Art Practice Commons^™

This Is A True Love Story, Yiwen (Catherine) Lyu

Senior Projects Spring 2023

THIS IS A TRUE LOVE STORY is my attempt to understand love as someone who has never fallen in love. Witnessing romantic love around me makes me want to understand it, but all I can do is speculate about it based on love that is platonic and familial, love that I’ve been taught, consumed, and desired. In this body of work, I explored bodies’ movement and interactions with themselves and each other while wearing something that is limiting our senses. The different media I used – video, photograph, drawing, print, and embroidery – are different pathways for me to record …

Goodbye? Reflections And Stream Of Consciousness On, Underneath And Around The Creation Of “Hello?”, Leonard Shevel Gurevich

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

Here And Now, Samaira 2023, Samaira G. Wilson

Senior Projects Spring 2023

Consider my work as a thread weaving through time. Illustrations of grappling with the present and its illusive constant nature. Questioning permanence. The temporary. This show, these walls, not forever, not for lease. Just a point in time. Can we hold time? Keep it? Is it ours? No. Time is something that is eaten, driven through, falling, perpetual, casual, necessary, fought against, spent, and healing.

Here and Now plays with what time feels like and is contrasted by an active voyage to another world.

From Ictus To Raptus, Andrea Abel

Senior Projects Spring 2023

Senior Project submitted to The Division of Multidisciplinary Studies of Bard College

FROM ICTUS TO RAPTUS

From Ictus to Raptus is a story about the emergence of sound. This performance is only a human attempt to capture the Event from which all existence emerges (Ictus), and an attempt to interpret and rejoice in the resulting complexity of the world, by tracing multiplicity back to singularity and reuniting it with its origin (Raptus).

This Side Of Silver, Bennett Wood

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

Tryna Be A Mountain, Aru Apaza

Senior Projects Fall 2023

Senior Project submitted to The Division of Arts of Bard College.

Dear Everything That Feels,, Oga Li (Oga L)

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

Do Androids Dream Of Improvisation?, Aidan J. Samp

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

Near The Gem, Yimiao Zhang

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

Sympathetic Resonance, Loren K. Ames

Senior Projects Spring 2022

Speakers come alive in motion. They come in twos — couples conversing in our cars, pockets, and homes. They tremble, cry out, laugh, and sing like we do. In Sympathetic Resonance, speakers occupy—and animate—a resonant landscape. The topography of queer speech is refracted through metals, cast along a wire, and reimagined in a dialogue composed of feedback tones. Throughout the environment, resonant materials perch and recline in silence, suggesting worlds of sound not yet imagined.

Shifting Center, Walker Bankson

Senior Projects Spring 2021

Senior Project submitted to The Division of Arts of Bard College.

Immortality: Conversations With Evul, Suprim Wq Allah

Senior Projects Spring 2021

Everything Varies Under Love

The amount of love that we give to the various facets of our lives help shape the reality around us.

The way we interact with family, friends, strangers, our passions and pastimes should always be influenced by leading with the heart putting our all into what we do.

Everyone is looking for that thing. Money, a fulfilling job or relationship, a new destination, or the next opportunity. All in effort to make themselves whole.

As long as we continually strive to give and receive love in our lives, maybe we can look to open doors to …

Dead Weightless, Isaiah Schwartz

Senior Projects Spring 2021

There is more than convenience embedded into my attraction to the unrefined materials that I work with. Shopping cart (baby size), palette, cheesecloth, bucket, and window. Each is rich with an individual history that expands beyond the use it was intended for. Suspending them in the air is my observance of the sanctity of their mundane uses. To create something new, also out of these unrefined materials, and to refuse to polish it. To have resolution in a thing that is also ambiguous. I can find intrigue in a million different things as soon as I pay attention to them. …

Self && Self, Shuang Cai

Senior Projects Spring 2021

Seldom before the COVID-19 pandemic have so many people simultaneously had their lifestyle drastically changed in the same way. The forced physical isolation is, ironically, a communal experience. The sickening quarantine left everyone nothing but time to confront and reconnect with themselves. Another inevitable result of corporal isolation is the predominant awakening awareness of digital existences and connections. Evoking the shared sensitivity and delicacy, studying the tectonic activity of the digital world, the project documents the endured contemplation in the upcoming resurgence.

Open Sans, Access Incomplete, Lia J. Taus

Senior Projects Spring 2020

Why do some have access while others do not?

Think about your answer, don’t say it aloud.

To say it out loud is a privilege which we have and others do not.

Two ways to see it: what are you restricted from and others have access to?

Or: what do you have access to which others are restricted from?

Each of us are unique compilations of acquired knowledge.

Which is based on the availability and limitations of opportunities.

The unfortunate hierarchy of the world is decided by education and wealth.

Education is not freely available.

We are all told “you …

In The Shadows And Folds, Julia Mueller

Senior Projects Spring 2020

In the shadows and folds is the result of a mental scavenger hunt that I began this past year, to uncover myself and find what is hidden in my crevices. It was spurred by my fear of memory loss which had grown to such a size that it sat visible in the back of my mind unaddressed for some time. The reason for this fear is not large but it feels monumental. I have been existing in various states of sadness and disconnect, which have acted like a thick blanket over my mind. This blanket is simultaneously protective and damaging, …

Installation: Untitled#0420, Thesis: Is The Artist’S Position Valid And Necessary To Her Completed Artworks ? —— An Investigation Of The Artist’S Position Through Martin Heidegger’S Poetry, Language, Thought And The Fisherman Analogy, Coco Ma

Senior Projects Spring 2020

Artist statement:

In my practice of mixed-media sculptures and installations, I use different kinds of materials in unexpected ways to provoke uncertainties, inquiries, and reflections. My works entice people to stop and pay close attention. In this process, they may be confused and amused. By being labor- intensive and repetitive with ordinary materials, my works inspire people to see familiar forms and materials in new and fresh ways. Underneath the familiarity of the materials is the “white noise,” a hum of dissonance between the familiar and the strange.

The installation Untitled#0420 uses fishing lines as its major component, which is …

Systematic Fractures, Lucas Bourgine

Senior Projects Spring 2020

At the end of the road, facing the beach a woman sits in her car, her face dimly lit by her phone screen. While the incessant scroll happens, I observe, ponder, let time and space communicate. As for myself, strewn about the landscape I construct and puzzle. At hand is my own personal catharsis, never forgetting an imagined viewer in the back of my mind. Whether it be through guiding their sight, misleading them, confusing them, obscuring their vision, making them question. Ultimately, I want to play and push boundaries of space and three dimensionality, all the while observing a …

I Think You Were In My Dream Last Night, Josie Cotton

Senior Projects Spring 2020

I Think You Were In My Dream Last Night

I have always worked by creating opportunities for mistakes and then fixing them. I’ve taken inspiration from the things I pick up every day: cups, necklaces, coat hangers, tables, chairs. I’ve taken inspiration from my dreams. They are always based in reality but twisted into a shape I’ve never seen before, and I wonder where these ideas come from. When I wake up, the people or the places I dreamt about are changed forever by a new perspective, out of my control. That is an idea I wanted to sift through …

The Zone, Jordon W. Soper

Senior Projects Spring 2019

There are places, soft spots, in our world where the membrane between realities and possibilities is thinner. Here the familiar constant fundamentals described by natural science to order our understanding of the world are inconsistent. Natural laws are stretched, warped, and refracted in chimeric distortions. To enter is to encounter the unreal and the unknowable, to comprehend the incomprehensible. The familiar and the unfamiliar intertwine and overlap. In the zone we see in circles, sensory experience expands, and minute details become revelations. At the fringes of consciousness and perception we meet with the shimmer of simultaneous wonder and terror.

Within …

Remnants, Savannah Lou Williams

Senior Projects Spring 2019

Understanding where you come from is never a linear experience. I began this project with the urge to dispel the cinematic portrayal of a romanticized and glorified ‘wild west’ and instead, I spent the last eleven months deciphering the stories and myths I was exposed to throughout my life by my family; perpetuated by the film industry. Growing up, I was told tales of the Bixby Ranch, a thousand-acre ranch in the middle of the Sonoran Desert that my grandfather worked, just as his father had done before. I went to rodeos and watched old westerns, fueling the mental picture …

I Become A Beam Of Light., Leor Miller

Senior Projects Spring 2019

Who am I and what do I do about it? I come to a clearing in my mind. It is a landscape, constantly in flux: people running in and out, feelings swelling and crashing down, understanding moving in and out of focus. I am confused. I watch people and the ways they move, engage with each other, engage with the world, and wonder: how do I engage with myself, my surroundings, and the people who exist within them? Do I do it normally? Probably not. Maybe I should be asking if I do it well, or if the way I …

Thanks To You, I'M Alive, Antonio Scott Nichols

Senior Projects Spring 2019

Antonio Nichols

Artist Statement:

In this project I am using figurative painting to explore the meaning of relationships/emotion and my connection to the people I am painting. I question what this means and how each individual’s identity ties to mine and why it may or may not matter. “Thanks to You, I’m Alive,” the title of this project, encompasses the message I am sending not only to the individuals I painted but also to the viewer because there is a certain exclusivity in who I decided to paint.

I want the connection I have with these people to not only …

Crazy In The Garden, Martin Pate Katzoff

Senior Projects Fall 2018

Senior Project submitted to The Division of Arts of Bard College.

Interview Magazine: Art & Fame, Josephine G. Danziger

Senior Projects Spring 2018

The world today is radically different from the world of the 1960s. Andy Warhol was the pinnacle of Pop, and print publications were supreme in the industry of news and fashion alike. What was Pop culture in 1969 seems foreign and antiquated today, and yet there are similarities to be drawn between the era of mod and the modern era.

In the research paper Interview Magazine: Art & Fame, I aim to explore the connection between the artistic excellence that launched the publication’s success and the obsession with celebrity that charged its passion — a bond that formed to …

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …

Look&Leave, Ruby Brooke

Senior Projects Spring 2018

Over the summer I had the opportunity to study in a program that focused on drawing and painting the architecture of Rome. Upon returning to the studio, I integrated this attention to architecture with my interest in painting the figure. Over the course of the year, the figure disappeared from my paintings. Instead, I started to paint large empty interiors. My intention was that the viewer feel the vastness of the space, emphasized by the absence of a figure.

This body of work explores interior architectural space and how the presence or absence of a figure affects it. I paint …

I Have Never Stepped In The Same River Twice, Madison Hailey Emond

Senior Projects Spring 2018

“No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.” – Heraclitus

I never knew that I would learn to walk the Sawkill River in moonlight, that I would come to know its contours and the depths of its waters so well. I never expected that the tree roots and rocks that lay in my path to its banks would know my gait so fully.

This project began as a reaction to the hurricanes that struck the Caribbean last fall. It felt apt to question landscape imagery and how …

Wrap Your Arms Around Me, Frederick Lightfoot Bayne

Senior Projects Spring 2018

Most of the personal themes in this project are not things I am comfortable with expressing verbally or textually. The reason they came out in this body of work is because it how I found myself comfortably addressing them. I can acknowledge that I was working through frustration, pain, and confusion related to my body and relationship to other bodies. Being a private person, however, I am far more interested in people approaching this work with their own narratives and associations than using it to get a glimpse into my own personal struggles. While visually and thematically the work can …

American Idyll: A Place To Call Home, Bowen Walsh Fernie

Senior Projects Spring 2018

I was raised in Italy from the age of five and when I returned to the United States at eighteen, I was surprised by the way I was affected by the landscape I had never known or explored. I found myself drawn to American culture as it is stereotypically represented in movies and TV - the quaint houses, the schools with cheerleaders and locker rooms, the drive-in movie theaters – and began to examine how those stereotypes are reflected in the real world. From this initial interest I began exploring the American space that I envisioned myself inhabiting throughout my …