Open Access. Powered by Scholars. Published by Universities.®

Fiber, Textile, and Weaving Arts Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in Fiber, Textile, and Weaving Arts

Imprints: The Marks We Make, Patricia Botts Aug 2022

Imprints: The Marks We Make, Patricia Botts

Graduate Theses

When walking throughout a cemetery, you may notice the small dash on a tombstone between the year of someone’s birth and their death. Have you ever given thought as to how a tiny line can represent so much? Even a small mark, such as the dash, can represent volumes in the entirety of a person’s life and the imprint they leave on those around them. In my work, I use various types of line as symbols associated with representations of life. I am most interested in lines as visual representation of physical and psychological wounds, both newly created and those …


A(M(End)Ing))) Expectations, Renee Holliday May 2021

A(M(End)Ing))) Expectations, Renee Holliday

Graduate Theses

This thesis statement explores how my intersectional identity as an artist and mother with a working-class background are intertwined, and how that upbringing has influenced each of these roles and my actions and interactions with those around me. The first part of this thesis A(m(end)ing))) Expectations serves to highlight the diverse experiences that helped form the basis of my identity while also exposing many of the unhealthy societal and familial expectations that are often placed upon women. The exhibition YES/AND is the culminating work of how these varied identities, combined with contemporary themes of feminism, affects my artistic decisions and …


The Ethics Of Sheep, Chris Smith Evans May 2019

The Ethics Of Sheep, Chris Smith Evans

Graduate Theses

An interactive visual art installation in which participants use 18 original pictographs created through the artist’s polling initiative to anonymously oust sexual predators and human traffickers. Interactive components include wool sculptures of victims, witnesses, predators and six canaries. Viewers interact by placing code symbols on linking paths between predators and portraits of those who ousted them.


Purge, Amanda Foshag May 2017

Purge, Amanda Foshag

Graduate Theses

This thesis statement describes the eight hanging veil-like structures and sculptures that constitute my thesis exhibition work; it further comments on the movements, philosophy, and personal sensibility that most influenced the art making: Process Art, Taoism, and my own empathetic experiences. The movement of Process Art is discussed in reference to materiality and the physicality that goes into making these pieces. The influence of the Taoist philosophy is discussed in light of the unity and balance found in the combination of dualistic materials, and their relationship to one another, in these sculptural forms. Lastly, this statement expresses how the emotional …


Weaving In The Third-Dimension, Jill Gottschalk May 2017

Weaving In The Third-Dimension, Jill Gottschalk

Graduate Theses

This thesis statement, along with my final exhibition of sculpture, is the culmination of my graduate studies at Winthrop University. My reflections upon my sculpture, as well as connections to other artists within the art-historical canon, have provided me with a foundation which will remain fast in the years ahead. Throughout my studies, my work has evolved and changed, yet commonalities remain. It is these commonalities, aspects of my own style that remain constant, that are explored: ambiguity, transparency, use of textile materials and repetitive units. My recent body of work, and the subject of my thesis Weaving in the …