Art and Design Commons^™

Harrison Cady: The Southern Image (Exhibition Catalogue), Sam Yates, Frederick Moffatt

Ewing Gallery of Art & Architecture

Catalogue published to accompany Harrison Cady: The Southern Image. Cady was an American illustrator best known for his Peter Rabit comic strip, which he drew for 28 years. This catalogue documents the sketches and prints he made of Southern Appalachia.

Byron Mckeeby (Exhibition Catalogue), Sam Yates, Dale G. Cleaver

Ewing Gallery of Art & Architecture

Catalogue of prints and drawings from 1964 - 1984 produced to accompany the exhibition commemorating the life and career of Byron McKeeby. McKeeby, a professor of printmaking at the University of Tennessee passed away in 1984.

1985 Masters Of Fine Arts Graduates, Thomas J. Riesing, Donald Kurka

Ewing Gallery of Art & Architecture

MFA Class of 1985: Joanne Barthelmes, Sharon Daniel, Andrea Laborde, Mercedes Saldarriaga, Kenny Shipley, Madeline Simos, and Sally Yelkin.

Printmakers Select Printmaker (Exhibition Catalogue), Donald Kurka, Sam Yates

Ewing Gallery of Art & Architecture

Exhibition catalogue produced to accompany Printmakers Select Printmakers at the Art and Architecture Gallery, University of Tennessee, Knoxville. The exhibition was initiated by University of Tennessee printmaking professor Byron McKeeby, who died before its completion. The exhibition and catalogue are dedicated to his memory.

This exhibition was organized to represent a cross section of contemporary printmaking in universities throughout the United States. Professors of printmaking from twenty institutions were invited to submit both a print of their own and prints by two of their outstanding students.

Exhibitors were: Judy humphrey, Win Faulkner, Carol Susann Wehunt, Wayne Kimball, T. Christison, Evan …

Deep Swimmers: Robert Stackhouse (Exhibition Catalogue), Sam Yates, Donald Kuspit, Robert Stackhouse

Ewing Gallery of Art & Architecture

Exhibition catalogue published to accompany Robert Stackhouse Deep Swimmers at the Art and Architecture Gallery in 1985.

This exhibition consisted of a carefully edited selection of new work and earlier pieces from the artist's personal collection. This exhibition follows the development over ten years of site-specific "passage structures" and watercolors which extend pictorial and structural narrative of Stackhouse's postminimalist position in American art.