Art Practice Commons^™

Presence Through Expressive Arts And Buddhism, Akshita Desore

Expressive Therapies Capstone Theses

There is increasing research suggesting presence as the foundation of therapeutic work with clients and is becoming just as important a concept as theoretical orientation of therapists. This literature review focuses on understanding the skill of presence by looking at existing literature on the concept and suggests expressive arts and meditative practices as a tool to cultivate therapeutic presence. Using the Geller-Greenberg model of Therapeutic Presence as the foundation, I answer two questions in this thesis, what presence means conceptually and how therapists can achieve presence when working with clients. By its very nature, Expressive arts therapy with its focus …

Some Way In Between, Noah D. Stitt

Theses and Dissertations

Merging the subjective and objective through paintings and small objects, my work uses humor, subtlety, and suspension to create specifically ambiguous images that encourage a narrative reading.

The Object Memory Palace, Amra Causevic

Theses and Dissertations

I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.

Notes On Relations, Anna Kristina Schmidt

Theses and Dissertations

In 2018, I made the first two out of one hundred paintings, all showing myself in an interior space. The impulse for the paintings was to propose a visual situation, and to observe how it would feel to see myself in it, like making an inventory as the first step of finding a new way. The figures (self-portraits) are simplified to an almost cartoonish nature, the emblematized emotions range from neutral to curious to annoyed; all find their origins in the chart of emoticons on my iPhone.

Crystal Queer: Fracturing The Binaries Of Matter, Creation, And Landscape, Sarah Knight

Graduate School of Art Theses

In this thesis, I compile a series of fragments consisting an analysis of my artwork in the gendered contexts of landscape, self-identity, mythology, and philosophy. I develop my concept of a “queer mark” in my art that serves as a form of queering, a disruption of visual and conceptual cohesion. I form a picture of how our contemporary selves are influenced by our gendered understanding of the landscape through the analysis of philosophical, artistic, and mythological concepts of creation. I see my sculptures as an atlas to an alternative means of understanding identity, a queering of these historical and exclusionary …

Pleasure Is All Mine, Lola Ogbara

Graduate School of Art Theses

One’s identity is shaped by many factors such as race, culture, physical appearance, nationality, and religion—amongst many more. As an artist, the subjugation of identity in the context of race, gender, and sexuality is a world I examine closely. Subverting myths of sexual deviancy and racial inferiority that perpetually pathologizes Black feminine sexuality, I often use and reference my own body to create avenues of power through physical and intellectual pleasure. Through material use of clay, metal, photography, and installation, I emphasize on how contemporary Black social cultures are able to write their own narratives in order to further progressions …

Big Girl | Little Girl, Emily Mueller

Graduate School of Art Theses

In my thesis document, I unpack the relationship of my photographs to space, bodies, language, and childhood through a feminist lens. The interaction with these various aspects alludes to larger societal structures that inform identity. I am interested in the negotiation between gender and the way it informs the occupation of space, both photographic and physical. The intersection between subjects and objects is dissected using the definitions of these terms set forth by Judith Butler. Becoming a subject does not indicate that one is free from the power that creates it. The figure in my photographs wonders if attempting to …

Alternative Methods, Hunter Stabler

LSU Master's Theses

ABSTRACT

In the realm of precognitive artmaking, the artist’s role is that of an antenna. One must be receptive to the subtle, invisible flow of creative novelty in order to participate in the involuntary channeling of new ideas, new processes, and alternative methods of creative production. Carving out new territory within the realm of static art is a primary objective for my artistic process. By utilizing digital fabrication tools, paired with my affinity for intricate craft and optical metagrobolization, I have created a body of work that invents alternative processes and unique aesthetic languages.

Digital imaging, digital modeling and digital …

Chemistry In Art: The Science Of Dye, Madeleine Gray Burland

Honors Projects

Fabric arts, and the practice of dyeing fabric using various resist techniques, is a tradition that goes back centuries, and is unique among art mediums in its relation to science, as the innovations in dye production have directly affected the art form. The development of synthetic dyes in the 1800’s greatly affected the way fabric is dyed, and subsequently the way clothes were made and consumed. As opposed to dyes made of natural materials, synthetic dyes cam in more colors, were brighter, easier to make in large quantities, and lasted longer since they didn’t fade with repeated washings. The practice …

Zentangles For Mental Health Awareness, Rachel Immel

Honors Projects

The world is starting to see the rise of a stress related epidemic. Finding time to balance the struggles of everyday life, like academics, finances, careers and relationships, while also maintaining personal mental health is becoming increasingly difficult. This is what prompted me to use my project as an opportunity to help people relieve stress and create a community through the use of art, especially during a time where social interaction has been severely limited due to COVID-19.

My project is a series of live-streamed Zentangle art classes I hosted personally that were open to the public through Zoom. Zentangle …

The Healing Properties Of Interactive Art: Creating A Proposal For Art Within A Hospital Environment, Alexandra Chase

Theses/Capstones/Creative Projects

The consumption of art and interaction with it can be beneficial to individuals in many different ways. Play and exploration engage the mind and can have positive effects, no matter how small. Within a medical setting, this type of interactive art can promote healing within patients by engaging their bodies and minds. With these ideas in mind, the Children’s Hospital and Medical Center (CHMC) put out a call for an interactive sculpture piece to be created for their upcoming building expansion. My piece, Garden Lanterns, was then conceptualized in order to fulfill their requirements and embrace the idea of providing …

Holler, Ashley Gregg

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts thesis exhibition Holler, held at Tipton Gallery March 2^ndto March 13^th, 2020. The exhibition features an installation of works on fiber, paper, and found objects tied to her upbringing in Southern Appalachia. A variety of collected materials including bedsheets, chalkboards, and barbwire are taken out of their traditional contexts and brought into a new vantage point through the artist’s alterations.

Gregg re-contextualizes materials, language, and signifiers as a process of decoding formative experiences in domestic and academic spaces. Themes examined in the work include rote learning, tradition, …

The Art Of Forgiveness: How The Arts Helped Facilitate Forgiveness, Darlene Kuehn

Expressive Therapies Dissertations

This research explored how the arts can help facilitate the process of forgiveness using a diverse methods research design. The first part of the research was a qualitative phenomenological inquiry examining the experiences of eight people who identified as having worked through a substantial process of forgiving in which the arts was an informative part of their process. The second part involved arts-based research to further investigate how art helped facilitate the participants forgiveness process. The primary investigation of the inquiry was: How did involving art effect the participants’ process of forgiving, and, did art facilitate or enrich the forgiveness …

The Complexities Of Intimacy, Brie Henderson

Graduate School of Art Theses

Through my research I have discovered there are many complexities that exist within the topic of intimacy. Of these complexities, I chose to explore the topics attachment and codependency in my final series. Attachment and codependency are deeply rooted in psychology, poetry, and many artist’s practices. The relationship between poetry and my work has become deeply intertwined. I combine poetry with my work as a way to document my feelings and to inspire the titles for my paintings. Through a series of intimate watercolor paintings, I reference bodies, intimate interactions and the ambiguity within the two. This ambiguity asks viewers …

Introversion, Play, And Childhood: The Ideas Behind The Remnants, Sara Talwalkar, Sara R. Talwalkar

Honors College Theses

Closed and confined spaces provide my introverted personality a place to examine, explore, and unwind. Being an introvert has inspired this senior thesis exhibition, exploring the relationship between interior and exterior spaces and child-like play. Growing up I didn’t crave a social life outside of my nuclear family and home. I spent a majority of my time inside my bedroom, but curious about the lively atmosphere outside of my bedroom. The act of play with my siblings would break down my introverted tendencies and present me with new objects, toys, and materials to explore. Now, my dorm room has become …

Rhythms Of Light, Jessica R. Csanky

CGU MFA Theses

My works are visual expressions of a true love for movement, rhythm, and saturated color. In making art, I present lived experiences that are rendered abstract. These formal representations originate from an energetic space or sensory association and express a connection to places I have been, whether physically or emotionally.

Integral to my practice is the uninhibited exploration of materials and tools. I am committed to deepening my understanding of what paint can do when combined with drawing and installation techniques.

My compositions address architecture, landscape, memory, as well as psychological and physical spaces that we move through during our …

The Emotional Plague, Nicholas Raynolds

Electronic Theses and Dissertations

The artist discusses his Master of Fine Arts thesis exhibition “the emotional plague” held at the Reese Museum in Johnson City, Tennessee from March 2nd through March 27th, 2020 in which he examines a number of literary and invented narrative subjects influenced by science fiction, Surrealism and the current political climate in an attempt to reconcile the social and the personal through the creative act.

Largely improvisational in their conception, the paintings and drawings in this exhibition reflect ideas derived from writers, thinkers and artists including Wilhelm Reich, J.G. Ballard, W.S. Burroughs and Goya, all distilled through the uncertain territory …

Modeling Disability: Softly Making The Invisible Visible, Libby Evan

Bachelor of Fine Arts Senior Papers

“I am not asking for pity. I am telling you about my disability.” -Eli Clare

In the following Bachelor of Fine Arts thesis statement, you will not find someone overcoming their disability. You will not find a tale of inspiration. You will not find a cure for ableism. You simply will find an individual's experience of disability— my experience of disability.

My invisible disability puts the medical model and social model of disability in constant tension as I navigate everyday life living with Chronic Fatigue Syndrome and severe arthritis. Both models seek to find blame for disability, whether in searching …

Paper Making: Finding The Scaffold, Tino Ward

Art Theses and Dissertations

Paper making combines my proclivity towards using found materials and the need to produce my own painting supports. This first part of this thesis chronicles the reasons I arrived at paper as my chosen medium, the objects I began to produce, and the projects that stemmed from those early experiments. The second half outlines my final work, a 1:4 scale model in paper of the 1966 exhibition 10, held in New York at the Dwan Gallery, which showcased the early minimal works of Carl Andre, Jo Baer, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, Robert Morris, Ad Reinhardt, …

Dunidedcudigunadie, Lawrence Reid

Electronic Theses and Dissertations

The artist discusses his Master of Fine Arts exhibit, titled DUNIDEDCUDIGUNADIE. The exhibit is to be held at the Tipton Gallery in downtown Johnson City, TN, from April 2nd to April 10th, 2020. A live reception will be held the evening of April 3rd, featuring a performance with the work, titled Look at You!

The following thesis explores the artist’s formative years – investigating how childhood experiences combine with artistic and theoretical influences to inform his art-making process.

Enigma And Assumption: A Foundational Overview Of The History, Legacy And Famous Names Associated With “La Galerie De François I”, Sophie Klieger

Senior Theses and Projects

No abstract provided.

Paintings And Sculptures And Reliefs And Installations, Oh My!, Elizabeth Betzen

Art Theses and Dissertations

Through my interdisciplinary practice, I create paintings, mixed-media sculptures, carved reliefs, and large-scale installations that recreate domestic objects and spaces. In this paper, I examine and connect these seemingly disjointed modes of working and how they work together to accomplish similar goals. First, I explore the act of mark-making and observation as a way to understand and process visual information and how it translates to memory. Next, I discuss pictorial ambiguity as a means to record something understandable without context. Lastly, I present my work that acknowledges its own fragility and decay in connection to its real-world counterpart, which is …

Still Spring Was Spring, Qianqian Yang

CGU MFA Theses

The works came out of an exploration of looking, time and place. A strange tension always occurred to me every time I returned home. For a month, I resumed my early morning schedule in high school on a daily basis. The route between school and home constructs most of my memories in the city. The practice of repeating the old routine is my way of trying to understand my relationship with this place, to probe into the separation and intimacy that constantly contradict within me. What has kept you away and brought you back, why, I ask myself. Relying on …

Hail Mother, Sydney Walters

CGU MFA Theses

My work disrupts two kinds of power: gender roles in religious practices, and the perceived power of a ritual object. Constructions of gender and power are thrown onto a stage and cast in a sincere parody that ultimately liberates underrepresented people to perform with agency.

My larger-than-life figures examine who holds power in religious institutions. The figures challenge the intelligibility of their identity because she/they are dressed in religious regalia. In Western Catholicism, maleness is the pre-requisite for priesthood. These church leaders are distinguished by wielding specific religious regalia: i.e. the Ring of the Fisherman, Episcopal gloves, and globus crucigur. …

What If Anything Still Meant Something, Andrea Munive

CGU MFA Theses

My drawings are active reflections of my surroundings and their intrinsic relationship to the ideal and banal. My surroundings have encompassed my memories and present, revealing a sense of slow time and peripheral consciousness.

What If Anything Still Meant Something is about this duality of care and disregard- an eternal mental state it seems.

The Development Of An Art Practice: Reflecting On My Experiences In The Undergraduate Art Programs At Clackamas Community College And Portland State University, Justin M. Taylor

University Honors Theses

In this essay, I will be discussing the content and overall experience of my thesis exhibition, The Development of an Art Practice, on display at the Alexander Gallery, Oregon City, Oregon, from November 6^th through December 6^th 2019. The exhibition showcased my development in the undergraduate art practice programs at Clackamas Community College, and Portland State University. Featured in the exhibition was a selection of two-dimensional visual works, which I produced in the programs.

My work was process driven with an emphasis on experimentation. While the selection of work revealed reoccurring themes, both in process and content, …

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

In Support Of Abstraction: Physical Interiority Beyond Postmodern Dance, Irene Hultman Monti

Dissertations, Theses, and Capstone Projects

I investigate how speculative philosophy informs critical thinking about dance and its performance, encompassing both the act of creating and the action of executing. Speculative thinking augments and draws out new experiences and realities in the artistic body. I will argue that speculative theories widen the understanding and implementation of dance and its performance through a combination of human and nonhuman forces. This broadened understanding encourages progress, transformation, and evolution within the field of dance. I discuss the human (that which is experienced through sensibilities, therefore tangible and understandable on a cognitive and practical level) and the nonhuman (forces beyond …

Bitter Fruit, Ronald J. Green

Theses and Dissertations

Pain is a phenomenon like fear, belief, and love -- among the forces that determine the course of our lives long before we are born. These conditions generate the layers of the human soul, marrying one life with others past, present and future.

There is an unconscious consensus on the linearity of time. Our lives, memories, dreams and reflections constantly present a challenge to this general agreement. Life, like time, is a series of interlocking awarenesses. Paths intersect, the actions of individuals deposit change into an internal pool of collective experience. Freud once believed that the past is not fixed …

An Open Bag, Matilde Benmayor

Theses and Dissertations

What do we take with us? How much space should we leave in the bag for what we might find? This paper is a journey from under the rug and onto the pavement. Sowing spiderweb maps I try to make a new city my own.