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Articles 1 - 5 of 5
Full-Text Articles in Fashion Design
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Masters Theses
This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.
Wearing Memories: Clothing And The Global Lives Of Mourning In Swaziland, Casey Golomski
Wearing Memories: Clothing And The Global Lives Of Mourning In Swaziland, Casey Golomski
Anthropology
This article situates a cultural phenomenon of women’s memory work through clothing in Swaziland. It explores clothing as both action and object of everyday, personalized practice that constitutes psychosocial well-being and material proximities between the living and the dead, namely, in how clothing of the deceased is privately possessed and ritually manipulated by the bereaved. While human and spiritual self-other relations are produced through clothing and its material efficacy, current global ideologies of immaterial mortuary ritual associated with Pentecostalism have emerged as contraries to this local, intersubjective grief work. This article describes how such contrarian ideologies paper over existing global …
Who Are You Wearing? A Study Of Moroccan Fashion Discourse, Identity Performance, And Social Change, Leah Michalove
Who Are You Wearing? A Study Of Moroccan Fashion Discourse, Identity Performance, And Social Change, Leah Michalove
Independent Study Project (ISP) Collection
Clothes and their consumption become almost invisible in their very ubiquity, yet fashion acts as a sort of optical litmus test for the mood of society. Clothing can express cultural norms, serve as shorthand for social grouping, and provide a kind of corpus of visual allusion; in short, clothes and how we wear them constitute a system of signification, a visual language as dynamic, complex, and arbitrary as any spoken communication. I set out to investigate the grammar and syntax of Moroccan fashion, to explore what the diversity of observed choices meant to the people who made them and how …
Why Am I Buying Another Black Dress?: An Anthropological Perspective Into The World Of Fashion, Ava Carnevale
Why Am I Buying Another Black Dress?: An Anthropological Perspective Into The World Of Fashion, Ava Carnevale
Honors Theses
This thesis explores how the world of fashion permeates all facets of human life, including social success, individual identity and self-acceptance. The fashion decisions we make each day are, indeed, personal decisions that we use to express ourselves and convey our story to society, however the cultures, people, and society that surround us are what intrinsically make these choices for us. Through extensive research in New York City and at Union College, evidence proves that persons are influenced by their surroundings, including media and friend groups, which ultimately establish his or her wardrobes and his or her level of social …
Designing, Producing And Enacting Nationalisms: Contemporary Amerindian Fashion In Canada, Cory Willmott
Designing, Producing And Enacting Nationalisms: Contemporary Amerindian Fashion In Canada, Cory Willmott
Cory A. Willmott
Today, generations after the adoption of European styles, Amerindian peoples’ everyday clothing is almost indistinguishable from that of other residents of North America. Until recently their culturally distinct clothing has been mainly reserved for ceremonial occasions such as powwows and religious rituals. This bifurcation of clothing styles and contexts parallels the dichotomy between ‘traditional’ and ‘assimilated’ Native identity that has been imposed by the dominant society. The dichotomy is a double bind: adopting ‘traditional’ identities, Native peoples are cast into a static ahistorical frame, while appearing ‘assimilated’ erases cultural distinctiveness. In both cases, Native peoples cannot effectively stake claims to …