Art and Design Commons^™

Encapsulating Scars, Ashley Smith

Electronic Theses and Dissertations

My work explores scars through encapsulation, a desire to enclose and express the emotional scars of memories or physical scars of the body. Life’s experiences impact the living, leaving behind scars that we feel the need to understand. Through the mediums of metal and mixed-media photography, I utilize found and created imagery, as well as a triality of text in order to preserve and remember these scars.

A Pursuance Of Self, Kassidy Albert

Undergraduate Honors Theses

The self portrait is a consistent aspect of art history, with many artists returning to it again and again across their lives. This project intends to explore the function of the self portrait. Through research and execution of artwork, the artist has found that the self portrait has multiple functions, including: a practice of anatomy; a display of status, skill, and likeness; an outlet for emotion; and a place for psychological confrontation. Across the life of this project, the artist completed twenty-two self portraits in a variety of styles and materials.

A Loud Volume Landscape, Grace Buyers

Bachelor of Fine Arts Senior Papers

It feels more like sounding it out than constructing it. Choosing and adapting images, concentrating on the auxiliary fragments (out-of-focus elements, the corner of the table, the reflection in the window, the highway median) and the backgrounds (the sky and its clouds, the gravel ground, the movement of the water, the horizons where these meet), I then breathe them together. The final products are primarily collages, and though they are originally constructed from printed media and found objects, their final forms are scanned and rematerialized. The content of these works focuses on the relationships between the chosen fragments and how …

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …

A Worm Turns, Jacob Galt Judelson

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

A Worm Turns

Jacob Judelson

“Even a worm will turn”––an idiom, essentially meaning that anyone or anything will retaliate if pushed too far. Even the weakest, most docile of things––like a worm––will eventually revolt, demanding the recognition and respect that it deserves.

I often wonder if I'm a painter or a sculptor. As an artist, I am drawn to gesture, texture, color, and material. While the majority of my work hangs on the walls of interior spaces, I use materials and processes affiliated with industrial and sculptural realms. My …

Hema Upadhyay: Disrupting The Hegemony Of The Slums, A Negative Social Spiral., Silvia Márquez Pease

Department of Art and Art History

This essay presents the theoretical framework that informs my reflections on the hegemony of the slums’ poverty and human conditions, and whether art can disrupt the hegemony and also become a conduit to question our Being, hence Dasein, as per Martin Heidegger. The following pages investigate the work of Hema Upadhyay, in India, and specially, her inspiring protest work offering insights on India’s overpopulation in urban areas such as, Dharavi. She depicts slums becoming a continuum circle of human misery and wealth, politically called a negative social spiral. I argue that the slums, not only destroy the harmony and promise …

Why Only Art Can Save Us: Aesthetics And The Absence Of Emergency By Santiago Zabala., Silvia Márquez Pease

Department of Art and Art History

Throughout history, we find ourselves searching for ways to nurture empathy and justice to cope with the political world crisis and improve our lives. The book, Why Only Art Can Save Us, written by a contemporary philosopher and author, Santiago Zabala, questions how the creation of art can shift the reasoning and existential being of humanity; and how art could be the only salvation to the political world crisis. Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century.

A Dialogue On Marta Minujin's Happening: Leyendo Las Noticias (Reading The News), Silvia Márquez Pease

Department of Art and Art History

Marta Minujín’s Leyendo las noticias is a happening that combines feminine subjectivity with the socio-political, creating a dialogue around notions of trace, the feminine, text, meaning, and impermanence. Specifically, how these notions affect the women living in an unstable and pluralistic world. It depicts a woman as a ‘participatory woman’ talking about women, in a conflicted patriarchal society. I would argue that the popular Marta Minujín’s Leyendo las noticias, represents a ‘slippage,’ for women (Cixoux 1976) amid a repressive culture, and a historical context of a Dirty War, violence, and fear. Martin Heidegger, Jacques Derrida, Helene Cixous, Jane Bennett, and …

Where Have All Our Women Gone? Using Art To Destigmatize And Celebrate Biblical Womanhood, Emma Catherine Ream

Masters Theses

In the 21st century, young Christian women struggle with understanding and applying practical aspects of Biblical womanhood in their day-to-day lives. Extreme views make it difficult for young women to navigate life in a way that makes sense in the cultural context of the 21st century. Young women today struggle to utilize the full range of talents and gifts that God has given them, and more importantly, they struggle to align their lives with Scripture. The lack of knowledge concerning what Biblical womanhood is, combined with confusion about how it is applied, impacts not only the women themselves, but everyone …

Tangled Roots: Exploring Appalachian Feminisms, Magenta Palo

Graduate Thesis Exhibition Catalogue Gallery, 2022

Women have long been overlooked as key figures in the cultural history of Appalachia. The exhibition Tangled Roots: Exploring Appalachian Feminisms seeks to examine the ways in which women artists across the region have kept traditions alive while redefining creative practices that were once seen strictly as “women’s work.” In particular, the exhibition aims to explore how women have reimagined “craft” through skillful attention to materials, manual dexterity, and application of critical and conceptual rigor. The concept of craft is defined in this context to include all hand-made work that requires developed skills, whether they belong to traditional craft-based practices …

Look Over Here: A Brief History And Exhibition Of Black Women In Photography, Millie Drury

English Presentations

This is an informative online photography exhibition. It contains a brief history of black women in photography before presenting ten black female photographers in chronological order according to years active with a short profile and examples of their work. This exhibition is meant to give students and faculty exposure to the work of black female photographers and understand the history behind their present status in the field.

To Shake, To Shatter, Sydney Whitten

Honors Scholars Collaborative Projects

To Shake, To Shatter is a photography project about memory, family and relationship with one’s self. All images are taken on large format film, in Nashville Tennessee and Whitten’s home town of Carlock, Illinois.

For this series, Whitten explored her family archives to gather film stills from her childhood. She turned those stills into 30 x 40 inch prints, which would later be placed around Nashville to be photographed. These stills provided a way for the past to entangle itself with the present. She found theses still to interact hauntingly and romantically with the light and the shadows of the …

Eat My Quartz, Neil Celani-Morrell

School of Art, Art History, and Design: Theses and Student Creative Work

Pottery has a remarkable ability to tap into the human collective experience, so it is no surprise I express my own understanding of the world by working within the boundaries of “the pot”. With the capacity to communicate conceptual meaning and to serve as objects of utility, pottery not only dances in the notorious territory between art and craft, it embodies the human spirit.

My pots are totems of my existence and this work is an authentic representation of my creative journey. They are an homage to the key influences in my life which have informed and encouraged my creativity …

Cornucopia, Patrick Hargraves

School of Art, Art History, and Design: Theses and Student Creative Work

I navigate the uncertain times we live in by creating positive, playful sculptures because focusing on joy is not only possible in times of hardship, I believe it is necessary in order to thrive. I go through life with a watchful reverence, finding beauty and hope in the abundance of life in the natural world. Using this inspiration, I reinvent and intentionally exaggerate landscapes and plant forms in clay with a freeing sense of whimsy. My fantasized pieces are an invitation to extend imagination to the joyous moments in the world around us, and to return to an innocent sense …

Black Binder, Haylie Roche

Electronic Theses, Projects, and Dissertations

I make paintings, sculptures, and installations that explore the nature of consumption and commodity. I am interested in how it has become the center of modern culture, and how we often overindulge. My paintings explore the fetishization of "the good old days" and the limbic drive to recreate past pleasures- often remembered more blissfully than they actually were. People want to follow what feels good, and are often found engaging in detrimental activities, trying to recreate the “magic” of their first time doing so. Consumption as a vehicle for escapism is also a common theme in my practice. My sculptures …

Senior Art Portfolio: La Quinceañera, Angeles Jimenez

Senior Art Portfolios

A series of black and white relief prints by Angeles Jimenez regarding the traditions of quinceañeras.

Hero Baby, Elizabeth J. Harney

Theses and Dissertations

With fiction and theory, the following pages give context to my most recent body of work called Hero Baby. The work in Hero Baby embodies an aesthetic of cuteness, as highlights the relationship between: aggression and protection, power and submission, war and commodity, nationalism and desire for love.

Quiet Moments, Deitra Charles

CGU MFA Theses

I am a figurative artist who focuses on ordinary people and everyday objects. I paint moments. A moment of peace, a moment of tranquility, a moment of contemplation. It is my hope that my paintings will incite a feeling of warmth, presenting the possibility of thoughts that take you away from the stresses of day-to-day life – that they give you the opportunity to experience life differently, stirring within you some sense of peace.

It is my hope that my paintings will incite a feeling of warmth, presenting the possibility of thoughts that take you away from the stresses of …

Fractured: A Self-Portrait, Rebecca Lipps

Graduate Theses

This statement is on my thesis exhibition Fractured: A Self-Portrait delves into its motivations, influences, content, and form. The video installations are self-portraits that investigate my experiences with anxiety, exhibit the progression of my emotional and physical state during an anxiety attack, and explore emotional triggers. Divided into chapters, this thesis statement includes a discussion of these aspects as well as of processes, mediums, and the final layout in the Gallery.

Entangled, Katherine Cox

School of Art, Art History, and Design: Theses and Student Creative Work

I create objects to incite wonder through their exuberance, inviting one to explore the beauty found in the strange and offering the viewer a way to interact with the discomfort of the unknown. Mysculptures are an assembly of engaging surfaces and forms revealing varying texturesandvibrant colors referencing natural and fabricated worlds. Each sculpture is entangled within its own environment or narrative and each is adorned for its own role, finding a balance between discord and harmony, captivation and repulsion.

Each is an individual exploration of the distinct qualities inherent within each object. They are precious in scale and stimulate …

The Alchemical Vessel, River Soma

MFA Statements

My work comes from a place of deep feeling on a bodily level. Amidst the decorative play, there is a sense of the primitive and primordial, and also a certain humanity and clumsiness through struggle. Through the hermetic tradition I relate the alchemical vessel and its symbolic process of interior development to my artistic practice. Focusing in mixed media sculpture, I discovered a concentrated accumulation of symbolism specific to my practice, but also the full recognition of my practice as a ritualized psychological undertaking.

For Your Consumption: Curating And Exhibition, Sasha Guo

Senior Honors Theses and Projects

A reflection on the experience of curating a BFA solo show and the artwork developed through my upper level classes at Eastern.

This Must Be The Place, Eve White

Theses and Dissertations

This publication is the companion piece to “This Must Be the Place,” a 3D realization of my conceptual photography work exhibited in the Anderson Courtyard at VCU's 2019 School of the Arts MFA Show. I photograph scenes from nature and reproduce these images onto flattened plexiglass planes, arranging them in new, natural environments and photographing them again. The outcome is a scenic collage in which two unfamiliar locations become superimposed. It is my hope that as people experience the work they become a part of the texture of it.

Greetings From..., Casey Mae Schachner

Graduate Student Theses, Dissertations, & Professional Papers

Greetings from... is a reflection of my roots in the tropical vacationland of Florida, a place for which I feel both nostalgic and conflicted. Growing up in southern tourist destinations, I was confronted daily with the extreme contrasts of living in paradise. In my artwork, I am translating the cacophony of Florida through the lens of materiality. By re-configuring commodified objects of the tourism industry, the sculptural works in this show exhibit my consideration for the paradoxical relationships that exist between materials and place. Much like the avant-garde Surrealist object, or the assemblage of found materials in provocative combinations that …

Aisling Jelinski Senior Art Exhibition Portfolio, Aisling Jelinski

Senior Art Portfolios

Aisling Jelinski's Senior Art Exhibition Portfolio, completed in Spring 2018 as a part of the Senior Art Capstone. These five pieces are a part of the series What Was True Is False, inspired by Hellenistic and Classical sculpture, the stories behind them, and the relationship between history and knowledge.

After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee

Theses and Dissertations

This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined …

People Like Ourselves, Harper D. Hair

University of New Orleans Theses and Dissertations

The thesis writing here is an effort by the artist to identify his motives in creating, and his aims for the audience, and to communicate this to the reader in a clear and truthful manner. Section 1 focuses on introducing the ground of the artists’ thinking, discussing his ideas of the body and culture identity, and how they motivate his work. Section 2 goes into greater detail about the manner his thought process evolved through the course of a number of works. In Section 3, there is an ever sharper focus in the works towards the isolated and inscrutable individual. …

Recent Acquisitions, 2007-2017: Selections From The Gettysburg College Fine Arts Collection, Schmucker Art Gallery

Schmucker Art Catalogs

This exhibition reflects the breadth of Gettysburg College’s significant art collection and acknowledges the generosity of its donors. Major acquisitions have been made possible by The Michael J. Birkner '72 and Robin Wagner Art and Photography Acquisition Fund, which was established in 2013 to enhance the Gettysburg College curriculum, to offer curatorial opportunities for students, and to provide first-hand access to significant works of art.

Purchases made possible by this endowment include works by prominent, internationally renowned artists Kara Walker, Wafaa Bilal, John Biggers, and Michael Scoggins. Other recent donations include important works by Andy Warhol, Glenn Ligon, Leonard Baskin, …

Purge, Amanda Foshag

Graduate Theses

This thesis statement describes the eight hanging veil-like structures and sculptures that constitute my thesis exhibition work; it further comments on the movements, philosophy, and personal sensibility that most influenced the art making: Process Art, Taoism, and my own empathetic experiences. The movement of Process Art is discussed in reference to materiality and the physicality that goes into making these pieces. The influence of the Taoist philosophy is discussed in light of the unity and balance found in the combination of dualistic materials, and their relationship to one another, in these sculptural forms. Lastly, this statement expresses how the emotional …

Dinner, Daniel Reuben Baskin

Graduate Theses and Dissertations

Dinner is an interactive exhibition which presents appropriated works of art collected and hung in a clustered salon style, as well as a fully realized recreation based on a 16th century Dutch banquet still-life, which presents guests with meats, cheeses, fruits, vegetables, breads, and wine to share and imbibe. Dining ware is provided for guests at the entrance to the exhibit, as are suggested topics of conversation, which are presented on slips of paper for guests to carry with them throughout their time in the space. Within the collection of wall-mounted works are references to ancient Greek and Roman marble …