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Full-Text Articles in Art Practice

16 Projects/4 Artists 1977-1978, Fine Arts Gallery Inc., Wright State University Jan 1978

16 Projects/4 Artists 1977-1978, Fine Arts Gallery Inc., Wright State University

Exhibition and Program Catalogs

During the spring and summer of 1975 Wright State University organized a cooperative workshop/exhibitions program with three other institutions and, in 1976, received the support of the National Endowment for the Arts. This publication represents the second such program in what is hoped will be a continuing series.

The program consisted of sending four prominent contemporary artists to each of four schools during the 1977-78 academic year. The artists selected to participate in this project were Laurie Anderson, Dennis Oppenheim, Michelle Stuart, and William Wegman, each of whom works in diverse media and materials, and all of whom represent a …


Rudolf Baranik: Napalm Elegy And Other Works, Wright State University Art Galleries Feb 1977

Rudolf Baranik: Napalm Elegy And Other Works, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features work from an exhibition of artist Rudolf Baranik as well as a conversation with the artist, Charlene Spurlock, and William Spurlock. It also includes an essay by Donald B. Kuspit. The Napalm Energy and Other Works exhibition was held at Wright State University Galleries from February 3 through 19, 1977.


16 Projects / 4 Artists, Wright State University Art Galleries Jan 1977

16 Projects / 4 Artists, Wright State University Art Galleries

Exhibition and Program Catalogs

During the spring and summer of 1975 Wright State University organized a cooperative workshop/exhibitions program with three other schools and, in 1976, received the support of the National Endowment for the Arts. The program consisted of sending four prominent contemporary artists to the four colleges and universities during the 1976-1977 academic year. The artists selected to participate in the program were Siah Armajani of Minneapolis, Larry Bell of Taos, Lloyd Hamrol of Santa Monica, and Pat Steir of New York, each of whom works in diverse media and materials, and all of whom represent a range of artistic and aesthetic …


Accumulated Vision: Extended Boundaries, Wright State University Art Galleries Jan 1977

Accumulated Vision: Extended Boundaries, Wright State University Art Galleries

Exhibition and Program Catalogs

The aim of this publication is to re-create, as closely as possible the experience that the visitor to the gallery may have encountered. The primary difference between the experiences of the gallery visitor and the reader of this book lies in the nature of the clues. Since the actual exhibition, in all its physical dimensions, cannot be presented here, additional data, such as artist's notes and drawings, are included. An integration and recognition of our conceptual, perceptual and projective process capabilities is required here as in the gallery. The work catalogued here is more difficult to engage in a comprehensive …


Luminous Realities: Projection And Video Art, Wright State University Art Galleries Oct 1975

Luminous Realities: Projection And Video Art, Wright State University Art Galleries

Exhibition and Program Catalogs

"Luminous Realities" is part of a continuing series of exhibitions devoted to the exploration of concepts and processes in contemporary art. This exhibition wed artistic sensibility to modern technology by utilizing the talents of seven contemporary artists working with video and projection devices as their media. David Cort explains video and projection art as a process. The classical painter expresses an abstract idea on canvas, but I think a video artist expresses an idea through a process. Art for a video artist is the creative process, art for the audience is the participation.

The following catalog attempts not only to …


Stephen Antonakos: Room For Wright State, Wright State University Art Gallery Jan 1975

Stephen Antonakos: Room For Wright State, Wright State University Art Gallery

Exhibition and Program Catalogs

The guide is a visual record of the installation of an environmental sculpture in the Wright State University Art Gallery. Room for Wright State was designed and built specifically for the Art Gallery by Stephen Antonakos. This document is meant to lend permanence to a temporary exhibition and to allow the reader to participate in the experience of the project from inception through completion. As an aid to the reader, the interior dimensions of the truncated cube that houses the neon (viewed from the upper gallery level) are 18' 6-5/8" x 20' 1-5/8" x 13' 6" high (565 x 610.5 …


Environmental Sculpture Symposium, Wright State University Art Galleries Jan 1974

Environmental Sculpture Symposium, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit centered on environmental sculpture. This is a flyer that advertised the exhibit featuring the works of five artists: Rosalind E. Krauss, Michael Hall, Robert Irwin, Robert Doty, and Stephen Doty. It was held October 10th, 1974 at Wright State University Art Gallery.


Amish Quilts, Wright State University Art Galleries Jan 1970

Amish Quilts, Wright State University Art Galleries

Exhibition and Program Catalogs

A gallery held by the Wright State University Art Galleries on subject of Amish quilts. These quilts were the collection held by Darwin Bearley that were shown September 18th through October 6th, 1970. Darwin Bearley had a talk on the exhibit October 2nd, 1970; which was followed by a reception.


Committed To Print, Wright State University Art Galleries Jan 1967

Committed To Print, Wright State University Art Galleries

Exhibition and Program Catalogs

A poster depicting several events ending the 1960s. The composition is overlapping and visually striking. Figures within this collage include: Martin Luther King Jr, President Kennedy, an astronaut representing the Apollo 11 mission, a truck with U.S. troops in Vietnam, a singer representing Woodstock, and many other smaller images representing other historical events of the time. The artist is unknown, and there was no name for the collage.