Art and Design Commons^™

Whose Art Museum? Immersive Gaming As Irruption, Jason M. Cox, Lillian Lewis

Journal of Social Theory in Art Education

This paper introduces Mantles in the Museum, an immersive game that helps ameliorate student discomfort in art museums and to support discourse in, through, and around art museums. Within the game the students take on the roles of critics who use one of five interpretive frameworks, often differing from the student’s own, to select works from a real museum to go to an international exhibition. Assuming these roles empowers students to be in the museum and to assess the works, students are given leave to engage in a vigorous critique process and to examine the art-world from a new perspective.

The Systemic Punches: Displacement Experience Of Vulnerable Immigrants, Eric Andre

Graduate Theses and Dissertations

"The Systemic Punches: Displacement Experience of Vulnerable Immigrants" focuses on the impact of systems of state control such as immigration laws, policies, and practices that have been institutionalized and that have marginalized immigrants. In my thesis, I pay specific attention to inhuman acts of exclusion and discrimination resulting from the systemic barriers perpetuated by xenophobic and nationalist ideologies.

From this standpoint, my thesis exhibition employs interactive space, which includes visual art (drawing, sculpture ceramics), projection, video, and sound, as a means to explore the effects of the exclusive and discriminatory immigration policies and practices. Furthermore, it is designed to explore …

(In)Equality., Jongin Choi

Graduate Theses and Dissertations

(in)Equality. centers around my experiences as a transnational person and those around me who have affected my current concept of equality and cultural histories. My visual methodologies cover digital photography and editing, inkjet printing, and laser engraving: multimedia in a process of new discovery, translation between analog and digital, and rearticulation. The exhibition includes portraits peering down from above, illuminated by projected patterns and manipulated messages from Nike’s “Equality.” (2017). The purpose of this thesis paper is to describe the elements of identity, marginalization, and personal reaction to advertising, as well as the and theories which have shaped this project. …

Livd: Issue 16.1: "Fair Game", Portland State University. School Of Art + Design

LIVD

LIVD is a semi/annual publication produced in the Pacific Northwest, dedicated to the intersection of art, design, culture and how these influence lived experience.

LIVD pays hommage to the inspiring and idealistic efforts of the early twentieth century avant-garde, balancing the academic with the personal and experimental.

Volume 16.1, “Fair Game,” includes articles dissecting appropriation from a variety of vantage points. Contributor Julianna Johnson opens the publication with an essay outlining her experience as a designer and illustrator who has had her work stolen and re-sold through Amazon. Bonnie Blake writes on typography and “oriental exoticism,” and the appropriation of …

Profile In Scale, Jason Boldt

All Graduate Theses, Dissertations, and Other Capstone Projects

I started gaining and interest in sculpture after seeing and learning about Frank Lloyd Wright and his use of natural materials integrated into planar and linear forms. I appreciate how he creates buildings such as Fallingwater, a home built for a family, where the structure is part of nature rather than intruding in on it.

The underlying feature between all of my work is the relationship between different forms that are integrated together. My sculptures include different media, such as wood, stone, metal, and found objects. My latest projects, however, include creating maquettes, which are miniaturized versions of larger objects. …

Urban Scrawl: Satire As Subversion In Banksy's Graphic Discourse, Joshua Carlisle Harzman

University of the Pacific Theses and Dissertations

This thesis analyzes the ways in which Banksy’s street art installations are used to critique sociopolitical injustices. The street has long existed as a platform for social and political movements. In particular, street art offers unique opportunities for voicing criticisms in pioneering ways that have been proven successful in upsetting normative power structures. Anne Theresa Demo’s analysis on the Guerilla Girls’ comic politics of subversion offers an appropriate conceptual lens to analyze Banksy’s employment of perspectives by incongruity as strategies for subversion. Therefore, this thesis analyzes how Banksy’s subversive satire is rhetorical by examining three techniques that have successfully exposed …

Livd: Issue 15.2: "Letting Go", Portland State University. School Of Art + Design

LIVD

Layout, imagery, and editing: Meredith James

LIVD is a semi/annual publication produced in the Pacific Northwest, dedicated to the intersection of art, design, culture and how these influence lived experience.

LIVD pays hommage to the inspiring and idealistic efforts of the early twentieth century avant-garde, balancing the academic with the personal and experimental.

Issue 15.2 includes contributions responding to the following prompt: screwing up, messing up, vulnerability, shame... that sort of thing. Why isn't the prompt simply: failure? Because something strange happens when you ask people to talk about failure, they start talking about something else entirely.

Contributions by: Roz …

Eleanor Heartney: Art As A Vehicle, Leda Cempellin

Leda Cempellin

No abstract provided.

Livd: Issue 15.1: "Oh, Sherrie", Portland State University. School Of Art + Design

LIVD

Layout, imagery, and editing: Meredith James

Issue 15.1 includes contributions responding to the following prompt: Sherrie Levine. Contributors respond to the various ways Levine’s work has influenced our concept of art, design, self, and issues still central to the lives of women. Topically, the authors vary in their responses, some more direct – as in Nicole Dyar’s social criticism on the appropriation and replication of women’s identities (can an authentic woman exist in contemporary digital culture?) – while others remain more loosely / conceptually related. Sarah McCoy rectifies a noticeable gap in graphic design history, that of early colonial women …

Eleanor Heartney: Art As A Vehicle, Leda Cempellin

School of Design Faculty Publications

No abstract provided.

Russian Art In The Second Half Of The Twentieth Century, Ekaterina Dyogot

Russian Culture

This essay concerns Russian art in the second half of the twentieth century, yet any such description requires constant reference to the Russian avant-garde and the Soviet art system. The country's isolation made Soviet art such a specific, aesthetic, and particularly institutional phenomenon that it becomes critical to any understanding of art in the post-Stalinist period.

Creative Insubordination, John Henry Blatter

Theses and Dissertations

In today’s lexicon a ‘Daily Constitutional’ usually refers to a daily walk. But in actuality, a ‘Daily Constitutional’ is something that one does on a daily basis that is beneficial to one’s constitution or healthful(1); and one’s constitution being the aggregate of a person’s physical and psychological characteristics(2). With this definition, the daily constitutional refers to any daily activity that improves a person’s physical or mental health. At various stages in my life I may have understood my constitutional to be any number of things and it was not until I came into my own did I truly discover my …

Mary Heilmann: To Be Someone, By Elizabeth Armstrong, Johanna Burton, And Dave Hickey. Prestel: New York 2007; Mary Heilmann: Save The Last Dance For Me, By Terry R. Myers. Afterall: London, 2007 (Book Reviews), Vittorio Colaizzi

Art Faculty Publications

Colaizzi reviews two books discussing the work of Abstract painter Mary Heilmann. "Mary Heilmann : To Be Someone," by Elizabeth Armstrong, Johanna Burton, and Dave Hickey (Prestel 2007); and "Mary Heilmann : Save the Last Dance for Me," by Terry R. Myers (Afterall 2007).

Textual Apparitions: Power, Language, And Site In The Work Of Jenny Holzer, Peter Holden Fox

Pomona Senior Theses

Jenny Holzer's text-based projects have attracted the attention of critics, historians, and curators from Des Moines to Dresden. An understanding of the complex interplay between language, gender, power, and site within Holzer's work demonstrates how a singular interpretive approach is insufficient for discussing the multitude of meanings her projects produce. Perhaps most significantly, a fresh analysis of Holzer's work and critical reactions to it challenges the story of modernism and postmodernism and the relationship between these two terms.

Trends In Elementary And Secondary School Art As Revealed In Selected Art Periodicals In The Field Since 1920, Drew A. Dobosh

Master's Theses

It is the purpose of the author in his study to show the trends in present day art as revealed in a close study and analysis of materials contributed in outstanding periodicals in art education since 1920.

The Relation Of French Poetry And Painting To The Development Of French Impressionistic Music, Phyllis Elaine Threlfall

University of the Pacific Theses and Dissertations

As far as the writer could find in her reading no one has ever written a finished study of this phase of Music, Art, and Literature. Of course, there are hints of it here and there in many books, but in no one in particular was a detailed study given. Paul Landormy’s book, A History of Music, seemed to carry the heart of the subject, however, in an extremely miniature style.

When we think of French music, our minds are generally centered in Paris, for it is here that the greatest organizations have been sponsored, and the important musical ideas …