Art and Design Commons^™

Kai Duc Luong Interview, Stuart Hutson

Asian American Art Oral History Project

Artist Bio Born in 1975 in Phnom-Penh, KAI-DUC LUONG fled the oppressive Khmer Rouge regime from Cambodia to Vietnam to France, where his family settled in Paris, in 1978. KAI-DUC operates between Chicago and Paris. His artistic projects include video (art / doc / film), photography, and mixed media installations. His unconventional path as a self-taught outsider artist, trained in digital communication & systems engineering, gives him a unique perspective, at times questioning subject matters through the understanding of transmission and systems (e.g. the primary emotions, the five senses, the stages of grief, the art industry). His works have been …

Braque And Picasso In The Dark Years: A Comparative Consideration Of The Still-Life Paintings Completed During The Occupation Of Paris, 1940-1944, Shelley Demaria

Theses and Dissertations

This thesis examines the work and actions of Georges Braque and Pablo Picasso throughout the Occupation of Paris during World War II, and in doing so, aims to demonstrate that the two artists were more closely aligned in wartime comportment and artistic production than the current scholarship might indicate.

The Posers: Instinctual Simulation Across Time, Kathryn Mccarthy

Theses and Dissertations

The Posers is a video about the occlusion of the self in history and in love. This paper explores methods of laminating historical moments with contemporary experience to explore the passage of time and the ongoing marginalization of women.

La Cité That Care Forgot: Public Housing And The Perception Of 'Ordinary Modernism' In Paris And New Orleans, Brooks Cameron Piper

Art and Art History Honors Theses

The Lafitte housing complex in New Orleans, Louisiana and the Barre Balzac apartment tower outside Paris typified the ordinary modernism that transformed cities around the world in the mid-twentieth century. I use the term “ordinary modernism” to refer specifically to buildings that exhibit characteristics of modern architecture, but lack the pedigree of iconic buildings designed by famous architects for illustrious clients. Lafitte and Balzac were public housing projects, possessing neither the opulence of a private villa nor the grandeur of a house of parliament. Although contemporary scholars and new residents alike admired the projects for their modernity at their construction, …

Inside Notre Dame, Paris, Brittany Blake

The Tuxedo Archives

No abstract provided.

Paris, Cooper Scollan

The Tuxedo Archives

Oh to be in Paris. Paris, just like the movies. Just like the image. Just like the romance. It is as beautiful as one could conceive, and as inspiring as one wants it to be. As you visit the sites, eat the food, and try to become a part of this breathtaking city, you are left in a state of constant emotional tickle. But to be in Paris, you must try to act like a Parisian. Not a tourist. ~excerpt from prose

Parisian Perspective, Colleen M. Kolb

The Mercury

No abstract provided.

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …

Geometry Of Faith: A Stereotomic Reconstruction Of Sainte-Anne-La-Royale In Paris, Giuseppe Mazzone

Theses and Dissertations

Planned during the XVIIth century by the Italian architect Guarino Guarini, the church of Sainte-Anne-la-Royale was supposed to be built in Paris to honor the French Queen Anne of Austria. In an unfortunate twist of fate the church was only partially realized and later destroyed. Present history's only memory comes in three engravings by Guarino Guarini himself: a plan, a transversal section, and the main elevation.

An example of Italian Baroque Architecture, the building shines for its intriguing plan and complex system of vaults. Its execution was supposed to be realized according to the refined techniques of French stereotomy. Faithful …

Forget The FlâNeur, Conor Mcgarrigle

Articles

This paper discusses the connections between the ‘flâneur’, Baudelaire's symbol of modernity, the anonymous man on the streets of nineteenth century Paris, and his contemporary digital incarnation, the ‘cyberflâneur’. It is argued that, although the flâ- neur could be successfully re-imagined as the cyberflâneur in the early days of the web, this nine- teenth century model of male privilege no longer fits the purpose. It is suggested that it is time to forget the flâneur and search for a new model to consider the peripatetic nature of location-aware networked devices in the digitally augmented city.

Downing, Joseph Dudley, 1925-2007 (Sc 2598), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 2598. Letters from artist Joseph Dudley Downing, France, to Elinor Green (later Hunter), who worked for the United States State Department in Bern, Switzerland. They discuss their shared interest in art and discuss upcoming visits. Also includes letters from Joseph’s brother, Dero Downing, to Green discussing the possibility of donating artwork to Western Kentucky University.

From Ruhlmann To Rohde: How French Art Deco Became American, Lily K. Meehan '14

Summer Research Program

The American art deco designers of the 1930s were truly innovators, inventors and artists. They were not, however, the only ones creating “a modern world” during this time. In fact, America was one of the last countries to embrace the art deco style which was thriving in Germany, Austria, and France. There was a strong connection between the French art décoratifs movement and early 20th century American industrial designs. This paper investigates how the International Exposition of Modern Industrial and Decorative Arts held in Paris in 1925 heavily influenced the start of the American art deco movement.

Balenciaga: The Man, The Enigma, The King Of Couture, Sara Block

Honors Theses

Cristóbal Balenciaga (1895-1927) began his life as the son of a fisherman and a seamstress in a small Spanish fishing village, and ended his life in Paris as the undisputed king of high fashion. Many photos of his couture creations and articles written about his fashions by journalists and critics still exist today, along with many structural and stylistic innovations that Balenciaga introduced and other designers have since conscripted and adapted for their own work. However, apart from his clothing, little is known about the life of the notoriously mysterious and press-shy man, and the little that is known about …