Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 5 of 5
Full-Text Articles in Art Practice
Color Compliments, Jennifer Hansen Rolli
Color Compliments, Jennifer Hansen Rolli
The STEAM Journal
A discussion of the range of use of complimentary colors
Evolution Of Island, Dominique Kongsli
Evolution Of Island, Dominique Kongsli
The STEAM Journal
Evolution of Island emerged from the depths of an ocean of blue paint. My process involves observation of nature: I remember scuba diving in Thailand in the Andaman Sea and having a spiritual experience underwater while observing Christmas-tree worms pop in and out of the coral.
The Artist Behind The Cover Art: An Interview With Tiffany Day, Tiffany Day
The Artist Behind The Cover Art: An Interview With Tiffany Day, Tiffany Day
Steeplechase: An ORCA Student Journal
No abstract provided.
Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg
Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg
The STEAM Journal
One might wonder how intuitive art can connect to neuroscience and how this could be accomplished. In this descriptive article, research connecting art therapy and neuroscience has been collected and a workshop on Intuitive Painting has been described in detail. The connection was made by the author based on an article by Barker (2017), ‘4 Rituals to be more Happy,’ who writes a popular science blog. The rituals: gratefulness, expressing negative emotions, decision making and human touch were combined with Dr. Pinkie Feinstein’s method of Intuitive Painting in a small group setting. Although subjective, it would seem that at least …
Gauguin's Savage Document Work: Understanding As Function, Tim Gorichanaz
Gauguin's Savage Document Work: Understanding As Function, Tim Gorichanaz
Proceedings from the Document Academy
We tend to think of documents as things that provide answers, but documents can also provoke questions. This can be seen clearly in the study of art-making as document work, since the power of art is not in how it can represent reality, but how it can pose questions to reality. In this paper, I examine the work of 19th-century artist Paul Gauguin, which proceeded through iterative abstraction and productive reproduction. Gauguin's document work was a mode of questioning with the epistemic and communicative aim of understanding.