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Eastern Illinois University

History of Art, Architecture, and Archaeology

Articles 1 - 7 of 7

Full-Text Articles in Painting

Post Object Art And Sociological Influences On The Internal Processes Of Art Making, Steve Havens Jan 1983

Post Object Art And Sociological Influences On The Internal Processes Of Art Making, Steve Havens

Masters Theses

The purpose of this thesis is to discuss how external sociological factors inevitably have a profound effect on current art.

Much great art has been created against the flow of what is critically "popular" or "fashionable," but as these external factors become more prominent so the art work produced inevitably suffers.

The exhibition of Frank Stella's black and aluminum paintings at the turn of the 60's, in my own opinion, provided something of a landmark in the history of art. These works, in all their stark, flat, geometric nakedness denied both "form" and "content." They bare no illusions, no mythology, …


The Photograph And Superrealism, Christopher Stokes Jan 1982

The Photograph And Superrealism, Christopher Stokes

Masters Theses

In 1968 an exhibition entitled "Realism Now" was held at Vassar College under the direction of Linda Nochlin, a noted art historian and professor at the school. The exhibition sought to present a cross-view of recent American painting in the realistic mode. Included in the catalog were twenty-five artists including Jack Beal, Robert Bechtle, Richard Estes, Alex Katz, Alfred Leslie, Malcom Morely and Philip Pearlstein, as well as many other artists who, at the time, were relatively unknown. The exhibition generated a great deal of attention, not only because of its recognition of contemporary representational painting as an influential movement, …


Objectivity And New Realist Painting, Jacky Palman Jan 1977

Objectivity And New Realist Painting, Jacky Palman

Masters Theses

This thesis describes the methods of New Realist painting ( also known as Sharp-Focus Realism, Photo-Realism, Super Realism and Hyper-Realism ) and its philosophy of objectivity behind the photographic approach and the choice of subject-matter. It also points out that this aim for total objectivity is ultimately unattainable.

A definition of New Realism in painting follows in Chapter One, which also deals with the factors separating it from other photographically realistic styles - the primary distinction being the constant striving of New Realism for complete objectivity.

Chapter Two deals with the influences responsible for the emergence of New Realism. Pop …


A Comparative Analysis Of Selected Twentieth Century Watercolorists, Bonnie L. Ferguson Jan 1974

A Comparative Analysis Of Selected Twentieth Century Watercolorists, Bonnie L. Ferguson

Masters Theses

My objectives in writing this paper were to research selected watercolorists whose work I admire and whose work bears a relationship to my own, and to make a comparative analysis. In the process of research, I found that not all of the work of the artists I had chosen related totally to my own, but there was at least one of the basic elements that did apply. I wanted to learn from looking at their work and reading about their philosophies. That I did; and it has stimulated in me many thoughts and plans, wishes to try some of their …


Edvard Munch: Motifs And Motivations, Gordon Moffett Jan 1972

Edvard Munch: Motifs And Motivations, Gordon Moffett

Masters Theses

No abstract provided.


The Symbol Of The Bull As An Art Form, Gary L. Noffke Jan 1966

The Symbol Of The Bull As An Art Form, Gary L. Noffke

Masters Theses

No abstract provided.


The Musical Motif In Painting, Jerry A. Martin Jan 1964

The Musical Motif In Painting, Jerry A. Martin

Masters Theses

No abstract provided.