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Full-Text Articles in Art and Design

Soar: A Glimpse Of Hope During The Pandemic, Nafisa Choudhury Aug 2021

Soar: A Glimpse Of Hope During The Pandemic, Nafisa Choudhury

HCA Healthcare Journal of Medicine

This original watercolor and ink painting features a cardinal with its wings spread against a blue sky. The cardinal symbolizes pivotal moments, and we as a nation find ourselves at a pivotal moment with regards to our handling of the coronavirus pandemic. The bird with its wings spread against the sky gives a vision of anticipation. These feelings of hope and anticipation mimic those that many are starting to feel as vaccine distribution has ramped up. Health workers should take a moment to acknowledge this extraordinary state that we have reached while continuing our care and following CDC guidelines. We …


Sulfur And Sage, John Swincinski Jul 2021

Sulfur And Sage, John Swincinski

LSU Master's Theses

Sulfur and Sage is a body of abstract paintings created out of memories of time spent immersed in the wilderness of the Rocky Mountains and the Yellowstone Caldera during the summer of 2020. The paintings reflect specific places, experiences, and insights, which occurred as I sought solitude by returning to the one place where I feel most at peace with the universe – the woods.

Each painting is augmented by a written vignette, describing the occurrence it is based on. Should the viewer choose to include these short stories as they encounter the artwork, they provide the jumping off point …


The Undiscovered Country, Luke A. Atkinson May 2021

The Undiscovered Country, Luke A. Atkinson

LSU Master's Theses

The Undiscovered Country is a compendium of paintings, prose, and poetry that defines the place of creation. This work is a response to life as I find it, in as honest and truthful a way as my ability allows. Sergei Prokofiev said, “The more the sea rages, the more precious a hard rock among the waves becomes.” My paintings are solid rocks that I cling to. Hopefully, someone else can too.


Creating Home, Ludovic Nkoth May 2021

Creating Home, Ludovic Nkoth

Theses and Dissertations

My work explores and conceptualizes the idea of a world where my people were never colonized, a world where we are still existing with our culture, our powers and the idea of voodoo. I place myself, friends, and family in positions of power, in spaces the world took away from us due to the color our skin. This is the world my practice aims to create.


Memories As Old As Outer Space, Nicholas Benfey May 2021

Memories As Old As Outer Space, Nicholas Benfey

Theses and Dissertations

My paintings draw from personal memory, as well as the nostalgic longing and nightmarish foreboding of the irrational psyche. Cosmic ruptures, cliffs, cemeteries, and parking lots appear alongside snowglobes and canopy beds. I aim to suggest things to be wary of, while giving space for optimistic fantasy and reflective wonder.


Missing, Murdered, Indigenous, Matthew Bollinger May 2021

Missing, Murdered, Indigenous, Matthew Bollinger

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.


Heartwork, Lance Taylor Loftin May 2021

Heartwork, Lance Taylor Loftin

Graduate Theses and Dissertations

Heartwork is a collection of paintings, drawings, and sculptures that explore the many ways identity is shaped by familial histories and personal memory. Focusing on my time growing up on a pine tree farm in Jackson, Mississippi in the early 90s, Heartwork explores gender, religion, regional traditions, family, and art. Through conversations and collaborations with my family, painting acts as an impetus for strengthening relationships. By reevaluating the past, I am able to create a web of interconnected narratives that inform and shift my understanding of the present.


Under The Microscope: Painting From Histology, Meg Smith Apr 2021

Under The Microscope: Painting From Histology, Meg Smith

Senior Theses and Projects

My goal as an artist is to create paintings which explore the intersections of biology, philosophy, aesthetics, and personal experience. I want to challenge the viewer to engage with their own anatomy and physiology on a microscopic scale. I also aspire to communicate my sense of awe and wonder at the structures and mechanisms of life on every scale, from the cellular to the cosmic.

I am deeply interested in how physiological processes generate the human experience

—I became a neuroscience major because I was interested in the mechanisms of sensation and perception. My love of histology—the study of the …


From Here And Now: Monuments Of Today And Everyday, Adam Shaw Jan 2021

From Here And Now: Monuments Of Today And Everyday, Adam Shaw

Theses and Dissertations

The arc of my educational narrative was drawing to a close. I was a month out from my thesis exhibition, the culmination of a three-year experience. The studio was full of an energy I had been longing to feel. I was just beginning. Then came the Pause.


Straight Through My Heart, Raul A. Aguilar Canela Jan 2021

Straight Through My Heart, Raul A. Aguilar Canela

Theses and Dissertations

Straight through my heart is an exhibition that explores the concept of heartbreak as a socio-political phenomenon. Through the affect of sadness the thesis analyses the way in which subjects are formed under cognitive capitalism. Paying particular interest to the collateral effects of neoliberal culture —hyper-stimulation, self-exploitation, competition, and obsession with productivity—and the pathologies they create —depression, anxiety, body aches, fatigue— this work shifts the burden of sadness from the individual to the community. By doing so it proposes heartbreak as a public feeling.


Novaturient, Robert Tyler Willmore Jan 2021

Novaturient, Robert Tyler Willmore

All Graduate Theses, Dissertations, and Other Capstone Projects

John Muir famously said, "The mountains are calling and I must go." The yearning ache to visit and connect with natural wild landscapes is real. Through brush and pigment, I attempt to capture the mystery and wonder of wild landscapes that have inspired me to be a novaturient soul. The power of landscape is generally symbolic yet uniquely concrete. Exploring the balancing conflicts of nature has led me to comprehend the universe and my place in it.

By mimicking the naturalist who breaks down wild spaces into macro-focused observations, I translate my experience with landscape into relationships of line, shape, …


Mythology Of Uncertainty, Connor Johanson Jan 2021

Mythology Of Uncertainty, Connor Johanson

All Graduate Theses, Dissertations, and Other Capstone Projects

I think of my work as a mythology under constant revision that reevaluates our human perceptions of the natural world. The root of mythology comes to us from ancient Greek mythos. The original meaning of mythos was simply an account from memory–your mythos could be what your day was like, what happened and how you felt. We are all in the continuous process of building narratives of our individual lives, our cultures, and the world around us.

Human stories and values–mythos–underlie metaphors and analogies, meaning that no discussion of scientific ideas can be free of cultural bias. Discussion of symbiotic …


L, M, N, O, P, Matt Jones Dec 2020

L, M, N, O, P, Matt Jones

Theses and Dissertations

A meditation on my painting and drawing practice in relation to the work of Philip Guston, Nancy Spero, and Frank Moore, among others, just before and during the start of the Covid-19 pandemic.


The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer Aug 2020

The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer

Achieve

Artist Donald Keefe is interviewed about his work and artistic development. His artwork Untitled Construct No. 4 is featured on the front cover of the magazine issue, and through out the interview section, pgs. 70-77. A biography and artist statement is also included in the inside cover of the publication. Other artworks featured are Mythos, Waiting, Consolation, Out-of-Work Horse, Revival, Autumn No. 2, Alone (Not Alone), and The Inauspicious Present No. 2.


The Branch On Which The Blossom Hangs, Thomas Sterling Coffey Jul 2020

The Branch On Which The Blossom Hangs, Thomas Sterling Coffey

Graduate Theses and Dissertations

The Branch on Which the Blossom Hangs is a body of paintings which address the relationship between landscape or physical presence and the primary experiences of emotion and perception. Through this examination of phenomenology and the malleability of the perceptual apparatus, the paintings express my feeling of dislocation caused by a cycle between depression, dissociation, and mental well-being. They question how an individual relates to their environment. The paintings seek to elicit the allusive and embodied qualities of poetry, framing and evoking a broader experience without defining it. By using the recognizable visual language of landscape, abstracted to the point …


The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer Jul 2020

The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer

Faculty Works

Artist Donald Keefe is interviewed about his work and artistic development. His artwork Untitled Construct No. 4 is featured on the front cover of the magazine issue, and through out the interview section, pgs. 70-77. A biography and artist statement is also included in the inside cover of the publication. Other artworks featured are Mythos, Waiting, Consolation, Out-of-Work Horse, Revival, Autumn 2, Alone (Not Alone), and The Inauspicious Present No. 2.


Three Strikes: The Evolution Of A Creative Practice Through Discovery, Connection, And Structure Or We Should All Be Artists, Anthropologists, And Feminists, Anne Barnes Jun 2020

Three Strikes: The Evolution Of A Creative Practice Through Discovery, Connection, And Structure Or We Should All Be Artists, Anthropologists, And Feminists, Anne Barnes

MFA in Visual Arts Theses

By identifying the three areas that merge to form my artistic practice: discovery, connection, and structure; this thesis uses my creative process as a way to form the link between my intellectual and material impulses, and to identify the connections I make between what abstract painting means to me, my feminist ideals and how they are informed by the gender inequality persistent in the art world today, as well as thoughts I have around the concept of the “feminine” as viewed through the lens of art history. In this way, I demonstrate how these elements are woven together and the …


The Life And Struggles Of Red Cockaded Woodpeckers, Michaela Gay May 2020

The Life And Struggles Of Red Cockaded Woodpeckers, Michaela Gay

Honors Theses

This series of paintings focuses on red cockaded woodpeckers, an endangered species of bird and the longleaf pines forests which they live in and are reliant upon. I drew my inspiration mostly from personal experience with my family’s own efforts to restore one of these forests as well as my longstanding belief in the importance of protecting the environment. However, the point of these paintings is not to preach to people, but rather to show them the beauty of these trees and birds, so they can perhaps begin to care about them themselves instead of just being told that they …


Forest For The Trees, Anthony Prud'homme Feb 2020

Forest For The Trees, Anthony Prud'homme

CGU MFA Theses

These paintings show life’s swarming energy coalescing into form. They are propositions to make space for connection.


Experiential Learning: Sasah Final Report, Elora Sinnott Jan 2020

Experiential Learning: Sasah Final Report, Elora Sinnott

SASAH 4th Year Capstone and Other Projects: Publications

Elora Sinnott revisits both her experiential-learning opportunities, one as a research assistant at Western and the other with Art 4 All Kids in London, ON. In describing her opportunities and the results, Elora focuses on the skills she developed, the impact the opportunities had on her career path, and the importance of instilling a love of the arts in children.


Indigenous Woman., Annabelle R. Broeffle Jan 2020

Indigenous Woman., Annabelle R. Broeffle

Senior Art Portfolios

Abstract three-piece series created by Annabelle Broeffle in the fall of 2019. It includes sculpture and installation art. The series is focused on indigenous social issues.


Experiential Learning, Elora Sinnott Jan 2020

Experiential Learning, Elora Sinnott

SASAH 4th Year Capstone and Other Projects: Presentations

In her presentation, Elora Sinnott revisits both her experiential-learning opportunities, one as a research assistant at Western and the other with Art 4 All Kids in London, ON. In describing her opportunities and the results, Elora focuses on the skills she developed, the impact the opportunities had on her career path, and the importance of instilling a love of the arts in children.


In The Shadows And Folds, Julia Mueller Jan 2020

In The Shadows And Folds, Julia Mueller

Senior Projects Spring 2020

In the shadows and folds is the result of a mental scavenger hunt that I began this past year, to uncover myself and find what is hidden in my crevices. It was spurred by my fear of memory loss which had grown to such a size that it sat visible in the back of my mind unaddressed for some time. The reason for this fear is not large but it feels monumental. I have been existing in various states of sadness and disconnect, which have acted like a thick blanket over my mind. This blanket is simultaneously protective and damaging, …


Heather C. Lou Interview, Katie O’Reilly Jun 2019

Heather C. Lou Interview, Katie O’Reilly

Asian American Art Oral History Project

Artist Bio: heather c. lou, m.ed. (she/her/hers) is an angry gemini earth dragon, multiracial, asian, queer, cisgender, disabled, survivor/surviving, depressed, and anxious womxn of color artist based in st. paul, minnesota. her mixed media pieces include watercolor, acrylic, gold paint pen, oil pastel, radical love, & hope. each piece comments on the intersections of her racial, gender, ability, & sexual identities, as they continue to shift and develop in complexity each day. her art is a form of healing, transformation, and liberation, rooted in womxnism and gender equity through a racialized borderland lens. heather works in education as an administrator. …


Quiet Moments, Deitra Charles May 2019

Quiet Moments, Deitra Charles

CGU MFA Theses

I am a figurative artist who focuses on ordinary people and everyday objects. I paint moments. A moment of peace, a moment of tranquility, a moment of contemplation. It is my hope that my paintings will incite a feeling of warmth, presenting the possibility of thoughts that take you away from the stresses of day-to-day life – that they give you the opportunity to experience life differently, stirring within you some sense of peace.

It is my hope that my paintings will incite a feeling of warmth, presenting the possibility of thoughts that take you away from the stresses of …


Loop, Lap, Leap, Hannah Schutzengel May 2019

Loop, Lap, Leap, Hannah Schutzengel

Theses and Dissertations

My paintings use slow, subtle gestures to create experiences of quiet emotion: casual warmth and comfort, playfulness, ease. My focus is the irregularity of a poured liquid; the slow release of an ironed crease; the push and pull of care against things drooping apart.


Enmesh: The Art Of Trauma And Recovery, Joanna Pottle May 2019

Enmesh: The Art Of Trauma And Recovery, Joanna Pottle

Senior Honors Projects, 2010-2019

Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they accomplish …


Over Certain Undecidedness These Heartstring Intimations, Martha Hemingway May 2019

Over Certain Undecidedness These Heartstring Intimations, Martha Hemingway

Senior Honors Projects, 2010-2019

over certain undecidedness these heartstring intimations is the culmination of a two-year-long abstracted cycle of textured conversation, internal eye contact, and endless playlist-making. Hemingway’s work is based in process-oriented reflections on habitual behavior, manifestation of sentiment, and sense of self. Her paintings draw inspiration from the ways in which we approach and avoid our internal and external routines – how degrees of our subconscious considerations affect how we extend ourselves to others. Individual auditory preferences of different colliding souls have carved a space for her in a language of empathetic abstraction – attempting to elaborate the curious beauty and pain …


Trackable Painting, Jisoo Hur May 2019

Trackable Painting, Jisoo Hur

Theses and Dissertations

This paper describes how I suggest a way to read images in painting by supposing that the gap between paintings can have a new role in the reading. This process consists of three parts that go through references and titles of my paintings.


Painting Down, Claire Stankus Mar 2019

Painting Down, Claire Stankus

MFA Statements

No abstract provided.