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Full-Text Articles in Art Practice

Here And Now, Samaira 2023, Samaira G. Wilson Jan 2023

Here And Now, Samaira 2023, Samaira G. Wilson

Senior Projects Spring 2023

Consider my work as a thread weaving through time. Illustrations of grappling with the present and its illusive constant nature. Questioning permanence. The temporary. This show, these walls, not forever, not for lease. Just a point in time. Can we hold time? Keep it? Is it ours? No. Time is something that is eaten, driven through, falling, perpetual, casual, necessary, fought against, spent, and healing.

Here and Now plays with what time feels like and is contrasted by an active voyage to another world.


This Side Of Silver, Bennett Wood Jan 2023

This Side Of Silver, Bennett Wood

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.


Dear Everything That Feels,, Oga Li (Oga L) Jan 2023

Dear Everything That Feels,, Oga Li (Oga L)

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.


Dead Weightless, Isaiah Schwartz Jan 2021

Dead Weightless, Isaiah Schwartz

Senior Projects Spring 2021

There is more than convenience embedded into my attraction to the unrefined materials that I work with. Shopping cart (baby size), palette, cheesecloth, bucket, and window. Each is rich with an individual history that expands beyond the use it was intended for. Suspending them in the air is my observance of the sanctity of their mundane uses. To create something new, also out of these unrefined materials, and to refuse to polish it. To have resolution in a thing that is also ambiguous. I can find intrigue in a million different things as soon as I pay attention to them. …


Installation: Untitled#0420, Thesis: Is The Artist’S Position Valid And Necessary To Her Completed Artworks ? —— An Investigation Of The Artist’S Position Through Martin Heidegger’S Poetry, Language, Thought And The Fisherman Analogy, Coco Ma Jan 2020

Installation: Untitled#0420, Thesis: Is The Artist’S Position Valid And Necessary To Her Completed Artworks ? —— An Investigation Of The Artist’S Position Through Martin Heidegger’S Poetry, Language, Thought And The Fisherman Analogy, Coco Ma

Senior Projects Spring 2020

Artist statement:

In my practice of mixed-media sculptures and installations, I use different kinds of materials in unexpected ways to provoke uncertainties, inquiries, and reflections. My works entice people to stop and pay close attention. In this process, they may be confused and amused. By being labor- intensive and repetitive with ordinary materials, my works inspire people to see familiar forms and materials in new and fresh ways. Underneath the familiarity of the materials is the “white noise,” a hum of dissonance between the familiar and the strange.

The installation Untitled#0420 uses fishing lines as its major component, which is …


I Think You Were In My Dream Last Night, Josie Cotton Jan 2020

I Think You Were In My Dream Last Night, Josie Cotton

Senior Projects Spring 2020

I Think You Were In My Dream Last Night

I have always worked by creating opportunities for mistakes and then fixing them. I’ve taken inspiration from the things I pick up every day: cups, necklaces, coat hangers, tables, chairs. I’ve taken inspiration from my dreams. They are always based in reality but twisted into a shape I’ve never seen before, and I wonder where these ideas come from. When I wake up, the people or the places I dreamt about are changed forever by a new perspective, out of my control. That is an idea I wanted to sift through …


Offcut, Lydia Meredith Meyer Jan 2014

Offcut, Lydia Meredith Meyer

Senior Projects Spring 2014

Offcut Lydia Meyer

There is a tendency in nature to repeat forms that are successful. Because of their strength or efficiency, structures used for one purpose by a creature may resemble those created for different tasks by another. In creating “Offcut” I attempt to integrate myself into this way of thinking to better understand natural/evolved processes, by borrowing structures from both the human and animal world that look like neither. I use materials that I foraged from my environment and occasionally the Internet. The foam is free offcuts from a plastics factory and all of the wood is scrap from …