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Embodiment Of Creative Thought And Visual Logic In Bookmaking: An Example Of Intermediality In Word-Picture Adaptation, Diana Bychkova
Embodiment Of Creative Thought And Visual Logic In Bookmaking: An Example Of Intermediality In Word-Picture Adaptation, Diana Bychkova
Electronic Thesis and Dissertation Repository
This interdisciplinary study discusses word-picture translation for book illustrations and brings together visual art, book/illustration history, the materiality of the book, literature, and library science. The focus is on communication between the creator, the work of literary and visual art, and the receiver. Theories that observe verbal-visual relations appear typically disconnected from the practical aspects of bookmaking and publishing. In bridging practice and theory, I have developed my own method of word-picture interpretation that can be applied to any adult fiction text.
The thesis discusses the outside and the inside of illustration-making, presents the methodology and theoretical framework, explores such …
Picturing Robinson Crusoe: Edward Gordon Craig, Daniel Defoe And Image-Text Inquiry, Eric T. Haskell
Picturing Robinson Crusoe: Edward Gordon Craig, Daniel Defoe And Image-Text Inquiry, Eric T. Haskell
Mime Journal
Haskell focuses on Craig’s work with art books in this essay. He offers a wealth of visual images to investigate influences upon Craig’s engraved illustrations for an edition of Defoe’s Robinson Crusoe, a project planned for the Cranach Press, executed during the late 1930s, and published posthumously by the Basilisk Press in 1979. Haskell calls attention to the way that this fascinating edition—previously overshadowed by the Craig-Cranach Press Hamlet in the scholarly literature—adds to our understanding of Craig’s theories of print as performance. He also offers a nuanced reading of the way that Craig’s illustrations function as interpretation, providing …