Ceramic Arts Commons^™

A Fragile [In] Tension, Jose Homero Gutierrez, Jose Homero Gutierrez

Electronic Theses and Dissertations

The exhibition, a FRAGILE [In] TENSION, is a compilation of 6 sculptural installation works—the result of two and a half years of work in the ceramics workshop— combining various ceramic procedures, incorporating crochet techniques, and repurposed materials. Each of the materials represents specific memories of the past linked to a place of origin and people deeply attached to me, representing complementary feelings. Ceramic objects were created on the potter's wheel and subsequently joined, modified, intervened, and added to their corresponding installations following a series of self-directed design rules. The sculptures are an emotional, psychological, and physical response to the past …

In Hindsight: Non-Visible Patch Points, Erik Ordaz Lozano

Electronic Theses and Dissertations

Exhibition consisting of seven ceramic vessels. I constructed these objects on the potter’s wheel by throwing and joining sections together based on a set of loose measurements and visual guidelines I have developed using slips and underglazes for mark making and soda firing for final surface treatment. This work is the result of my reflections on the concepts of form, shape, balance, time, and connection.

Journey & Connections, Aldo Ornelas

Electronic Theses and Dissertations

Journey & Connections is a series of work comprised of ceramic sculptures that explore my personal experiences in relation to the human figure, immigration, and nature, as well as experiences influenced by my continuous travels between my country of origin and the United States.

This exhibition is composed of an Installation titled “A Line on the Wall” and a series of six sculptures that resemble monoliths, strong and expressive figures of spiritual origin that represent important figures in life, sources of wisdom and stelae that connect to the earth.

Nonautomata, Jeremy Haynes

Electronic Theses and Dissertations

Abstract

The purpose of this paper is a formal examination of the exhibition titled “NonAutomata” by Jeremy Haynes, as partial fulfillment of requirements for a Master of Fine Arts degree from Stephen F. Austin State University.

By examining the psychological influences within my artwork, I question the assumption that we are all just organic machines built with the same parts although we are all assembled and wired differently to perform specific tasks in society. I recall my personal experiences and how these influence my reactions to everyday life. While using clay with traditional and non-traditional processes, I have been …