Art and Design Commons^™

Visions Of Science: An Art Historical Exploration Of Medieval Scientific Manuscripts, Olivia Brock

Undergraduate Honors Capstone Projects

The late 16th century saw a new movement in the world of science to push scientific ideas and practice out of academia and into the hands of the layman. No longer were scholars the sole proprietors of science –everyday laborers, craftsman, and artists now had practical scientific principles at their fingertips that they could incorporate into their professions. This new spread of science was facilitated in several ways, including the publication of books incorporating detailed, explanatory images, new utilitarian instruments, and public lectures. Though science was disseminated through a variety of means, I have been particularly interested in the ways …

‘Written In A Fair Hand’: The Living Tradition Of Medieval Scripts In J.R.R. Tolkien’S Calligraphy, Eduardo B. Kumamoto

Journal of Tolkien Research

This paper examines J.R.R. Tolkien’s calligraphic work in the light of the medieval scripts that possibly or certainly inspired him, aiming to demonstrate how his art was informed by the philological and paleographical dimensions. At first, we explore the context in which Tolkien’s calligraphic skills flourished. After that, the influence of the Anglo-Saxon Square Minuscule, the Insular Half-uncial, and the Uncial scripts is investigated by means of examples taken from Tolkien’s illustrations and manuscripts. The impact of the English Carolingian Minuscule, via Edward Johnston’s Foundational Hand, is also discussed. In the last section, the lettering in the maps prepared for …

The Second Bible Of Charles The Bald: Patronage And Intellectual Community At St. Amand, Riccardo Pizzinato

School of Art & Design Faculty Publications and Presentations

Among the manuscripts produced for Charles the Bald, King of West Francia (843-77) and Holy Roman Emperor (875-77), the so-called Second Bible (Paris, BnF, MS Lat. 2) holds a special place. Illuminated in the scriptorium of the abbey of St. Amand between 870 and 873, the Bible—unlike all the other manuscripts presented to the king during this period—contains no human figures or royal portraits. It exhibits instead large initials patterned with geometric and zoomorphic designs. In addition, the volume opens with a long poem dedicated to Charles the Bald and written by Hucbald (ca. 840–930), master of the monastery school …

Finding Aid To The Collection Of Celia Thaxter Materials, Celia Thaxter, Colby College Special Collections

Finding Aids

Celia Laighton Thaxter, 1835-1894, was an American poet and prose writer. Born Celia Laighton in Portsmouth, N.H., she spent her childhood on White Island Lighthouse, part of Isles of Shoals, and Appledore Island. At 16 she married Levi Thaxter and had three sons, Karl, John, and Roland. The family spent winters on the mainland in Massachusetts, where Celia felt imprisoned by domestic duties in a city house. Her first poem, "Land-locked," was published in 1860 and was an immediate success. Soon she became widely published, with poems appearing in Harper's, Scribner's, and the Atlantic. With the means to spend more …

Hell In Hand: Fear And Hope In The Hellmouths Of The Hours Of Catherine Of Cleves, Stephanie Lish

Theses and Dissertations

This paper is an attempt to investigate how well the borders and miniatures of The Hours of Catherine of Cleves facilitated the method of meditation recommended by Gerard Zerbolt of Zutphen and therefore was a useful tool in Catherine’s search for eternal salvation.

Conservation Workshops In Djenné, Mali, 2015 And 2017, Michaelle L. Biddle

Michaelle Biddle

Old English Manuscripts In The Early Age Of Print: Matthew Parker And His Scribes, Robert Scott Bevill

Doctoral Dissertations

Covering the first dedicated program in the study of and publication of Anglo-Saxon texts, my dissertation examines the sixteenth-century origins of medieval studies as an academic discipline. By placing recent scholarship on media, materiality, cognition, and intellectual history in conversation with traditional paleographical methods on medieval and renaissance manuscript culture, I argue for a new way of understanding how early modern scholars studied and presented the medieval past. I take as my focus a corpus of emulative Anglo-Saxon manuscript transcriptions produced under Elizabethan Archbishop Matthew Parker. Equal parts facsimile and edition, these transcriptions are a unique example of early modern …

The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin

Master's Theses

Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …

Review Of Scribes, Script, And Books: The Book Arts From Antiquity To The Renaissance, By Leila Avrin, Fred W. Jenkins

Fred W Jenkins

No abstract provided.

Volume 10, Issue 2: Full Issue

Manuscripts

Full issue of the March 2014 issue of Manuscripts. Includes work by: Lucy Kaufman, Thomas J. Luck, Mary M. Schortemeier, Verse Forms Class, Jeanne Gass, Jack DeVine, Mildred Reimer, Donald Rider, Donald Morgan, Joe Howitt, Elizabeth Hyatt, Arline Hyde, Stuart Palmer, George Zainey, Peggy O'Donnell, Lester Hunt, Arthur Graham, Rosemary Haviland, Fayetta Hall, and Jane Burrin.

Volume 10, Issue 1: Full Issue

Manuscripts

Full issue of the November 1942 issue of Manuscripts. Includes work by: Patricia Sylvester, Lucy Kaufman, Richard Moores, Janet Jarrett, Mary Margarette Schortemeier, Virginia Skidmore, Jeanne Gass, Jeane Siskel, Bob Dyer, Thomas Haynes, William Roberts, Nancy Rodecker, Doris Daley, W. S. McLean, Peggy O'Donnell, Dorothy Masters, Ann Holloway, Dick Runnels, Lois Jean Shipley, Mary Elizabeth Donnell, Don Griffith, and Betty Alice Hodson.

Volume 9, Issue 4: Full Issue

Manuscripts

Full issue of the May 1942 issue of Manuscripts. Includes work by:Helen Elizabeth Hughes, Jack DeVine, Esther Benjamin, Joe Berry, J. Robert Dietz, Glenn H. Fisher, Myron Scarbrough, Patricia Sylvester, Mary Wiley, Richard Moores, Rachel Whelan, Richard Outcalt, Margaret Byram, Janet Gregory, Joseph A. Trent, Ione COlligan, Jeane Siskel, Jean M. Chalifour, Jim Mitchell, Betty Frances Thome, Bob Harris, Alfonse Tapia, Virgina Hurt, Jean Ebeling, Ardath Weigler, and Mary Ellen Shirley.

Volume 9, Issue 1: Full Issue

Manuscripts

Full issue of the March 2014 issue of Manuscripts. Includes work by: Joseph Berry, Mary Wiley, Jeanne Gass, John Ross, Mary Margrette Schortemeier, Helen Hughes, Jean Pastor, Marijane Badger, Hariet Bishop, Jack Kilgore, Jean Bowden, Dean Wildman, Elizabeth Clark, Rachel Whelan, Robert L. Harris, Ed McNamara, Frances Shemelson, Josephine Rosenfeld, Geraldine Staley, Tom Wagle, Keith White, Betty Lee Snyder, James Hawekotte, Riley Sullivan, Ardath Weigler, John Rock, and Jim Mitchell.

Volume 9, Issue 2: Full Issue

Manuscripts

Full issue of the January 1942 issue of Manuscripts. Includes work by: Joan Fuller, Jack Kilgore, Fred W. Michel, Betty Murnan, Isadore Camhi, Mary Wiley, Jeanne Gass, Alfred Brown, Ione Colligan, Jack Retherford, Catherine Cunningham, R. Gordon Moores, Alice J. Fisher, Norma Jackson, Thelma De Boer, Betty Lee Snyder, John Gumerson, Richard Jowitt, William Hickson, Bob Harris, Rachel Whelan, Edward N. Redfield, Anshelm Schultzberg, Willard L. Metcalf, and John Bundy.

Volume 79, Issue 1: Full Issue

Manuscripts

Full issue of the March 2014 issue of Manuscripts. Includes work by: Bob Barrick, Tommy O'Rourke, Earl Townsend, Cassidy Olson, Wesley Sexton, Ritz Davison, Ella Paul, Maggie Carey, Jillian Wanbaugh, Donald Bradley, and Katie Johnson.

Volume 4, Issue 2: Full Issue

Manuscripts

Full issue of the January 1937 issue of Manuscripts. Includes work by Wayne Hill, Margaret Pierson, Elizabeth Messick, Margaret Kendall, Mary Burrin, Grace Ferguson, Betty Richart, Charles Aufderheide, Dorothy Steinmeier, Mars B. Ferrell, Cathryn Smith, Ruth Marie Hamill, Phillipa Schreiber, Robert Ayers, Marguerite Ellis, Wilbur Elliot, Margaret Parrish, William Steinmetz, Glenn White, Jack Howard, Richard Joyce, Anne Horne, Dave Craycraft, Charles Hostetter, Ralph W. Morgan, Louise Ryman, Norman Bicking, Dorothy Schilling, Mildred Barnhill, and Marion Swann.

Versions Of Pygmalion In The Illuminated Roman De La Rose (Oxford, Bodleian Library, Ms. Douce 195): The Artist And The Work Of Art, Marian Bleeke

Department of Art and Design Faculty Publications

The article focuses on the manuscript Douce 195, which is a late fifteenth-century copy of the poem "Roman de la Rose," that contains nine images for the poem's Pygmalion myth digression. According to the article, the manuscript was produced by the illuminator and court artist Robert Testard for Duke Charles d'Orleans. The differences between the story of Pygmalion as it is told in the text of the "Roman de la Rose" and in Testard's miniatures in the manuscript are explored. It is argued that the Pygmalion sequence represents Testard's reflections on the changing status of the …

Review Of Scribes, Script, And Books: The Book Arts From Antiquity To The Renaissance, By Leila Avrin, Fred W. Jenkins

Roesch Library Faculty Publications

No abstract provided.