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Painting Commons

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2016

Painting

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Articles 1 - 22 of 22

Full-Text Articles in Painting

Jaguar Sun, Anya Nadal Nov 2016

Jaguar Sun, Anya Nadal

The STEAM Journal

Cymatics, is derived from a Greek word, meaning "wave", is a subset of modal vibrational phenomena. The term was coined by Hans Jenny, a Swiss follower of the philosophical school known as anthroposophy. This is a visual representation of the frequency field. I created this piece from acrylic on canvas based on the subtle energies I can see and feel.


Private Matter Oct 2016

Private Matter

SIGNED: The Magazine of The Hong Kong Design Institute

The artist Christopher Le Brun came to HKDI in September to share his idea that art is quintessentially private, rooted in emotion and that artists must have the courage to keep their work alive even if the world does not yet appreciate their vision.


Painting With Scissors Oct 2016

Painting With Scissors

SIGNED: The Magazine of The Hong Kong Design Institute

During the summer months a seven foot tall calligraphy brush drew the eyes of visitors to the HKDI campus and led them to work by Wu GuanZhong (吳冠中, 1919-2010), a Chinese painter who is suddenly back in vogue as a new generation of artists appraise his contribution to contemporary art.


Realizing Urban Water Pollution Impact In Melbourne, Australia Through Painting, Gregory Suplinskas Oct 2016

Realizing Urban Water Pollution Impact In Melbourne, Australia Through Painting, Gregory Suplinskas

Independent Study Project (ISP) Collection

Throughout the month of November 2016, I undertook a creative environmental art project in Melbourne, Australia. I chose to create a water-soluble oil painting (dimensions 3 ft. x 4 ft.) that represents water pollution problems in the city of Melbourne, particularly in Port Phillip Bay. These problems include toxic stormwater runoff, plastics pollution and plastic nurdles, as well as nutrient buildup and algal overgrowth. The painting includes messages regarding sustainability; sustainable action limits the use of our natural resources so that humans can preserve the environment for future generations rather than degrade it. In the painting, I combine conceptual and …


Thin Skin, Jason Stovall Aug 2016

Thin Skin, Jason Stovall

Electronic Thesis and Dissertation Repository

This thesis contains two distinct chapters as well as a section of photographs of my paintings. The first chapter is a comprehensive artist statement that outlines my approach to image making using Heewon Chang’s autoethnographic method. This approach emphasizes cultural analysis and interpretation of the researcher’s behaviours, thoughts, and experiences in relation to others in society. Chapter two is a case study on the artist, John Brown. In addition to being a significant influence on my practice, Brown and I are both deeply concerned with representations of the body in contemporary painting as well as the formal capabilities of paint. …


Summoning The Body That Acts, Brendan M. Mccauley Jul 2016

Summoning The Body That Acts, Brendan M. Mccauley

Masters Theses

Seven series of artworks; painted, drawn and performed. These works are presented as affective incorporation exercises, that test modes of aesthetic communication in response to varying political contingencies. The constitutive processes used to develop the work also function as a methodology for my own political radicalization. As an artist I am wagering how to talk, as an activist I am preparing to act. The artworks discussed occur at the crossroads of these desires as enactions of futurity within the subjunctive mood.


The Future Is Fire, Ariel Berry Jun 2016

The Future Is Fire, Ariel Berry

The Hilltop Review

No abstract provided.


The Excitement Of Life, Jacob D. Soukup Jun 2016

The Excitement Of Life, Jacob D. Soukup

Celebration of Learning

These recent paintings explore the presence of excitement, energy and adrenaline rush one can capture in a moment. Oil paints have a quality that can make a painting come to life. This lifelike quality is exactly what I strive to capture in a way that allows the viewers to put themselves inside the painting. The inspiration for these paintings came from my own experiences of adventure and risk-taking. The use of foreshortening and distortion helps give the figures a sense of energy and create movement throughout the composition. By portraying the various situations through a warped lens, I believe that …


Interior Mountains & Distant Clouds, Ping Zheng May 2016

Interior Mountains & Distant Clouds, Ping Zheng

Masters Theses

Painting allows infinite scope for imaginative freedom beyond the ambiguity of the inner landscape. Painting connects the natural world outside to the inner natural world, allowing me to exist in the present while also reconciling childhood meanings. It brings me alive, allowing me to find a new identity. No longer trapped within the repressive structures of family, rigid schooling, and culture, the language of sky, land, mountain, and water become living metaphors of limitless possibilities with forms and color. My paintings are abstract, but they also present me as a character, independent and emerging from the environment. The work explores …


Departing From Photography. Place, Space, Non-Place, And The Quotidian: Painting From Pictures Of The Everyday, Mathew A. Tucker May 2016

Departing From Photography. Place, Space, Non-Place, And The Quotidian: Painting From Pictures Of The Everyday, Mathew A. Tucker

Theses and Dissertations

This paper investigates the relationship between photography and painting. It explores the way in which Mathew Tucker's paintings have been informed by his photographs of everyday places and the ways that they depart from those images and express new and different meanings.


Kimono, Elizabeth D. Hoffman May 2016

Kimono, Elizabeth D. Hoffman

CGU MFA Theses

Globalization opens up opportunities for the international community to push for freedom of expression. It is precisely because the history of kimonos is a multi-cultural one, invented by the Chinese, then adapted and adopted by the Japanese, then altered by Western colonialists and changed as it permutated from the aristocracy to the middle class and to laborers, that I felt that it was relevant to today and the cross-cultural influences of globalization. This summer, I purchased two authentic Japanese kimonos, (one an everyday cotton one to use as a model for my drawings, and the second, an elaborate silk one …


Remembrance: Drink While The Water Is Clean, Marissa Angel May 2016

Remembrance: Drink While The Water Is Clean, Marissa Angel

Electronic Theses and Dissertations

This thesis paper supports the Artist’s Master of Fine Arts exhibition held at the Tipton Gallery, located in downtown Johnson City TN from November 30, 2015 through January 22, 2016. The works Included in the exhibition consists of a series of mixed media collage paintings, a large scale etching combined with clay and a site specific installation.

The Exhibit features work that delves into the concept of nature as a subject of beauty, as well as a symbol of the resiliency of life. The work in this exhibit exposes the separation that exists between humanity and the natural world. Through …


James Kao Interview, Alice Haller Apr 2016

James Kao Interview, Alice Haller

Asian American Art Oral History Project

Artist Bio: James Kao was born and raised in Houston, Texas. After studying philosophy and focusing on the texts of Ludwig Wittgenstein at the University of Chicago, he worked as a bakery buyer for a specialty foods retail chain in Southern California. In 2001, James forwent his corporate career and returned to Chicago to take classes at the School of the Art Institute of Chicago where he received an MFA from the Painting and Drawing Department. He is Assistant Professor of Art at Aurora University in Aurora, IL, and is co-founder and co-director of 4th Ward Project Space in …


Una Entrada En La Vida De Las Mujeres Inmigrantes: Una Exposición Visual Para Representar Las Experiencias De Mujeres Inmigrantes De México A Través De Retratos Y Entrevistas, Ashley Ables Apr 2016

Una Entrada En La Vida De Las Mujeres Inmigrantes: Una Exposición Visual Para Representar Las Experiencias De Mujeres Inmigrantes De México A Través De Retratos Y Entrevistas, Ashley Ables

World Languages and Cultures

Una entrada en la vida de las mujeres inmigrantes:

Una exposición visual para representar las experiencias de mujeres inmigrantes de México a través de retratos y entrevistas

Ashley Ables

California Polytechnic State University

Intent:

The intent of my project is to research the lives of migrant, farm-working women who have migrated from Mexico and now live and work in California. The other purpose is to present the findings to the Cal Poly and San Luis Obispo communities through interviews and artistic expression.

Methodology:

In order to research and present the lives of these women, I plan to do the following: …


Maybe The Gate Could Be A Fan, Erin L. Schoenbeck Apr 2016

Maybe The Gate Could Be A Fan, Erin L. Schoenbeck

School of Art, Art History, and Design: Theses and Student Creative Work

I notice with quiet thrill an individual object or shape such as a railing, an odd pattern in the cement, a handle that does not match the rest, or a surprisingly decorative form intended only for a useful purpose. Choosing a form for its potential function, strange shape or particular color, I filter it through my aesthetic. My mental repetition of the day’s stresses is changed into lighthearted wondering. Maybe that gate I passed could become a beautiful fanned shape, its silhouette in gold and pale green. It could be so tiny its functional life outdoors is transformed into delicate …


Cesar Conde Interview, Ramona-Sky Rosenthal Mar 2016

Cesar Conde Interview, Ramona-Sky Rosenthal

Asian American Art Oral History Project

Artist Bio: A post-contemporary painter, Conde uses old world technique using modern materials to paint his realistic portraits. Conde is a Filipino-American Chicago based artist who was primarily self-taught until he hit a wall with his technical skills. Upon realizing his artistic limitations, Conde decided to study at Angel Academy of Art in Florence, Italy with John Michael Angel, who apprenticed for Pietro Annigoni. He also studied with Master Painter of Technique Mixte, Patrick Betaudier in his atelier in Monflanquin, France. Conde’s influences are Carravaggio, Rehmbrant, and Goya. Conde continues to learn and explore the infinite possibilities of painting.

Conde’s …


Understanding Postcolonial South Asian Communities Through Bollywood, Noor A. Asif Jan 2016

Understanding Postcolonial South Asian Communities Through Bollywood, Noor A. Asif

Scripps Senior Theses

Inspired by my personal experience as a South Asian-American, I chose to create a series of paintings that seek to analyze the relationship between South Asians and a Western environment. I was further influenced by Bollywood painted posters, which I argue encapsulate postcolonial aesthetics in the form of fair skin, colored eyes, and exoticism. Moreover, I believe that Bollywood has continued to disseminate these aesthetics to the South Asian collective community. Bollywood and its implicit fascination with the West, in addition to its inherently South Asian identity, embody the struggle that many South Asians face. This struggle, which I as …


L'Art Et L'Amour À Travers Un Amour De Swann De Marcel Proust, Sarah M. Robertson Jan 2016

L'Art Et L'Amour À Travers Un Amour De Swann De Marcel Proust, Sarah M. Robertson

Scripps Senior Theses

The esteemed French author, Marcel Proust, revolutionized the way that literature fuses with visual art. Through the detail of his novella Un Amour de Swann, Proust creates a world in which the idolatry of a painting destines one man to a life void of fulfillment in love. This thesis explores the intrinsic connection of painting and literature to love through Proust’s treatment of the Botticelli fresco, Les Épreuves de Moïse, and the carefully crafted lesson that Proust teaches to integrate art into the fabric of life. Proust’s advice reaches far beyond the constraints of his own words, and …


Jasmine Greenwaldt: Continuum, Jasmine Elise Greenwaldt Jan 2016

Jasmine Greenwaldt: Continuum, Jasmine Elise Greenwaldt

All Graduate Theses, Dissertations, and Other Capstone Projects

I create in order to explore. I welcome the unexpected, not only in my art but in my life as well. The process of creation and exploration have just as much importance as the finished product itself. I seek to express emotion in my work, whether that be through color, brush strokes or simply the movement of paint. My thesis reflects all of the exploration I have done not only throughout graduate school but during my life. It has become a written book of my journey, demonstrated through the use of paint.


Childhood Home, Kira Marie Buckel Jan 2016

Childhood Home, Kira Marie Buckel

Senior Projects Spring 2016

Senior Project submitted to The Division of Arts of Bard College.


Mapped: Intersections Of Cartography And Painting, Brian Robert Neils Strigel Jan 2016

Mapped: Intersections Of Cartography And Painting, Brian Robert Neils Strigel

Senior Projects Spring 2016

Senior Project submitted to The Division of Arts of Bard College.

Mapped: Intersections of Cartography and Painting explores the role of representation in art and how we, as people, communicate through visual language. More fundamentally, my paintings ask at what point does an abstract painting become a map, and what structures and conventions do we use in cartography that appear in abstract painting? Is a map a painting or is it a functional object? The map is a fundamentally flat, abstract object to which we assign practical meaning. Details are only considered if they are necessary for travel or displaying …


Perspectives, Beatrice Modisett Jan 2016

Perspectives, Beatrice Modisett

Theses and Dissertations

My paintings are linked to a thirst for exploring new landscapes and perspectives, my interest in the extremes and subtleties of geological phenomenon and a desire to create, chase after, and teeter on a brink. Here I will discuss these topics and work to unpack my interest in avoiding comfort, my relationship to control and the creation and function of my paintings. To extract myself from my tactile and visual world of process and paint and enter the world of written language presents very different challenges than the ones fostered in the studio. The goal in both is to reveal …