Open Access. Powered by Scholars. Published by Universities.®
Fiber, Textile, and Weaving Arts Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
Articles 1 - 3 of 3
Full-Text Articles in Fiber, Textile, and Weaving Arts
Groundswell, Ursula Gullow
Groundswell, Ursula Gullow
Electronic Theses and Dissertations
The artist discusses the artwork of her Master of Fine Arts exhibition, Groundswell, held at Tipton Gallery in Johnson City, March 11 – 22, 2024. The exhibition includes wall pieces, sculpture, plaster, and ceramic objects that explore the traditional parameters of painting and its presentation.
Ideas discussed include the philosophy of history, and the origin of European art tropes such as odalisques, flowers, and birds. Framing devices, deconstructed paintings, fiber arts, ceramics, 18th Century decorative art, plaster, the studio practice, Walter Benjamin, David Lowenthal, Gustave Courbet, Jean Honoré Fragonard, Titus Kaphar, Valerie Hegarty, and maximalism are also surveyed.
Second Nature: Impressions Of Place., Trish Korte
Second Nature: Impressions Of Place., Trish Korte
Electronic Theses and Dissertations
For my art practice, I grow and forage my art materials for eco printing, a direct contact printing method that reveals leaf shapes and hidden imagery through heat and pressure. I take specific cues from surrounding materials, objects, and environments. Tree systems and compelling textures of fungus are interpreted through ceramic and fiber. With an ongoing collaboration of natural materials and eco printing processes, my art speaks symbolically and metaphorically through imagery and materials. This thesis and accompanying exhibition present an examination of current work in context with an ongoing investigation of natural materials and eco printing.
A Fragile [In] Tension, Jose Homero Gutierrez, Jose Homero Gutierrez
A Fragile [In] Tension, Jose Homero Gutierrez, Jose Homero Gutierrez
Electronic Theses and Dissertations
The exhibition, a FRAGILE [In] TENSION, is a compilation of 6 sculptural installation works—the result of two and a half years of work in the ceramics workshop— combining various ceramic procedures, incorporating crochet techniques, and repurposed materials. Each of the materials represents specific memories of the past linked to a place of origin and people deeply attached to me, representing complementary feelings. Ceramic objects were created on the potter's wheel and subsequently joined, modified, intervened, and added to their corresponding installations following a series of self-directed design rules. The sculptures are an emotional, psychological, and physical response to the past …