Art and Design Commons^™

Concept Sketchbook, December 1971-March 1972, John Fischetti

Notebooks

A concept sketchbook created by editorial cartoonist, John R. Fischetti with content from December 1971 through March 1972 containing preliminary sketches of political cartoons and ideas for his daily editorial cartoons. Topics include: John Bayard Anderson, inflation, Richard Nixon, and the Vietnam War.

Nexus, 1971, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Small Objects As Art, Patrick Dybvig

All Master's Theses

This thesis presents a series of original jewelry and hand-held art objects which aesthetically relate to each other in a controlled gallery environment. The form of the objects is based on box-shapes, while the content comments on and pokes fun at our present society. The objects are made of various combinations of sterling silver, brass, copper, aluminum, plexiglass, fabric. and wood. Some of the objects use photographs from private and magazine sources. All of the objects are intended as Funk-art pieces.

Experimental And Exploratory Thesis In Creative Glass Blowing As Art Media, Stan Flashman

All Master's Theses

This paper along with a one man show of my work in the Fine Art Gallery is a representation of hand blown glass as an art media. The development or technical skill along with more free flowing form and spontaneous way or working was the ultimate aim of th1s study.

Pennsylvania Folklife Vol. 21, No. 1, Earl F. Robacker, Eleanor Fein Reishtein, Ronald L. Michael, C. Frances Berman, Maurice A. Mook, Don Yoder

Pennsylvania Folklife Magazine

• The Fraktur of Monroe County
• Minutes of the West Grove Housekeepers Association as Source Material for Folklife Studies
• The Searight Tavern on the National Road: An Archaeological Study
• The "Brown Sugar" Game in Western Pennsylvania
• Bread Baking in Mifflin County, Pennsylvania: Commentary for the Documentary Film in the "Encyclopaedia Cinematographica"
• Notes and Documents: Literature for the Allegheny Frontier: The Huntingdon Literary Museum and Monthly Miscellany (1810)
• Hunting and Food-Gathering: Folk-Cultural Questionnaire No. 21

Mr. Natural, No. 2, R. Crumb, Special Collections, Fleet Library

Underground Comix

3 numbers : black-and-white illustrations. Color cover illustrations, b&w interiors. The Adler Archive of Underground Comix, Gift of Bill Adler.

Harriet Whitney Frishmuth, American Sculptor, Syracuse Library

The Courier

In 1964 Harriet Frishmuth graciously presented her papers to Syracuse University for perpetual care, making them available for research by reputable scholars. The collection consists of professional correspondence, photographs of works, scrapbooks, memorabilia and plaster casts. Also in the collection is a series of tape recordings made in 1964 by Miss Frishmuth, in which she informally reminisces about he·r life and work and provides descriptions and comments relative to a few of her outstanding sculptures. Gleanings from the Syracuse tapes, with Miss Frishmuth's own comments on the pictured works, have been brought together by Miss Ruth Talcott, companion-secretary to Miss …

Multi-Directional Ideas In The Duality Of A Living Work, Orlando Jimenez

All Master's Theses

This paper presents a series of ideas underlying the philosophy behind the creation of the author's works. The paper deals with the creator-viewer relationship, and the distinction that is commonly accepted as existing between the perception of the two, ascribing more value on the perception of one over that of the other. The conclusions were reached after acute observation of occurrences of everyday as a source of esthetic experience and after lengthy discussions with people involved in the creative process.

Nexus, Fall 1971, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

El Adobe De Capistrano, Dinner Dance Honoring The White House Staff Of President & Mrs. Richard Nixon, August 31, 1971, El Adobe De Capistrano

The Raymond Earl Oetgen Menu Collection

No abstract provided.

A Series Of Paintings Investigating Certain Specified Space Concepts, Michael C. Jackson

All Master's Theses

This thesis is devoted only to that work considered completely investigated: a portrait/figure series of seven paintings. In addition, the series of works with which this thesis is devoted essentially follow this format: large areas of architectural space and color versus a natural object- -a portrait figure. A play or conflict was set up between these two things; the success of the play determined the success of the painting. The factors used to judge success are basically those classical rules of composition dealing with balance: visual weight of areas, complexity, and color. The only areas manipulated were: (1) shape of …

Big Ass Comics, No. 2, R. Crumb, Special Collections, Fleet Library

Underground Comix

2 numbers : black-and-white illustrations ; 26 cm Frequency: Irregular. Began with [no. 1] (June 1969); ceased with no. 2 (August 1971). "Adults only." Cover price differs with each printing. Color cover illustration, b&w interior. Issue 2 in poor condition. The Adler Archive of Underground Comix, Gift of Bill Adler.

I Made Some Prints, Teresa O. Tempero

All Master's Theses

In discussing the prints and drawings chosen for this study, I wish to consider mostly subject matter and composition, giving less mention to technique. The three forms of printmaking used are intaglio, collagraph, and woodcut. A specific theme was not chosen for these prints. Since printmaking has been such a relatively new experience of expression for me, I chose to concentrate this study on the printmaking process.

A Use Of The Visual Metaphor: The Relationship Between The Figure To The Environment, Betty Anne Skalicky

All Master's Theses

In this study the human figure was used as a departure. I imposed my own style of drawing on the human form in order to achieve not only the illusion of a threedimensional quality, but to create a personal identification with the image on the part of the artist and the viewer.

Pennsylvania Folklife Vol. 20, No. 4, Earl F. Robacker, Ada Robacker, Christian B. Newswanger, Wayne E. Homan, Robert I. Schneider, John E. Stinsmen, Martha S. Best, Cecelia Whitman, Edna Eby Heller, David W. Thompson, Edward S. Gifford Jr.

Pennsylvania Folklife Magazine

• Flight of the Distelfink
• The Newswangers, Interpreters of Amish Life
• The Sorrow Song of Susanna Cox
• Country Butcher: An Interview with Newton Bachman
• "Swing Your Partner": Folk Dancing at the Festival
• Festival Highlights
• Folk Festival Program
• Leaving the Festival with Thoughts of Food
• Spindrift: The Old Dog Churn
• Candy Making in the Dutch Country
• Gee, Haw and Geehaw
• The Evil Eye in Philadelphia
• The Country School: Folk-Cultural Questionnaire No. 20

Expansion Systems In Drawing, Anna Jane Licka

All Master's Theses

Drawing as a creative mode of expression has maintained in some artistic circles a "puristic doctrine." "Puristic doctrine" in this case means the utilization of characteristic drawing implements and techniques (ie. pen, pencil, ink, charcoal, crosshatching, shading). In contrast to this "puristic doctrine" is what can be termed an "eclectic expression" in art. As applied to drawing in this thesis, an "eclectic expression" will go beyond the traditional techniques by the application of other media such as photo-stencil, stuffed fabric, and three-dimensional tableau considerations. The purpose of this creative thesis is to expand the two-dimensional quality of drawing into a …

Exploration Of Watercolor And Elmer's Glue Combined As A Painting Media, James L. Ponti

All Master's Theses

In my study, an overt attempt was made to alter the relationship (or reaction) between myself and my paintings through various means. This was achieved by manipulating surfaces painted on, materials used, and varying selection of subject matter, or content, from a wide range of possibilities.

Nexus, Spring-Summer 1971, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Basic Design: Perspectives, Siegfried Snyder

School of Architecture - All Scholarship

Snyder presents a brief discussion of design concepts, how they've developed, and their applicability.

"Functionalism" - A Source Of Misunderstanding, Carl Steere Myrus

School of Architecture - All Scholarship

Myrus sheds light on the much more nuanced definition of the term "functionalism" than is typically understood, noting its abuse, redefinition, and misuse in contemporary contexts.

An Experience With Space, J. Francois Gabriel

School of Architecture - All Scholarship

Gabriel begins his essay on a philosophical note, describing the poetics of life that are evident in architecture and are a necessity for survival. The rest of the essay describes the design process through the lens of an introductory architectural design class.

A Series Of Prints Using Selective Print Techniques And Graphic Communications, Theodore Parks

All Master's Theses

The primary purpose of the study was to produce a series of original prints, using several selected techniques, and in certain instances combining with these an imagery to achieve the communication of predetermined concepts.

Images And Content, Robert C. Ellis Jr.

All Master's Theses

My primary purpose in this study was to explore the relationship of symbolism, imagery, and concept as they relate to printmaking and drawing. The techniques used in my work were collagraph printmaking, drawing, "painting-drawing", and three-dimensional construction. These works represent my development over a period of five quarters. As a result of this study, I expect that my perception and use of imagery, concepts and technique will continue to develop.

Design Of Spatial Interstices, Byron Hiroyuki Kato

All Master's Theses

It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.

Architecture As Responsibility, William G. Reckmeyer

School of Architecture - All Scholarship

Reckmeyer discusses the essence of Architecture as a unique form of art.

The Rational Systematic Approach: A Necessity For The Future Of Design, Enrico Plati

School of Architecture - All Scholarship

Plati attempts to describe the systematization of the design process, outlining ways to understand and quantify the elements in a project in an almost scientific and mathematical fashion.

Expanding The Visual Potential Of Subject Matter Through Two-Dimensional Design, William Paul Paxton

Dissertations and Theses

This research problem represents an attempt to forestall the high school student's usual preoccupation with perceptive minutiae by placing an emphasis on the monumental or underlying structure of a work of art.

The author, endeavoring to afford maximum success for the students, first stripped subject matter to its most pristine quality, the silhouette. Because it was felt that it is much easier to recognize and organize an underlying structure without the added complication of perspective, emphasis was placed on a depthless surface or decorative space to be organized into a coherent whole through application of the abstractions which are the …

Bruegel: His Influences And Consequences, Regina Cheng Jafree

All Master's Theses

Pieter Bruegel the elder, whose work is as modern today as centuries ago, and whose reputation as a major genius in the realm of visual, spiritual and sociological reality is lately emerging in a fashion which seems to do greater justice at a scale eminently deserved. I feel that in times to come, men like Bruegel and Caravaggio will possibly emerge as the most significant philosophers of visual arts. The fact that Bruegel is now being increasingly appreciated on a wider scale testifies to his greatness as a prophet and as a man who looked into the future, deeply and …

Ceramic Feelings, Beverly Maki

All Master's Theses

Earth, air, water, and fire--four basic elements--have given me the opportunity to express my eclectic experiences into forms of clay. I have raised questions about my work pertaining to my conscious and subconscious to find how I see and feel about my work, in order to see myself in terms of my past, present and future. I have thought about the reality and nonreality of my feelings and wondered about the images and experiences that lie hidden in my subconscious, that could create new meanings and ideas. I have also wondered how I might relate certain ideas to my work. …

A Study Of Industrial Arts Teaching Problems And Course Content, Robert G. Torney

All Master's Theses

It is the purpose of this study (1) to investigate industrial arts programs in the Greater Seattle area to discover existing conditions and course content, (2) to research selected national curriculum projects for specific course content which each holds important, and 3) to present conditions which can improve industrial arts and assemble course content for selected subjects in industrial arts. This study is concerned with work toward solution of two of the seven problems cited by Schmitt: "l. Keeping up with advances in technology" and "7. Acquiring and teaching modern concepts of industry."