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Polished Memories: Zhang Xiaogang’S Bloodline: Big Family No. 3 And The Ideal Family Of The Cultural Revolution, Abby Wiggins
Polished Memories: Zhang Xiaogang’S Bloodline: Big Family No. 3 And The Ideal Family Of The Cultural Revolution, Abby Wiggins
James Madison Undergraduate Research Journal (JMURJ)
Zhang Xiaogang’s series of paintings, Bloodline, is a strange, surreal, and haunting collection of family portraits. As a Chinese artist who was young during the Cultural Revolution of the 60s and 70s, Zhang has a complicated relationship with his own national history. The paintings of Bloodline are not photorealistic portraits; rather, they are constructions coming from within his mind, returning to these memories and feelings decades later. This essay examines Big Family No. 3, a painting for this series done in 1995, exploring the influences and processes that contributed to its creation. It argues that this work in …
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Gettysburg Social Sciences Review
For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which empowers …