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Interactive Arts Commons

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Full-Text Articles in Interactive Arts

Your New Best Friends: An Exploration Of Furby, Siri, And Other Sociable Electronics, Avery Forbes Jul 2021

Your New Best Friends: An Exploration Of Furby, Siri, And Other Sociable Electronics, Avery Forbes

Masters Theses

Your New Best Friends: An Exploration of Furby, Siri and Other Sociable Electronics is focused around interactive electronic systems and the effect these systems can have on our human psyches. My work focuses on two particular periods of development: the late 80’s to early 90’s, and the 2010’s to present. One period represents my childhood and the other my early adulthood. By comparing the two I can examine trends in the ways we engage with robotics and can better understand the ubiquity of electronically mediated interactions today. I utilize these new understandings to manipulate the capabilities of devices from both …


Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi Jan 2021

Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi

Theses and Dissertations

In this text, I consider my identity as a Japanese immigrant in the United States during a global pandemic and its impact on my understanding of home as a liminal space. In particular, I discuss notions of home in relation to my work as an artist including two works that utilize the home-sharing platform Airbnb and three works that deal with the dichotomy of inside and outside.


Jeffrey Augustine Songco Interview, Yara Cruz Jun 2018

Jeffrey Augustine Songco Interview, Yara Cruz

Asian American Art Oral History Project

Artist Bio:
Jeffrey Augustine Songco (b. 1983) is a multi-media artist. Born and raised in New Jersey to devout Catholic Filipino immigrants, his artistic identity developed at a young age with training in classical ballet, voice, and musical theater. He holds a BFA from Carnegie Mellon University and an MFA from San Francisco Art Institute. His artwork has been exhibited throughout the USA including the Asian Art Museum in San Francisco and the Urban Institute for Contemporary Arts in Grand Rapids. In 2017, he was featured in the publication Queering Contemporary Asian American Art, and he was the Installation …


Be Here Now, Katrina Luehrmann Rattermann Dec 2017

Be Here Now, Katrina Luehrmann Rattermann

Graduate Theses and Dissertations

Drawing from my religious upbringing and my identity as a millennial, Be Here Now investigates my personal conflicts with the Art object. The exhibition, comprised of two pink, celebratory installations made-on-site and displayed in adjacent spaces, is an exploration of superficiality. Displayed in spaces that are externally visible from the street, the installations invite audience participation. Through the use of placement, color, construction and material make up, the works provoke visceral reactions from the viewer. Though viewers are able to approach the installations from various vantage points, they are unable to physically enter the works and become immersed within the …


The Body Carrying Its Otherness, Rae Yuping Hsu May 2017

The Body Carrying Its Otherness, Rae Yuping Hsu

Masters Theses

Prosthesis points to an addition, a replacement, and also an extension, enhancement, transcendence.

Prosthesis points to subtraction, the creation of a void, a need, disability, deficiency.

This thesis explores the ways in which the body and technology come into contact with one another and are incorporated, integrated, fused and reciprocal. It seeks to negotiate the slippage space within these contrasting stand points and propose that the body and its otherness was always already one.


Contemporary Kitsch: An Examination Through Creative Practice, Sally Stewart Jan 2015

Contemporary Kitsch: An Examination Through Creative Practice, Sally Stewart

Theses: Doctorates and Masters

This exegesis examines the theoretical concept of contemporary kitsch within a creative practice that incorporates sculptural and installation art. Kitsch is a distinct aesthetic style. Once designated to the rubbish bin of culture, kitsch was considered to be low class, bad taste cheap fakes and copies (Greenberg, 1961; Adorno & Horkheimer, 1991; Calinescu, 1987; Dorfles, 1969). I argue, however, that this is no longer the case. This research critically examines the way in which contemporary kitsch now plays a vital and positive role in social and individual aesthetic life.

Although there are conflicting points of view and distinct variations between …