Art Practice Commons^™

A Handful, Prathna Nirav Patel

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

I created this drawing for my Drawing I class, where I was introduced to the cross-hatching method. Through this technique, I aimed to physicalize emotion through the beauty and expressiveness of the human hand. The title, A Handful, represents not only the literal handful of hands shown, but also the handful of emotions and experiences behind each one.

Beyond The Veil, Noah S. Constantino

PANDION: The Osprey Journal of Research and Ideas

The philosophy behind my work is accented by this process in the sense of its micro-complexity. The idea of reshaping a flat surface to mimic complex topography coincides with the question I’ve been asking myself throughout making this work: What is outside of our structured and contrived reality and what does that look like? The complexity of depth within the process and the constant re-evaluation of the surface of the print is a parallel attempt to answer this fundamental question. To answer this, the fear of the unknown will always be present, but we must not let its complexity distract …

Scrubbing Off The Grime, Angelena M. Chaishowarat

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

This piece is centered around isolation and caring for one’s inner child. The inner child is someone each of us has, and it is our job as the adult, to look after, keep safe, and protect this child. Growing up as an Asian American in the southern region of the United States, I felt an immense amount of isolation and lack of belonging. From a young age I felt alone, weird, strange, and out of place. I knew I looked different than most of my classmates, I knew my packed lunch was different, and I knew my last …

Doorway, Jaycee R. Guttormson

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

Doorway is a piece that exists in a state of duality and cyclicality, just as a door operates both as an opening and a barricade. Through decay, there is new life and new life gives way to decay. This fact of life and death existing synchronously is furthered through the cohesion of natural forms and manmade structures. In this state, the form is both familiar and unrecognizable and asks the viewer to step into a world that is as alien as it is commonplace.

This dichotomy of life and death, growth and decay, and familiar and strange is …

I Bloomed In The Dark, Izzy (Kiara) Narvais

PANDION: The Osprey Journal of Research and Ideas

We come from different places and different backgrounds. Our lives are a constant trial and error. Our past lives on and makes us bloom into the people that we are today. I want to share my story to create a safe place to talk about our trajectories. In a place of darkness and sadness that I sat in for so long, a bright light and a flower grew through it all within me. I have been bullied, abused, and sexually assaulted. I take that as not a place of weakness but a place of strength. I stand strong to be …

The Anxiety Of Presenting Identity, Savannah Fleming

PANDION: The Osprey Journal of Research and Ideas

This work explores aspects of Queer identity, historical reflection, and acceptance through painting, printmaking, and collage. Savannah Fleming's artwork intends to reclaim art history and alter it to include those excluded from its canon. Through the use of prints, paint, and collage, they create works that address the bias of art history, while tackling contemporary problems of identity and acceptance. References and alterations to art history are her way of addressing the erasure of Queer and BIPOC (Black, Indigenous, and people of color) from the art historical canon, while battling with modern-day confines on individuality.