Art and Design Commons^™

Alice Aycock: The Machine That Makes The World, Alice Aycock

Sheldon Museum of Art: Catalogs and Publications

"There is a state of free fall where you don't know up, down, left, right, backwards or forwards; they're totally confused. Those seem to me to be the six ways of orienting yourself. What I would like to do is probably just disorient all those sensations. On the other hand, that also can be a very euphoric state; it can be very pleasing and people engage in all kinds of activities which involve this titillation (skydiving, amusement parks) ... What are they all but ways of titillating yourself? They always have to do with whirling in space, for pleasure as …

Before And After, Donald Bartlett Doe

Sheldon Museum of Art: Catalogs and Publications

The contrast between the appearance of a work of art which has been professionally restored and one which continues to suffer from at least some of the ills which art can be heir to can seem nearly miraculous, or so subtle as to be invisible to the casually observant eye.

The ills are numerous and reflect the fragility of many if not most works of art. Variations in relative humidity can cause a canvas to shrink or expand. Variations in temperature can do the same. With time and continued fluxations, tiny cracks may appear and grow into fissures that cross …

American Impressionism, Suzanne T. Wise

Sheldon Museum of Art: Catalogs and Publications

T he term American Impressionism, when used in the context of stylistic analysis, implies a specific set of definable characteristics, and by extension, a traceable lineage that will fit comfortably in the historical narrative of American art. If one seeks to assert this notion when confronted with an exhibition of American Impressionist painters, the result will be confusion coupled with a healthy dose of skepticism. For unlike their French counterparts, who established a style in close proximity to one another, both geographically and philosophically, American artists arrived at Impressionism from a variety of viewpoints.

Early surveys of American art tend …

The Mockingbird, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University

The Mockingbird

Alice Anthony [Photograph]; Sarah K. Davis [The Deesel Smell Expeerment]; Alan Davy [fgf jhj; A few thoughts on Chivalry]; John Edwards [Two Untitled Artworks]; Tim Foster [Coonhunting]; Rick Gordon [Araucians]; Jennifer Jessee [Drawing]; Brian Knave [Stars and Gripes; Plantbones; Ode on Grecian Formula; Burnt Offerings to the Sunset Goddess]; Catherine Romaine [Untitled Poem]; Kim Rushing [Two Photographs]; Christine Russell [Two Songs to be Sung at Midnight (Without Accompaniment); The Manatee]; Keith Rutherford [Two Drawings]; Charles Sheffey [Photograph]; Nicholas Smith [Flute; Neighborhood; Plowing]; Becky Wallace [Photograph]; Mark Wood [Five Photographs; Untitled Artwork]

Parnassus 1985

Parnassus

The 1985 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Calliope, Armstrong State College

Calliope (1984-2024)

Volume 2

Surveying Computer Graphic Trends, Angela Bradley

Masters Theses

Computer graphics is a new tool for the visual artist. Historic and educational theories and facts outline the rapid growth of the medium and how it has become an essential tool for educators, researchers and businesses. Business applications remain at the periphery of computer graphic applications, but are included in the general trend of the new medium's development.

Visual art generated through computer graphic imaging is exemplified in the work of artists: Barbara Nessim, computer graphic student, Jim Squires, and the team of computer graphic artists, Richard Chuang and Glenn Entis. Nessim is a career graphic designer and artist, who …

The Musical Iconography Of Warwickshire, Clifford Davidson

Clifford Davidson