Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons

Open Access. Powered by Scholars. Published by Universities.®

Fabric

Discipline
Institution
Publication Year
Publication
Publication Type

Articles 1 - 17 of 17

Full-Text Articles in Art and Design

Choosing Penumbra, Christina Melchiorre Dec 2022

Choosing Penumbra, Christina Melchiorre

Graduate Theses

Amaranthine | adjective

am·a·ran·thine | \ ˌa-mə-ˈran(t)-thən , -ˈran-ˌthīn \

1a : of or relating to an amaranth

b : Eternally beautiful and unfading; everlasting, undying

2 : of the color amaranth; a shade of reddish-rose

My work explores the narrative I have with family in relation to who I am and how I have developed as a result of both positive and negative influences. Despite the dysfunctional dynamics that I experience with my family, I choose to remain connected to them and continue to endure and persevere through the obstacles that they create. I particularly experience these moments through …


Methods In Costume And Projection Design For Theatre, Jessica Wallace May 2022

Methods In Costume And Projection Design For Theatre, Jessica Wallace

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

A report detailing multiple practices for theatre design in costumes and projection. It is focused on playscript analysis, the design process, and the final build of the design for production.


Addressing The Lack Of Availability In Diverse Skin Tone Options For Performance Fabric, Jessica Batey Nov 2021

Addressing The Lack Of Availability In Diverse Skin Tone Options For Performance Fabric, Jessica Batey

Honors College Theses

The following research addresses the lack of availability in diverse skin tone options for performance fabric. The project will discuss the struggles people of color face when finding fabrics that accurately match their skin tone and the difficulties in sourcing the materials needed to successfully design a garment. The research gathered will be used to produce a collection of 4 looks using nude mesh fabrics that are readily available to the average consumer. The garments within the collection will be designed to match the skin color of 4 models. The collection’s theme will be based around the 4 cardinal witches …


What's Going On Here, Joanna R. Pike May 2021

What's Going On Here, Joanna R. Pike

Graduate Theses and Dissertations

This project is an installation depicting shirts and pants in various degrees of Recognizability. The Components vary from somewhat Unrecognizable to entirely Unrecognizable; Bumps and Blocks are interspersed and interrupt the Semi-logic of What’s going on here while adding repetitive elements to clarify the existence of the Semi-logic. The arrangement of the Components in the installation makes the Unrecognizable forms surrounded by the In-between Space into somewhat Recognizable versions of shirts and pants. The viewer does not fully recognize all the Components, but instead understands the implied Recognition given their existence within the installation. The ideas of Lists, Patterns, Systems, …


The Object Memory Palace, Amra Causevic May 2020

The Object Memory Palace, Amra Causevic

Theses and Dissertations

I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.


Egyptian Textiles And Their Production: ‘Word’ And ‘Object’, Maria Mossakowska-Gaubert Mar 2020

Egyptian Textiles And Their Production: ‘Word’ And ‘Object’, Maria Mossakowska-Gaubert

Zea E-Books Collection

This volume presents the results of a workshop that took place on 24 November 2017 at the Centre for Textile Research (CTR), University of Copenhagen. The event was organised within the framework of the MONTEX project—a Marie Skłodowska-Curie individual fellowship conducted by Maria Mossakowska-Gaubert in collaboration with the Contextes et Mobiliers programme of the French Institute for Oriental Archaeology in Cairo (IFAO), and with support from the Institut français du Danemark and the Alexander von Humboldt Foundation. Twelve essays are arranged in 4 sections: I. Weaving looms: texts, images, remains; II. Technology of weaving: study cases; III. Dyeing: terminology and …


Construction Narratives, Pablo M. Diaz May 2018

Construction Narratives, Pablo M. Diaz

Theses and Dissertations

The whiteness of this work proposes a state of preparation for the painting to begin. However, it is the lighting of the room that completes it, adding a wider range of tones. The white wall of the gallery is also incorporated into the work by the opening slit. Additionally, the slit becomes a contrapposto pose, showing the space between bent knees as found in paintings of Saint Sebastian.


Behind The Stitches: The Fabric Of Nebraska, Elizabeth Ingraham Dr. Jan 2017

Behind The Stitches: The Fabric Of Nebraska, Elizabeth Ingraham Dr.

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Works from my project, Mapping Nebraska, a drawn, stitched and digitally imaged cartography of the state (physical and psychological) where I live were exhibited in 2017 at the International Quilt Study Center & Museum in Lincoln, Nebraska in an exhibition, Regarding Nebraska, coinciding with the sesquicentennial of Nebraska statehood. As stated in the exhibition:

“I map the state where I live and document an internal and external landscape. I work with cloth and with piecing and quilting because of their references to human scale, human touch and human occupation. With image and stitch I communicate the beauty and diversity of …


Toile, Dilenia Garcia May 2013

Toile, Dilenia Garcia

Graduate Theses and Dissertations

Toile is a painting series that explores constructions of taste and the semiotics of manufactured fabrics. Through the use of irony, paradox and deconstructions of rhythm, shape, color and form, the paintings are a response to the formal and historical content in the fabric. The idyllic landscape, notions of identity, sexism and liminality are some of the themes considered in the series. The paintings in this exhibition attempt to correct and mediate outdated models of representation through the exploration of painting as a process that is open and malleable.


I Felt…, Yoorim Kim, Fleet Library, Special Collections, Jan Baker Jan 2011

I Felt…, Yoorim Kim, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.


Wearing My Heart On My Sleeve, Sam Hunter May 2010

Wearing My Heart On My Sleeve, Sam Hunter

Masters Theses, 2010-2019

Wearing My Heart On My Sleeve is a collection of fabric and fiber works that focus on issues related to my recovery from a heart attack. Using the hospital gown and other garment forms as templates for self-portraiture, I explore the emotions surrounding the diagnosis and subsequent management of my chronic health condition. My art-making process combines tradition and technology, using modern, high-speed sewing machines and computers to create the fabric for contemporary interpretations of traditional garment and needlecraft forms. I am also concerned with the use of language and words as critical design elements for the fabrics I create. …


Fabric Architecture: Body In Motion, Daniela Cosovic Jan 2009

Fabric Architecture: Body In Motion, Daniela Cosovic

Electronic Theses and Dissertations

Making a dress, creating an object for someone else is a simple act of giving to another person. I did not want to decide between an object to wear and one to hang on the wall, so I gave you both, and movement in between. Take a dress off of a wall. Wear it. Put it back on the wall. Repeat it, or not. There is balance in movement of an object between a person and the wall. It is this quietness of balance amongst the sound of movement that I am seeking in my work.


Prairie Smoke, Joanne Alberda Dec 2000

Prairie Smoke, Joanne Alberda

Pro Rege

No abstract provided.


White Cocoon, Joanne Alberda Dec 1991

White Cocoon, Joanne Alberda

Pro Rege

No abstract provided.


Blue Cocoon, Joanne Alberda Sep 1987

Blue Cocoon, Joanne Alberda

Pro Rege

No abstract provided.


Pennsylvania Folklife Vol. 35, No. 4, Ann S. Burrows, Mark R. Eaby Jr., John L. Shultz, Faye Miller, Lester Miller, Allen Folsom, Marilyn K. Wilson-Bast, Mary Eva Redcay, Gail M. Hartmann, Harold C. Moyer, Charles Messner, Walter Gottshall, Richard Shaner, R. H. Piercy, James H. Dawley, Robert Yard, Kathryn Delaung, Lois Biamon-Sunflower, Clifford Wright-Sunflower Jul 1986

Pennsylvania Folklife Vol. 35, No. 4, Ann S. Burrows, Mark R. Eaby Jr., John L. Shultz, Faye Miller, Lester Miller, Allen Folsom, Marilyn K. Wilson-Bast, Mary Eva Redcay, Gail M. Hartmann, Harold C. Moyer, Charles Messner, Walter Gottshall, Richard Shaner, R. H. Piercy, James H. Dawley, Robert Yard, Kathryn Delaung, Lois Biamon-Sunflower, Clifford Wright-Sunflower

Pennsylvania Folklife Magazine

• America's Pieced Patchwork Quilts
• A Tribute to the Late Dr. Earl F. Robacker
• Sundial Lore
• Square Dancing, Jigging & Hoedowning at the Folk Festival
• Bronze Working at the Festival
• Calico Prints
• The Country Kitchen
• Our Farmers Market
• Festival Focus
• Festival Programs
• The Pennsylvania Dutch Dialect and the One Room School
• Early American Lighting
• Primitive Pennsylvania Dutch Carving
• Heartland Taverns of the Hinterland
• Tinnery
• The Ancient Craft of Flute Making
• Mind Your Own Beeswax


Chintz Quilts: From India To America, Lisa-Jean Smith, Fleet Library, Special Collections, Jan Baker Jan 1985

Chintz Quilts: From India To America, Lisa-Jean Smith, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class.