Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Sculpture (9)
- Interdisciplinary Arts and Media (8)
- Fine Arts (7)
- Art Practice (6)
- Fiber, Textile, and Weaving Arts (4)
-
- Ceramic Arts (3)
- Interactive Arts (3)
- Architecture (2)
- Art and Materials Conservation (2)
- History of Art, Architecture, and Archaeology (2)
- Painting (2)
- Race, Ethnicity and Post-Colonial Studies (2)
- Aesthetics (1)
- Architectural History and Criticism (1)
- Asian American Studies (1)
- Asian Art and Architecture (1)
- Contemporary Art (1)
- East Asian Languages and Societies (1)
- Ethnic Studies (1)
- Feminist, Gender, and Sexuality Studies (1)
- Film and Media Studies (1)
- Graphic Design (1)
- Indigenous Studies (1)
- Landscape Architecture (1)
- Language Interpretation and Translation (1)
- Lesbian, Gay, Bisexual, and Transgender Studies (1)
- Modern Art and Architecture (1)
- Modern Languages (1)
- Institution
- Publication
- Publication Type
Articles 1 - 17 of 17
Full-Text Articles in Art and Design
Dust And Shadow, Anna Grant Dean
Dust And Shadow, Anna Grant Dean
Graduate Theses
Dust and Shadow is an investigation into systems of order and chaos that exist within the natural and manmade worlds. Human constructs (such as grids) and manmade systems (such as social media) abide in a space that is tangential to the structures and systems that choreograph the functions of the natural world. Exploring how these two very different worlds weave in and out of human existence allows me to examine my relationship to the complex facets of this twenty-first century experience.
My research into chaos and entropy serves as a catalyst for this body of work. Examining the parallels between …
Black Binder, Haylie Roche
Black Binder, Haylie Roche
Electronic Theses, Projects, and Dissertations
I make paintings, sculptures, and installations that explore the nature of consumption and commodity. I am interested in how it has become the center of modern culture, and how we often overindulge. My paintings explore the fetishization of "the good old days" and the limbic drive to recreate past pleasures- often remembered more blissfully than they actually were. People want to follow what feels good, and are often found engaging in detrimental activities, trying to recreate the “magic” of their first time doing so. Consumption as a vehicle for escapism is also a common theme in my practice. My sculptures …
Snake Tube Adventure Racing… And More!, Jane Marie M. Tardo
Snake Tube Adventure Racing… And More!, Jane Marie M. Tardo
University of New Orleans Theses and Dissertations
My work revolves around using a specialized blend of art, design, and craft to interpret political narratives through fabricated products. These objects weave contemporary commentary and consumer indulgences into sculptural cultures. Each product is designed to mimic its own marketed culture—offering an enticingly tactile, interactive experience that is equal parts confusing, concerning, and delightful. The products are accompanied by investment opportunities in the form of popular, limited released merchandized objects, such as hats and patches. Using humor and subtlety, my gamelike installations explore arenas such as agency, autonomy, intimacy, and dueling realities in a time of ecological collapse and cultural …
The Object Memory Palace, Amra Causevic
The Object Memory Palace, Amra Causevic
Theses and Dissertations
I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.
Do You Wanna Go Dancing?, Anthony Kascak
Do You Wanna Go Dancing?, Anthony Kascak
Graduate Theses and Dissertations
The transdisciplinary art work within Do you wanna go dancing? unpacks the experience and perception of my interpersonal relationships, as well as the role that touch and introspection has in my visual arts practice and everyday life. I am interested in pairing the act of looking with the sensation of touching through specific installation and arrangement of intimate imagery, ceramic fragments and frames, and manual or digitally fabricated surfaces. The negotiation of these installations orient the viewer to consider their positionality within space, as well as the extent in which distance, intimacy, and vulnerability fluctuate inside these psychological spaces.
The …
Rhythms Of Light, Jessica R. Csanky
Rhythms Of Light, Jessica R. Csanky
CGU MFA Theses
My works are visual expressions of a true love for movement, rhythm, and saturated color. In making art, I present lived experiences that are rendered abstract. These formal representations originate from an energetic space or sensory association and express a connection to places I have been, whether physically or emotionally.
Integral to my practice is the uninhibited exploration of materials and tools. I am committed to deepening my understanding of what paint can do when combined with drawing and installation techniques.
My compositions address architecture, landscape, memory, as well as psychological and physical spaces that we move through during our …
Patterning A Home, Zoë Finkelstein
Patterning A Home, Zoë Finkelstein
Bachelor of Fine Arts Senior Papers
The question driving my constant impulse to create is this: how do the places in which we spend our time transform the four walls around us into this larger entity we call “home?” I begin to answer this question with an investigation into the use of repetition, time spent, and memory in my own body of work. In order for a space to become a home, one must build up a collection of experiences in that space over time. To show this, I explore the relationship in my work between repetitive mark making, pattern, intense labor, memory, comfort, and my …
Not All Dreams Are Nightmares, Not All Nightmares Are Dreams, Neal G. Polallis
Not All Dreams Are Nightmares, Not All Nightmares Are Dreams, Neal G. Polallis
MSU Graduate Theses
My art deals with mental illness, particularly schizophrenia, PTSD (Post-Traumatic Stress Disorder), and addiction.
It is how I work out the problems in my relationships and within my head. My art is where I explore
ideas, alternate possibilities, my dreams, and my fears. Drawing inspiration from photographers such as
Jerry Uelsmann, Richard Avedon, and Irving Penn; painters like Caravaggio, Picasso, and Bacon, as well as,
concepts from the Surrealists and the Futurists, the art I produce is dream-like: familiar objects in unrelated
places. The work that I create stems from years of working with patients in their most acute states. …
Silly Trip Wires, Jonathan Byrd
Silly Trip Wires, Jonathan Byrd
Electronic Theses and Dissertations
The artist discusses the work in Silly Trip Wires, 2020 his Master of Fine Arts exhibition. The exhibition includes an installation, Silly Trips Wires, and documentation of a smaller site-specific version of the work.
The Artist discusses the process of transition from military to civilian, and the potential effects that mental trauma from combat deployments can have on this process. This is tied to an analysis of how communicating the experience of veterans to civilians, through artwork, functions to bring about understanding.
Journey & Connections, Aldo Ornelas
Journey & Connections, Aldo Ornelas
Electronic Theses and Dissertations
Journey & Connections is a series of work comprised of ceramic sculptures that explore my personal experiences in relation to the human figure, immigration, and nature, as well as experiences influenced by my continuous travels between my country of origin and the United States.
This exhibition is composed of an Installation titled “A Line on the Wall” and a series of six sculptures that resemble monoliths, strong and expressive figures of spiritual origin that represent important figures in life, sources of wisdom and stelae that connect to the earth.
I Poked You Where We Were Connected, Sophia Ruppert
I Poked You Where We Were Connected, Sophia Ruppert
School of Art, Art History, and Design: Theses and Student Creative Work
Life leaves behind physical and mental residue. Some of these remnants are precious while others are tragic. Regardless of its origin, this residue can be made beautiful. Remnants of the objects that surround us chronicle our history as complex individuals. My sculptures investigate my own physical and mental residue to dissect and examine my personal history.
I unravel experiences that are residually prominent in my memories. Of particular importance are events and objects that have shaped my perception of self.
stories told by my grandmothers
a dysfunctional family dynamic
objects that provide visual touchstones to my childhood
These fragments are …
Memory Bread, Nisiqi
Memory Bread, Nisiqi
Art + Design Masters Theses
Memory Bread, constituting a daily performance ritual and the post-action objects, seeks to address the generational decline of mother language use in Inner Mongolia Autonomous Region, a post-colonized province of China. I chose to eat sliced white bread in the performance and later casted concrete sculptures as the extension of the action for both substances’ capitalistic nature. Being an invasive material that took over the traditional architectural lifestyle, the use of concrete mirrors the pervasive cultural and ethnic assimilation in China. Meanwhile, the materiality of concrete being a mixture of various substances also metaphors the mixed culture that Chinese-Mongolians …
Hut Annandale: Humblest Dwelling, Ruiqi Zhu
Hut Annandale: Humblest Dwelling, Ruiqi Zhu
Senior Projects Spring 2020
Lots of us have a dream deep down in the heart: to get away from the congested cities and live in a hut in nature. French port Jean Wahl once wrote: The frothing of the hedges I keep deep inside me. In my project, he explored this dream and constructed a group of architectural structures by hand for those potential hermits. Studying at Bard College, I have found this region is a place with a great hermit culture. With the picturesque scene of nature and the location near the New York Metropolitan area, here the mid-Hudson Valley has attracted lots …
Installation: Untitled#0420, Thesis: Is The Artist’S Position Valid And Necessary To Her Completed Artworks ? —— An Investigation Of The Artist’S Position Through Martin Heidegger’S Poetry, Language, Thought And The Fisherman Analogy, Coco Ma
Senior Projects Spring 2020
Artist statement:
In my practice of mixed-media sculptures and installations, I use different kinds of materials in unexpected ways to provoke uncertainties, inquiries, and reflections. My works entice people to stop and pay close attention. In this process, they may be confused and amused. By being labor- intensive and repetitive with ordinary materials, my works inspire people to see familiar forms and materials in new and fresh ways. Underneath the familiarity of the materials is the “white noise,” a hum of dissonance between the familiar and the strange.
The installation Untitled#0420 uses fishing lines as its major component, which is …
I Think You Were In My Dream Last Night, Josie Cotton
I Think You Were In My Dream Last Night, Josie Cotton
Senior Projects Spring 2020
I Think You Were In My Dream Last Night
I have always worked by creating opportunities for mistakes and then fixing them. I’ve taken inspiration from the things I pick up every day: cups, necklaces, coat hangers, tables, chairs. I’ve taken inspiration from my dreams. They are always based in reality but twisted into a shape I’ve never seen before, and I wonder where these ideas come from. When I wake up, the people or the places I dreamt about are changed forever by a new perspective, out of my control. That is an idea I wanted to sift through …
Path^3, Yuexin Ma
Path^3, Yuexin Ma
Senior Projects Spring 2020
Architectural space is political.
The project is composed of multiple paintings connected by a wooden scaffold built to resemble the urban landscape. The paintings depict quotidian architectural spaces, presenting the typology of functional public spaces, ranging from the zoo and the courthouse to the library, the church, and the bus stop. Their physical characteristics reflect the culture, values, and governmental tactics of modern states, functioning as control techniques to regulate our social actions within the realm of normality. For example, in the painting about the classroom, the even distribution of desks with the same size reveals that academic institutions' role …
Spit In My Mouth: Queer Intimacies, Material Intra-Actions, And Sensuous Becoming, Gm Keaton
Spit In My Mouth: Queer Intimacies, Material Intra-Actions, And Sensuous Becoming, Gm Keaton
Theses and Dissertations
This document describes my multidisciplinary art practice as it intersects with New Materialism, Queer and Affect theory, Ecology, and my embodied and experiential knowledge as a queer subject. The writing is divided into two categories. One is more theoretical, thinking through these different discourses. The other realizes them through relationships and intra-actions between my material kin and me. With these two modes of writing,I propose that embodied and felt knowing is as valid and illuminating as more traditional forms of knowledge. These sections are interdependent and resist linear logic, offering relational meanings to each reader as they find their way …