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Art and Design

Theses/Dissertations

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Articles 601 - 630 of 657

Full-Text Articles in Art Practice

Bronze Casting By The Lost Wax Method Employing Mixed Media, Donna M. Pickett Feb 1987

Bronze Casting By The Lost Wax Method Employing Mixed Media, Donna M. Pickett

Dissertations and Theses

This thesis is for a Master of Fine Arts in Sculpture.


Seven Dyads, Donovan Peterson Jan 1987

Seven Dyads, Donovan Peterson

Dissertations and Theses

This thesis is for a Master of Fine Arts in Sculpture.


Transparent Landscape, Elizabeth Harris Jan 1985

Transparent Landscape, Elizabeth Harris

Dissertations and Theses

This thesis is for a Master of Fine Arts in Painting and features the work of Elizabeth Harris.


Jewelry From The Environment, Douglas Lawrence Kollmeyer Jan 1984

Jewelry From The Environment, Douglas Lawrence Kollmeyer

Dissertations and Theses

This thesis deals with the development of a body of my own creative work and the teaching of jewelry-working in the secondary schools. Emphasis in both instances was given to the use of the natural environment as a stimulus for design ideas. The philosophy of nature as art forms has been the focus of my creative endeavors for several years. This lead to the design and completion of jewelry, flatware, and holloware in this study. Knowledge gained in my work experiences formed the basis and background of the presentation of these skills to secondary students.


Synergism Of Substance And Emotion, Carolyn Jean Mills Jan 1984

Synergism Of Substance And Emotion, Carolyn Jean Mills

Dissertations and Theses

This thesis features the work of Carolyn Jeans Mills for a Masters of Fine Arts in Sculpture.


Photo-Realist Portraiture, Elaine R. Fleskes Jan 1984

Photo-Realist Portraiture, Elaine R. Fleskes

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Painting.


Overgrown Geometry, Connie Earnshaw Jan 1984

Overgrown Geometry, Connie Earnshaw

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Ceramics.


A Harmony Of Opposites, Patricia Reppenhagen May 1983

A Harmony Of Opposites, Patricia Reppenhagen

Dissertations and Theses

The central concept of my work is to bring opposing visual elements into harmony with one another. I feel that every aspect of life is composed of contradictory components or forces: order vs. chaos, the beautiful vs. the offensive, work vs. leisure, excitement vs. stability, method vs. chance. The examples are endless. These opposing elements are components in life which need to be balanced against each other to achieve harmony and order, as opposed to strife and conflict. Personally, the need for order and control in my own life is important and, I feel, is reflected in the above classical …


Image Development Through Process, Jean Handwerk Lee Jan 1983

Image Development Through Process, Jean Handwerk Lee

Dissertations and Theses

A Thesis Report Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Painting.


Images From The Horse Heavens, David Thornock Jan 1983

Images From The Horse Heavens, David Thornock

Dissertations and Theses

This thesis is for a Master of Fine Arts in Painting.


Post Object Art And Sociological Influences On The Internal Processes Of Art Making, Steve Havens Jan 1983

Post Object Art And Sociological Influences On The Internal Processes Of Art Making, Steve Havens

Masters Theses

The purpose of this thesis is to discuss how external sociological factors inevitably have a profound effect on current art.

Much great art has been created against the flow of what is critically "popular" or "fashionable," but as these external factors become more prominent so the art work produced inevitably suffers.

The exhibition of Frank Stella's black and aluminum paintings at the turn of the 60's, in my own opinion, provided something of a landmark in the history of art. These works, in all their stark, flat, geometric nakedness denied both "form" and "content." They bare no illusions, no mythology, …


The Pursuit Of Form, Robert Allen Anderson Jan 1982

The Pursuit Of Form, Robert Allen Anderson

Dissertations and Theses

This thesis includes the work of Robert Allen Anderson for a Master of Fine Arts in Sculpture.


Adjustable Systems In Wood, James Richard True Jan 1982

Adjustable Systems In Wood, James Richard True

Dissertations and Theses

A Thesis Report Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Sculpture.


Transparent Sculptures, Lithographs, And Watercolors : A Personal Response To The Natural World, Stephan Spencer Soihl Jan 1981

Transparent Sculptures, Lithographs, And Watercolors : A Personal Response To The Natural World, Stephan Spencer Soihl

Dissertations and Theses

The group of works that I am presenting as my Master of Fine Arts thesis exhibition is a selection of my best work from the past three years. It is made up of two different artistic forms: fairly small sculptures comprised of aluminum channel and plexiglas, on the one hand, and lithographs and watercolors, on the other.


An Introduction To Black And White Lithography : Two Alternatives To The Stone, Carolyn Brookhart Jan 1981

An Introduction To Black And White Lithography : Two Alternatives To The Stone, Carolyn Brookhart

Dissertations and Theses

This thesis describes two lithographic techniques that may be used to introduce black and white lithography to beginning art students. Aluminum plate and paper lithography are two relatively low cost and safe lithographic methods suitable for schools with limited budgets and limited space.

It is recommended that the instructor interested in teaching the two processes described in this thesis have some previous experience in lithography.


Stone Sculpture, Laura P. Bogdan Jan 1981

Stone Sculpture, Laura P. Bogdan

Dissertations and Theses

A terminal project report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Sculpture.


Reconstructions : Humor Through The Use Of Ambiguous Images And Color, Karl J. Ross Jan 1981

Reconstructions : Humor Through The Use Of Ambiguous Images And Color, Karl J. Ross

Dissertations and Theses

A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Sculpture.


Toward Improvisation, Sandra Janeen Howe Jan 1981

Toward Improvisation, Sandra Janeen Howe

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Painting.


Floral Imagery, Vicki L. Clarke Jun 1980

Floral Imagery, Vicki L. Clarke

Dissertations and Theses

This thesis includes the work of Vicki L. Clarke for a Masters in Fine Arts.


Integration, Judy Lee Vogland Jan 1980

Integration, Judy Lee Vogland

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Painting.


Paintings And Drawings, Anita M. Jones Jan 1980

Paintings And Drawings, Anita M. Jones

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Painting.


Pictoforms, Ellen Birnbaum Jan 1979

Pictoforms, Ellen Birnbaum

Dissertations and Theses

A thesis project report submitted in partial fulfillment of the requirements for the degree Master of Fine Arts in Art.


Fundamental Aspects Of A Metalsmithing Career, James Walter Johnson Jan 1979

Fundamental Aspects Of A Metalsmithing Career, James Walter Johnson

Masters Theses

The intent of this paper is to ease the trauma encountered in the difficult transition from novice metalsmith to producing craftsperson. The major areas of discourse are as follows: 1) What is the most beneficial time for mental orientation toward one's career? 2) What actual steps should be taken along with this orientation? 3) How can the artist go about preparing himself financially for the burdens to be encountered in a craft business? 4) What comprise the major forces in the organization of a metalsmithing studio? 5) What kinds of equipment will the artist need to efficiently ply his trade? …


Bronze Sculptures: A Thesis Report, Michael T. Story Apr 1978

Bronze Sculptures: A Thesis Report, Michael T. Story

Dissertations and Theses

The Thesis discusses sculptures completed during the period of study from October 1976 to April 1978 and presented at the Department of Art and Architecture Gallery April 10, 1978 to April 28, 1978.


Eight Teacher-Potters, Bob Daugherty Jan 1974

Eight Teacher-Potters, Bob Daugherty

Masters Theses

This paper presents a survey of statements and the works of eight teacher-potters in Illinois. The works range from simple functional ware to funk art objects. The firing temperatures range from low fire white ware to high fire salt. The styles of the work are many; the philosophies of the work varied; and techniques of the work are diversified; but common to each work is its creation from idea to actuality by the teacher-potter. Beyond depicting the work, the paper attempts to establish the teacher-potter who created the work by showing photographs of him and by presenting his ideas and …


Acrylic Polymer Transparencies, Inez Allen Kendrick Apr 1972

Acrylic Polymer Transparencies, Inez Allen Kendrick

Dissertations and Theses

Brief mentions by three writers on synthetic painting media first intrigued my interest in a' new technique of making transparent acrylic paintings on glass or plexiglas supports, some of which were said to I I simulate stained-glass windows. In writing this paper on acrylic polymer transparencies my problem was three-told: first. to determine whether any major recognized works of art have been produced by this, method; second, to experiment with the technique and materials in order to explore their possibilities for my own work; and third, to determine whether both materials and methods would be suitable for use in a …


Careers In Graphic Design, Joe Drovetto Jan 1972

Careers In Graphic Design, Joe Drovetto

All Master's Theses

This paper presents an illustrated brochure on careers in graphic design. The study includes the investigation of the number of possible professions in graphic design, definition of each specific profession, education and training necessary to qualify in each area, and a listing of further sources of information. The study also includes a series of creative visual illustrations to represent each area of graphic design.


The Micro-Environment Museum, John Clark Gleason Jan 1972

The Micro-Environment Museum, John Clark Gleason

All Master's Theses

The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.


Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken Jan 1972

Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken

All Master's Theses

Any verbalization of an artistic statement is by its very nature, an inadequate interpretation. However, I feel there is some merit in a concise declaration of my general concepts in the study. This paper represents a summation of the concepts and directions involved in my studio investigation in painting and drawing.

Specifically, it is within the scope of man's altered and effected perception of reality that I have based the studio research.


Mark's Art And Bridge Construction, J. Mark Erlander Jan 1972

Mark's Art And Bridge Construction, J. Mark Erlander

All Master's Theses

Plactic is the material I chose to communicate my ideas. Named for its ability to be shaped, melted, bent, moulded, and extruded into an infinite number of forms, is one of two reasons I used it. The other is its concept is familiar to modern man and even a definition of him.

To make the communication bridge complete the stulptures are constructed to allow the viewer to take part in the final form. By moving the work, he is as involved in the concept, form, and material as I have been in making the piece.