Ceramic Arts Commons^™

Understanding Clay And Its Media Properties Through The Expressive Therapies Continuum, Anne Geisz

Art Therapy Counseling Final Research Projects

For centuries, clay has been used by civilizations to hold food, memories, and records of history. To this day, it is used by engineers, hobbyists, artists, art therapists and many more. This art based, heuristic study explores clay through the researcher’s ongoing practice with the material, within the framework of the Expressive Therapies Continuum (ETC) and examines how its unique media properties make it such a versatile material for both ceramic artists and art therapists. Results exhibit these unique media properties and clay’s ability to reach all levels of the ETC through collected data of images, journals, critiques, and notes. …

To Excavate An Absence, Margaret Compton

Graduate Theses

This thesis is an exploration of memory’s fluctuating aspects, utilizing natural materials and casting processes to create a sculptural body of work deeply rooted in materialized metaphor. Examining the relationship between mold and cast, part and whole, and interior and exterior, I utilize casting as a framework to understand the duality of remembering and forgetting. Memories, much like the natural landscape, are ephemeral, fading, and fracturing over time. Both external environments and internal mental landscapes share the common language of erosion, existing as present or absent, remembered or forgotten. Conestee Nature Preserve in Mauldin, South Carolina, serves as my “site” …

Squaring The Circle, Carter Pasma

All Graduate Reports and Creative Projects, Fall 2023 to Present

“Squaring the circle” is often used as a metaphor for trying to do the impossible. In many ways, this relates directly to my life and the path I have chosen as a ceramic artist. Living in a world of mass production, people often overlook and under appreciate handmade objects. The pots I create are designed to make the person using them notice and appreciate the thoughtfulness of something handmade.

It is comforting to make objects that will ultimately be used to enhance someone’s daily routine. Reflecting on this as a ceramic artist is what drives me to create pots that …

Finding The Perfect Purple: An Exploration Of Glaze Making And Chemical Safety In The Pottery Studio, Kara Eppard, Michael Hough

ASPIRE 2024

This project was undertaken as an IDS-100H course linkage between ceramics and chemistry. Through time spent reviewing literature and time in the studio, a project was developed that allowed the application of technical skills of each discipline in a creative fashion. The creative focus of the project was to find a suitable purple glaze to utilize on a previously thrown pottery collection. During the project techniques in glaze making were explored. Over 25 glazes were tested, and two firing techniques were explored. Additionally, safety within the pottery studio was increased through aspects such as the development of an MSDS, and …

Permutations, Casey Beck

School of Art, Art History, and Design: Theses and Student Creative Work

I make pottery not only out of a passion for my material, clay, and for the complex processes of wheel throwing and atmospheric firing, but also out of a passion for living with, using, and sharing handmade objects. For me, using pottery daily is an act of celebration. My philosophy of making pots comes in part from the particular history of utilitarian pottery that has developed over the last sixty years in Minnesota and Western Wisconsin, where I went to school and began my career as a potter. More recently, the form language that I employ in my work has …

Or To Be Eaten Alive, Christopher Williams

School of Art, Art History, and Design: Theses and Student Creative Work

“or to be eaten alive'' is a multimedia exhibition in which I merge my own coming of age story with a mythological ecology. In this work I reclaim my queer identity by communing with my past selves in a fantasy world created through the lens of Queer Ecology and Queer Eco-Futurism. The visuals in this exhibition obscure reality. They are abstractions of the landscapes I occupy—particularly the Tallgrass prairie and Ozark ecoregions. Through a speculative, fantasy world the exhibition introduces moments of adoration, death, fracturing, growth, joy, and failure. I form, draw, color and arrange the work embracing mistakes and …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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The Coevolution Of The Six Ancient Kilns And Japanese Postwar Local Identity, Benjamin Lewis Rothstein

CISLA Senior Integrative Projects

The arts have long been tools used to prop up political visions, and Japan’s traditional crafts are no exception to this trend. Japanese ceramics in particular have enjoyed, or perhaps endured, era after era of patronage by successive governments and movements over their more than a millennium of history. Appropriated by a wave of nationalism in the Meiji period, the rokkoyō (six ancient kilns), long famous for their rustic style and acclaimed tea wares, were converted along with many other traditional crafts into symbols of the Japanese national spirit. In the postwar period, however, without necessarily losing their national importance, …

Formed By Fire: A Global Story Of Women And Clay, Denise Tepe

MA Projects

In 1971, art historian Linda Nochlin implored the art world to be introspective of its long-held, male-centered narratives when she published the profound essay ‘Why Have There Been No Great Women Artists?’ Nochlin articulated the individual and societal factors that have disadvantaged women collectively and have historically kept them from receiving the same level of recognition as male artists for the same quality of work. This essay, compounded with growing feminist sentiments of the late 20th century, insighted art world institutions to highlight and recontextualize the art of women. These institutional efforts have culminated in female artists having a renaissance …

Commonplace, Heather Lepp

Graduate Theses, Dissertations, and Problem Reports

The paper as follows will explore the conceptual and aesthetic decisions behind my MFA thesis exhibition titled Commonplace. It will outline my personal history, philosophical outlook, and conceptual framework behind making utilitarian pottery to elevate daily experiences. It will also investigate my individual exploration into beauty in relation to the process of making my work. Formal considerations such as visual, tactile, and functional aspects of the work will be addressed. Sharing, gathering, and preparing food influences me as a maker, and being attentive inspires me to create utilitarian wares that are used as cherished tools to enrich daily life.

Floral Alchemy: Decorative Porcelain Tableware, Stacy Lynn Larson

Graduate Theses, Dissertations, and Problem Reports

This written thesis accompanies and addresses work shown in my Master of Fine Arts thesis exhibition, Floral Alchemy: Decorative Porcelain Tableware, at West Virginia University. Within this document, I address my research, inspiration, and process as I created the body of work shown in my thesis exhibition. My personal fascination with plants and flowers stimulates my research in the relationship between flora and humankind. Throughout history, plants have consistently had a deep impact on human culture as seen in mythology, language, ritual, art, and medicine. With an understanding of this historical context, I analyze my personal connection with flowers in …