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Articles 1 - 12 of 12
Full-Text Articles in Book and Paper
Lisa Congdon: The Self-Taught Design Pioneer, Kate Foley
Lisa Congdon: The Self-Taught Design Pioneer, Kate Foley
Communication Design: Design Pioneers
Known for her colorful, bold, and whimsical folk art-inspired illustration and design style, Lisa Congdon brings joy and passion, fueled by her own self-taught journey, to the modern world of graphic design. Congdon is a fine artist, illustrator, and writer, producing works driven by her experiences with mental health, social justice, being queer, and being a woman. “And while all of those things can feel really dark and hard sometimes, there is a certain amount of joy that I feel, and that’s always what I want to try and express to the world” (Johnson, 2021), she shares. Although her path …
Lauren Hom: Design Pioneer, Hannah Schock
Lauren Hom: Design Pioneer, Hannah Schock
Communication Design: Design Pioneers
Self-made hand lettering artist Lauren Hom is living the American Dream – doing what she loves, having fun, and getting paid to do it all. Based in Detroit, Hom has created quite the following on social media as a playful, whimsical artist who doesn’t take life too seriously. She turns her life’s hardships, friends’ jokes, and weird ideas into art all while not giving a damn what other people think of it. Her journey to where she is now is an inspiration to all aspiring artists.
Lisa Frank, Kirk Demaris
Sarah Boris, Emily Gaugler
Sarah Boris, Emily Gaugler
Communication Design: Design Pioneers
Boris Sarah Boris has been in the art and design industry for over fifteen years, but some might say she is just getting started. Boris worked for design industries and art organizations such as the Barbican, the Institute of Contemporary Arts (ICA), and Phaidon Publishing, but in 2015 she took a more independent approach and opened her own design studio in London, Sarah Boris Design. Since opening her studio Boris has pursued personal explorations, collaborations, and commissions. Her work is clean, bright, and impactful, and she is gaining admiration from students and design critics. She has a gift for creating …
Cipe Pineles, Nicole Powlina
Cipe Pineles, Nicole Powlina
Communication Design: Design Pioneers
No abstract provided.
Raymond Pettibone, Michael Caputo
Raymond Pettibone, Michael Caputo
Communication Design: Design Pioneers
No abstract provided.
Quilted Archives, Rebecca M. Gallandt
Quilted Archives, Rebecca M. Gallandt
Art and Art History Honors Projects
Memory and identity are rooted in the experience of being in material spaces and the process of remembering is often prompted by associative places. Quilted Archives is a series of four collages that combine the mediums of printmaking and oil painting in the pursuit of exploring nostalgia. In each work I use brightly colored intaglio aquatint prints, sepia intaglio etchings, patterned linocut prints, and oil paint to embed memories of childhood play and pretend in the flora of the landscapes where each memory takes place. The flora is collaged in a colorful geometric style to reference quilting and is used …
The Ghosts Shed Tears, Sarah Jentsch
The Ghosts Shed Tears, Sarah Jentsch
School of Art, Art History, and Design: Theses and Student Creative Work
Before I was taught what made us different, I thought my brother and I were the same. The only difference between a doe and a buck was the antlers. As I grew, I noticed differences—in the way people spoke to us, in what was expected of us, in the questions we were asked. In what our futures were supposed to look like. The difference between the doe and the buck was still the antlers, but those antlers made one a trophy and the other venison.
Many of my formative experiences I came to understand through animals. My family home, cradled …
Exhibiting Students’ Bound Sketchbooks, Amy Beecham, Courtenay Mcleland
Exhibiting Students’ Bound Sketchbooks, Amy Beecham, Courtenay Mcleland
Library Faculty Presentations & Publications
The Thomas G. Carpenter Library at the University of North Florida implemented a dedicated space for the exhibition of student artwork in the Summer of 2017. The space is collaboratively managed by the Department of Art, Art History, and Design and the Library with the intent of providing students with valuable experience in curating and mounting exhibitions. Courtenay McLeland, librarian and co-liaison to the Department of Art, Art History, and Design and art professor Amy Beecham discuss an upcoming installation of student bound books. Students in Professor Beecham’s advanced drawing class completed accordion bound sketchbooks with a focus on continuous …
The Woman Behind The Whitney, Breanna Epp
The Woman Behind The Whitney, Breanna Epp
Honors Theses
Gertrude Vanderbilt Whitney was the founder of the Whitney Museum of American Art, as well as a prominent sculptor and patron to artists in the early 1900s. Her art collection was the largest of American art at the time, and she led the nation into an appreciation of its own native art. Native in this context specifically means any art that was made in America, not strictly art made by the indigenous people of the Americas. Tackling her entire life, from growing up in the Vanderbilt family to her death, I provide an overview of her interactions with the art …
The World As We Know It: Maps And Atlases From Special Collections, Archives And Special Collections, Luke Meagher
The World As We Know It: Maps And Atlases From Special Collections, Archives And Special Collections, Luke Meagher
Library Exhibits
Selections of maps and atlases from Sandor Teszler Library’s Special Collections are presented in this exhibit to show how, over time, cartographers have represented the world as we know it.
Toward An Archaeology Of Manuscripts, Mark A. Mattes
Toward An Archaeology Of Manuscripts, Mark A. Mattes
Faculty Scholarship
The title of Rachael Scarborough King’s edited collection of essays, After Print, refers at once to Peter Stallybrass’s insight that printing is a provocation of manuscript, as well as to what the study of manuscripts looks like when we move away from stadial and supersessionist print culture paradigms of authorship and publication and instead embrace archival methods and interpretive approaches that center on concepts of media interrelation in early modern manuscript cultures, such as Margaret Ezell’s concept of social authorship.The essays in King’s collection, including an epilogue by Ezell herself, bear the fruits of such intermedial and transmedial approaches, bringing …