personas and their effect on our desires. Through luscious 3-dimensional painting Parra translates the seductive desire of the hypermasculine male-presenting figure through glorification and criticality. The tactile painting also acts as a rebellion to accurately represent “real” life on the digital screen.

“For My Will Is As Strong As Yours And My Kingdom As Great”, Anna L. Cone

Theses and Dissertations

My work responds to trauma, systems of power and abuses of power. The pieces give materiality to unseen labor and devalued knowledge, often disseminated from the “feminine,” domestic spaces of kitchens and baths, through practices of magic, astrology, ritual and baking. My materials–jello, hair and kitchen ingredients–refer to complex histories, brought present through film and performance.

Buzz Buzz, Sarah Heinemann

Theses and Dissertations

Taking the form of a series of notes and notations, this document serves as an account of color in my painting practice as it intersects through personal memory, research, and my studio and professional practices.

Head, Shoulders, Knees, And Toes, Pol Morton

Theses and Dissertations

My work explores ideas of transness, chronic illness, and injury. Through assemblage and repetition, my larger-than-life paintings address the dissociation and fragility of a body that is unmapped by society. These autobiographical works attempt to locate the self when it is trapped, whether in a bed, in the home, or within the body itself.

Don't You Want To Be Happy?, Mario Rocha Rodriguez Jr

Honors Capstones

My capstone project is an exhibition of my artwork using visual distortions to convey a message to the viewer. I created nine new pieces out of the original seven proposed over the course of the semester with themes all relating to firsthand experiences that I think people can learn from. For the exhibit, I displayed ten pieces with two works that were made prior to the current semester. In conclusion, I present ideas that I have been holding in for the past 4 years.

The Sole Result Is The Game, Julia Taszycka

Theses and Dissertations

I address the idea of the game understood both from the perspective of the art world and the socio-economic system. My recent projects have been based almost entirely on found objects, bearing strong traces of damage, deterioration, and destruction.

A Boy Born On Wednesday, Charles Krampah

Graduate Theses and Dissertations

My relocation to America has presented an unprecedented space for self-examination. The components of my identity and personality have been laid bare before me; My blackness in the face of racism and white hegemony, my African heritage in the face of post-colonialism and imperialism, and my faith in the face of an increasingly secular western culture.

Am I who thought I was? Am I more or less? Why do I feel like a different person, and what does this mean for my future?

My research and art practice serve as a form of introspection. I tell an internal story in …

Boring Magic, Madison Svendgard

Graduate Theses and Dissertations

Boring Magic encompasses an interest in labor, boredom, and exhaustion. Simultaneously, I am exploring what relief and escapism from these things look like. Escapism acts as the core of my work- what escapism looks like and what creates the need for escapism. I create narrative pieces that are always slightly removed from reality as a way to reflect on what I view as present-day dystopias. The worlds built to create this work are a combination of my lived experiences and invented characters and stories, which culminate in an alternate timeline set in the late 1990s and early 2000s. Relating to …

Crying At Nothing But Colors, Maryalice Carroll

Graduate Theses and Dissertations

crying at nothing but colors is an installation of ceramic works that explores the abstraction of feelings, both physical and emotional. The installation itself is a house made out of tension cables that stretch wall to wall in the gallery space. Inside the house are 7 ceramic objects placed on wooden pedestals paired with tufted rugs.

Throughout this essay, I will describe the abstract ceramic objects as Beings. They are colorful and have textured glaze on the surface with a gloopy opalescent glaze oozing out of holes that cover each piece. They are an extension of myself. They are the …

As The Sun Yellows The Green Of The Maple Tree, Adam Fulwiler

Graduate Theses and Dissertations

As the Sun Yellows the Green of the Maple Tree is a body of paintings investigating communication, improvisation, play, and painting’s capacity for transformation.

Reflecting on my childhood spent with my brother, Austin, who experiences sensory differences due to autism, I establish a painted space that is both forcibly disjointed and meaningfully connected, invoking the uncertainty and complexity of perception and communication. Through chromatic nuance, physicality, representational ambiguity, and visual tempo, I invite the viewer into the act of slow looking—to encounter each work as a living, breathing, individual entity.

In the studio, I invent rules and aleatoric devices, mimicking …

Nba: No (Anti-) Blackness Allowed, Rontaye M. Butler

Graduate Theses and Dissertations

This paper serves as the foundational pillar in my art practice. This paper combines my experiences, influences, motivations, hopes, dreams, methodologies, historical research and contemporary analyses into a single document ripe for revisions. This document lives and breathes; its contents are constantly evolving, and should be continually challenged and evaluated for relevancy and validity. Part memoir, part manifesto, and part artist statement, it establishes where my work sits in the canon of fine art, even as I don’t know yet what that means. My writings, visual artworks and all other creative actions are tethered to this document and vice versa. …

Invisible Until, Markeith Woods

Graduate Theses and Dissertations

“Invisible Until” explores my personal experiences while working full time at Tyson Foods in Pine Bluff, AR up until moving to Fayetteville for graduate school. The body of artwork comes from reflecting on past a present while drawing from inspiration from Jacob Lawrence, Kerry James Marshall, Jordan Casteel, and more. Using history as a tool to break down the American struggle I used conversations amongst my high school classmates to pull from their direct experiences to convey life and what it means to come from Pine Bluff. By using real people and their life events of trying to achieve progress, …

..., Claire Alfonso

Undergraduate Honors Theses

Words are fickle, easily misunderstood, and often put us at a loss... but we all have so much we feel we need to express. This begs the question: Is there any safe way of communication? Can anything ever really be communicated how you mean it? Will you ever see the reflection of what you feel, think, and dream outside of yourself? In response to this existential dilemma, I imagine an alternative language of images, sounds, color, feelings, and non-identification. My thesis is a meditation on the issues with standard language and the idea of alternative language. In my argument I …

An Exploration Of Bengali Identity With Material And Visual Artifacts Through Painting, Farah Billah

University of New Orleans Theses and Dissertations

Painting is and always has been, at its root, an exploration of identity for me. My current collection of work explores the stripping of Eurocentric beauty standards and presentation of the divine of the Brown Body to reveal my version of the human spirit. My drawings, paintings, and a hand-tufted rug all made with a surreal, colorful representation of the coming together of body and mind.

100 Seconds To Midnight, Melissa Medina

Electronic Theses, Projects, and Dissertations

My artistic practice focuses on the concept of mortality and investigates the human condition. Through my work, I often personify the concept of death and investigate the several forms that it may take across several cultures. The skull is most often used as a symbol of mortality, and it serves as one of the key elements in my work. I am drawn to the elements portrayed in classical memento mori paintings, and as a result, I have borrowed certain objects commonly used in these works and have paired them alongside more modern elements to create a new narrative. With this …

It's All Fun And—: A Rhetorical Analysis Of Space In The Pandemic., Erica Von Proctor Lewis

Electronic Theses and Dissertations

This exhibition and document explore spatial rhetoric during the pandemic, utilizing materiality and relational aesthetics to reflect on the different ways in which the public and private are made distinct from one another. In doing so, Lewis addresses new cultural navigations of shared spaces, both digital and corporeal, public and private. In addition, the artist also examines the faulty social and institutional systems that the pandemic brought to light, such as socioeconomic dynamics and voter suppression, while utilizing Kenneth Burke’s concept of the terministic screen. Games are a central theme throughout the exhibition, as they are often coded as “home” …

Nocturne Series, Jessica Kirker

Honors Theses

My oil paintings explore the mingling of interior and exterior space. Each work in this group focuses upon nocturne scenes with the inclusion of reflections. Inspiration for my work comes from photographs I have taken while walking around at night or from the windows of the space I am in. I have also layered images to develop my own created spaces. Surrealism has played a prominent role in the development of these artworks. The elongated canvases reference the human form and the presence of the viewer in front of the work. With the size of the canvas in mind, I …

Echoes Of Home, Hanna Traynham

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition, Echoes of Home, held at the Tipton Gallery in Johnson City, Tennessee on display March 15 through April 8, 2022. The author provides insight into concepts and influences relating to the creation of the exhibition with perspective on her intimate connection with place and memory.

The exhibit features five installations addressing home, elusive memory, and the change and continuity of cultural traditions over time. The works consist of a series of large-scale wild clay vessels, gestural clay bookends, a wall installation of cups with a line drawing, suspended porcelain slabs, …

Line As Site And Material, Analise Minjarez

Art Theses and Dissertations

This paper recounts my artistic practice over the last three years. I will describe the places, artists, artworks, and processes that have been meaningful to me in this time as I pursued my MFA and worked to understand my relationship to the living world. In the thesis Line as Site and Material, I respond to materiality and site through installation, sculpture, drawing, and video. I work with clay harvested from my hometown of El Paso, TX to connect to the personal histories of the borderlands and geological time. In the Second River Series, I walk in the empty riverbed of …