Art Practice Commons^™

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao

Theses and Dissertations

Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.

Tied Together, Eiko Nishida

Theses and Dissertations

The paper is about a site-specific installation that questions a viewer’s norms and perspectives, through the use of multilingual newspapers as a sculptural material.

Or Read The Wikipedia Entry For The Parable Of The Tower Of Babel But Imagine It’S 2023 This Time And We’Re Getting So Close Just Give The Artist A Little More Of Your Money, David Thonis

Theses and Dissertations

Systems and their inherent design underlie everything in contemporary life. Design exists to facilitate interaction, to ease workflow, to keep us producing. As such, it exerts its own control.

Through disassembling recurring conventions in design, I look to break with preconceptions of logic. To deny functionality. In doing so, my intention is to dislocate the user from the usual patterns of applicable systems.

The resulting discomfort may feel strange, disembodied, but it should be embraced. Long have capitalism’s solutions created more problems. In the face of this complexity, and beyond it, there can be freedom.

Contact Sheet, Jiwoong Jang

Theses and Dissertations

Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.

Someone Will Remember Us / I Say / Even In Another Time, Paul Anagnostopoulos

Theses and Dissertations

Paul Anagnostopoulos’s paintings and vases use mythological melodrama in a contemporary context to portray vivid images of queer life in the wake of homophobic erasure and tragic loss. “someone will remember us / I say / even in another time” traces his aggregate interests in Greco-Roman cultures and art history.

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

(Not) Knowing, Jared Friedman

Theses and Dissertations

Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.

Rethinking Graphic Design Pedagogy For The Cuny Academic Commons: On Process, Generosity, And Creative Collaboration In Mapping A Foundation Graphic Design Course For Faculty And Instructors, Suzanne Dell'orto

Publications and Research

The creation of an Open Education Resource with the CUNY Academic Commons for a foundation course in graphic communication at Bernard M. Baruch College, City University of New York (CUNY) is a natural extension of the generous visual and written communication that is at the heart of Graphic Design. Graphic designers are inherently collaborative, working through a shared visual and written language to communicate. This Open Educational Resource (OER) serves as a base template to be shared department-wide with all instructors at CUNY and beyond to provide a framework for instruction for this studio course that is taught as a …

Salty: A Diffractive Inquiry Of Visceral Knowing And Embodied Aesthetics, Mei Ling Chua

Dissertations, Theses, and Capstone Projects

This dissertation takes a diffractive, onto-epistemological approach to everyday practices with salt in order to articulate an expanded understanding of meaning making and knowledge production. This research reckons with and challenges dominant modes of knowing that engage a Cartesian perspective to situate knowing as the exclusive domain of the mind in both form and topic of inquiry. This research acts simultaneously as both a direct practice of and metacognition about knowledge production by examining 1. the embodied (including sensory and emotional aspects) and 2. the relational (including interpersonal and socio-cultural) dimensions of experience as visceral knowing. This articulation of …

Music Lessons, Cecilia-Rose Louise Bender

Dissertations, Theses, and Capstone Projects

music lessons is a digital chapbook that explores the relationships between James Baldwin’s writing and Beauford Delaney’s paintings through music. From Delaney’s “Composition 16” (1954-56) to Baldwin’s “The Uses of the Blues” (1964), their collaboration with the core elements of jazz music gives their work rhythm and melodic contour that any/body can vibe with. Absorbing the influences of artists Ella Fitzgerald, Miles Davis, Ray Charles, and putting them to paint and text, music lessons demonstrates how music not only transforms the ways we experience and move our bodies but also the ways that we perceive space, relationships, and time. What’s …

Emotional Landscapes, Jin Young Jeong

Theses and Dissertations

“Emotional Landscape” delivers a sense of gravity, openness, and breathing space through oil paintings on linen of abstracted bodily forms. The imagery in the works generates an atmosphere where one can feel rooted and anxiety-free. The paintings invite a close read of the complexities of compounded affects.

Library Instruction Lesson Plan For Faf101 And Haf90, Ian Mcdermott

Open Educational Resources

This lesson plan is used for library instruction sessions for two First Year Seminar courses: HAF90 and FAF101. Both sources are for students studying fine and performing arts. This lesson plan focuses on two topics relevant to fine and performing arts students. One, closely looking at and interpreting a work of art. Two, finding information about that work of art using the Library and the Web. Additionally, students will explore information about careers in the arts.

What An Interesting Video To Put On The Internet (An Amusing Economic Indicator), Dahlia S. Bloomstone

Theses and Dissertations

My exhibition reconciles representations of domesticity, labor, and morality through the lens of sex-work (SW). It consists of video work, a video game, and free-to-take objects, where donation, the strip club, and the fish tank converge. My work concludes that SW is a timeless construct that will always exist even after reimagining multiple worlds.

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

Break Time, Quinlan Maggio

Theses and Dissertations

In this graduate thesis artist Quinlan Maggio describes their two-part art project in which they create site-specific private/public spaces and encounters within a larger public, specifically, that of the Hunter MFA community and its art-viewing audience.

Scene By Scene, Katita Miller

Theses and Dissertations

Katita Miller’s paintings and drawings depict quotidian scenes through the filter of an overactive mind. Populated by spectral figures and swirling portals, her interiors and landscapes fluctuate between the mundane and the fantastical. This paper explores the parallels between painting and theater and the context and process behind five paintings.

The Quads, Elmer D. Guevara

Theses and Dissertations

My work attempts to reconcile my familial history. By reconstructing narratives, I am advancing a new sense of our family archive. My goal is to grant the viewer with autobiographical snippets delivered through the piecing and meshing of multiple scenarios and events that derive from family album photos and reimagining spaces.

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

The Screen To Desire, Joseph Parra

Theses and Dissertations

Joseph Parra reflects on our often embellished online personas and their effect on our desires. Through luscious 3-dimensional painting Parra translates the seductive desire of the hypermasculine male-presenting figure through glorification and criticality. The tactile painting also acts as a rebellion to accurately represent “real” life on the digital screen.

“For My Will Is As Strong As Yours And My Kingdom As Great”, Anna L. Cone

Theses and Dissertations

My work responds to trauma, systems of power and abuses of power. The pieces give materiality to unseen labor and devalued knowledge, often disseminated from the “feminine,” domestic spaces of kitchens and baths, through practices of magic, astrology, ritual and baking. My materials–jello, hair and kitchen ingredients–refer to complex histories, brought present through film and performance.

Head, Shoulders, Knees, And Toes, Pol Morton

Theses and Dissertations

My work explores ideas of transness, chronic illness, and injury. Through assemblage and repetition, my larger-than-life paintings address the dissociation and fragility of a body that is unmapped by society. These autobiographical works attempt to locate the self when it is trapped, whether in a bed, in the home, or within the body itself.

Water Bearer, Whitney Harris

Theses and Dissertations

My work explores fantasy and mythological archetypes. The exhibition features works on paper depicting mermaids, and a fountain featuring two figures submerged in water, one spitting into the other's mouth. I use black ink and glazes to create variegated surfaces. In these works, I reimagine ideas about power and intimacy.

Play Among The Shadows, Xiong Wei

Theses and Dissertations

This article elaborates Xiong Wei's inspiration and experience from different cultural, political, social systems and art environment as a Chinese artist living in the United States, and the logic and methodology of how he went from a social realist sculptor to a contemporary artist.

Long Time, Jacob V. Reed

Theses and Dissertations

Jake Reed’s work is driven by the idea that architectural ornament can be imbued with meaning not native to its construction or use. To find that meaning, he deconstructs and reassembles elements from the architectural and ornamental histories he studies, using the growing climate crisis as a generative framework.

The Curtain Fell, Opal M. Ong

Theses and Dissertations

Opal Ong’s paintings and drawings are rooted in but larger than memory. The work is flat and graphic. With this practice, Ong makes do with the living memories that haunt her. This process is not nostalgic or sentimental. Instead, it is a meditation on a kind of loss without resolve.

A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen

Theses and Dissertations

This paper consists of a series of scenes in which various narratives with proximity to the truth plays out. within it I aim to articulate the dispersed subjectivity and forensic aspects to my work, as well looking at the perverseness in the desire for proximity to the fantasy, utilizing the self as a vehicle of desire.

Interview, Elizabeth Naiden

Theses and Dissertations

An exploration of work by Liz Naiden in the form of a conversation discussing light and dark, attention and proprioception, and design and architectural theories of space in installation works. Addresses the role of voice, speech, and reading and speaking aloud, performing for oneself, and performing for others.

Inevitable Associations: Art, Institution, And Cultural Intersection In Los Angeles, 1973–1988, Liz Hirsch

Dissertations, Theses, and Capstone Projects

Inevitable Associations: Art, Institution, and Cultural Intersection in Los Angeles, 1973-1988 considers alternative institutions and cultural intersections in bicentennial-era Los Angeles. I look at the spatial, social, and artistic convergence of Los Angeles artists rarely seen as allied, through close examination of alternative cultural infrastructure that came out of a federal jobs program called the Comprehensive Employment and Training Act (CETA) and cohered around a building located at 240 South Broadway in downtown. I use the model of association—alliance through shared purpose—to demonstrate moments of convergence and interconnection. Through an analysis of the formation of Los Angeles Contemporary Exhibitions (LACE), …

Compromised Values: Charlotte Posenenske, 1966–Present, Ian Wallace

Dissertations, Theses, and Capstone Projects

Fabricated in unlimited series and sold at cost, the sculptures produced by Charlotte Posenenske between 1966 and 1967—modular wall reliefs, interactive cubic structures, and tubular geometric units whose installation requires collective decision making—were meant to confront both the artwork’s commodity status and the limitation of its consumption to a privileged elite. Nevertheless, Posenenske’s work has been effectively recuperated by the art system: first, in the 1980s, through a series of exhibitions and publications organized by her estate; and second, with her inclusion in Documenta 12 in 2007, which reintroduced her work to the market. Since the artist’s death in 1985, …