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Ceramic Arts Commons

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Articles 1 - 8 of 8

Full-Text Articles in Ceramic Arts

1990 Forces, Peggy Brown Dec 1990

1990 Forces, Peggy Brown

Forces

No abstract provided.


Portrait Of Cora Wilson Stewart, Sam Mckinney Jan 1990

Portrait Of Cora Wilson Stewart, Sam Mckinney

Morehead State University Art Collection

An undated portrait of Cora Wilson Stewart by Sam Wilson.


Bald Eagle, Hugh Hirtle Jan 1990

Bald Eagle, Hugh Hirtle

Morehead State University Art Collection

An undated color print of a bald eagle by Hugh Hirtle.


Portrait Of James Turner Morehead, Unknown Jan 1990

Portrait Of James Turner Morehead, Unknown

Morehead State University Art Collection

An undated portrait painting of James Turner Morehead by an unknown artists.


Portrait Of Charles Slaughter Morehead, Unknown Jan 1990

Portrait Of Charles Slaughter Morehead, Unknown

Morehead State University Art Collection

An undated portrait painting of Charles Slaughter Morehead by an unknown artist.


Eagle Statue, Unknown Jan 1990

Eagle Statue, Unknown

Morehead State University Art Collection

A metal statue of an Eagle looking to the left. It sits above the free speech area on Morehead State University's campus.


Portfolio, Donald Kurka Jan 1990

Portfolio, Donald Kurka

Historical Material

The Fall 1990 newsletter for the Ut Department of Art covers the establishment of student-run Gallery 1010, the grand opening of The Knoxville Museum of Art, the dedication of the Sculpture Tour permanent collection to Chancellor Jack Reese, a Ewing Gallery exhibition by Mary Beth Edelson, and the retirement of painting professor Richard Clarke.


Torso As Ceramic Vessel, Richard Garrett Masterson Jan 1990

Torso As Ceramic Vessel, Richard Garrett Masterson

Dissertations and Theses

The ceramic forms in this thesis project represent a study of the sculptural and figurative qualities of the ceramic process. This study includes a search for a personal form language, development of the slab construction technique, and development of a glazed surface appropriate to the work. The subject of the work is the human torso, with the vessel-like forms focusing on the core of the body as a metaphor for the core of the human spirit.