Art and Design Commons^™

Rock Art In Malaysia, Paul Faulstich

Pitzer Faculty Publications and Research

Very little is known to the scientific world on the rock art of Malaysia. It might therefore be worthwhile on a site in the state of Perak, just outside of the town of Ipoh. The rock is limestone, and there is a quarry about 1/8 of a mile down the hill from the paintings. Flaking of the cliff wall and the limestone excretions have badly damaged the paintings; rain also falls directly on the paintings. As far as we know, the site has never been adequately documented.

Ua68/13/4 Bowling Green, Vol. 5, No. 2, Kelly Thompson Chapter, Public Relations Student Society

Student Organizations

Magazine produced by senior seminar class in public relations with the Kelly Thompson Chapter of the Public Relations Student Society of America and students in the WKU Department of Journalism.

Regular features include:

• Reflections
• Business
• Art
• Community Service
• Reminiscing
• Curiosities
• Entertainment

This issue includes articles:

• Dunkel, Missy. It's 3:30 p.m. What Are Your Kids Doing? - Drug Abuse
• Thomley, Mike. Illiteracy: The Hidden Handicap
• Jones, Linda. Education: Improvement at the Grass Roots Level
• Rappaport, Jessica. Poems Mirror Poet's Life - Lillie Carter

Interview With William L. Adams And David R. Adams (Fa 348), Manuscripts & Folklife Archives

FA Oral Histories

Transcription of interview with William L. and David R. Adams conducted by Tammie Pickering and Gary Collins on 2 March 1985. From folk studies student project concerning the connection between trees and traditional folkways and details the medicinal properties of sassafras tea, the production of maple syrup, and the expressive crafts of woodcarving and carpentry.

Interview With Virginia Petty (Fa 384), Manuscripts & Folklife Archives

FA Oral Histories

Transcription of interview with Virginia Petty conducted by Richard Denton on 26 February 1985. From folk studies student project concerning her work as a wood carver from Oakland, Warren County, Kentucky.

Interview With Mrs. James Hall (Fa 378), Manuscripts & Folklife Archives

FA Oral Histories

Transcription of interview with Mrs. James Hall conducted by Nancy Cederquist on 22 February 1985. From folk studies student project concerning Mrs. Hall’s passion for quilting, her preferred patterns, fabric care, and her experiences with a local quilting group.

Harrison Cady: The Southern Image (Exhibition Catalogue), Sam Yates, Frederick Moffatt

Ewing Gallery of Art & Architecture

Catalogue published to accompany Harrison Cady: The Southern Image. Cady was an American illustrator best known for his Peter Rabit comic strip, which he drew for 28 years. This catalogue documents the sketches and prints he made of Southern Appalachia.

Byron Mckeeby (Exhibition Catalogue), Sam Yates, Dale G. Cleaver

Ewing Gallery of Art & Architecture

Catalogue of prints and drawings from 1964 - 1984 produced to accompany the exhibition commemorating the life and career of Byron McKeeby. McKeeby, a professor of printmaking at the University of Tennessee passed away in 1984.

1985 Masters Of Fine Arts Graduates, Thomas J. Riesing, Donald Kurka

Ewing Gallery of Art & Architecture

MFA Class of 1985: Joanne Barthelmes, Sharon Daniel, Andrea Laborde, Mercedes Saldarriaga, Kenny Shipley, Madeline Simos, and Sally Yelkin.

Printmakers Select Printmaker (Exhibition Catalogue), Donald Kurka, Sam Yates

Ewing Gallery of Art & Architecture

Exhibition catalogue produced to accompany Printmakers Select Printmakers at the Art and Architecture Gallery, University of Tennessee, Knoxville. The exhibition was initiated by University of Tennessee printmaking professor Byron McKeeby, who died before its completion. The exhibition and catalogue are dedicated to his memory.

This exhibition was organized to represent a cross section of contemporary printmaking in universities throughout the United States. Professors of printmaking from twenty institutions were invited to submit both a print of their own and prints by two of their outstanding students.

Exhibitors were: Judy humphrey, Win Faulkner, Carol Susann Wehunt, Wayne Kimball, T. Christison, Evan …

Deep Swimmers: Robert Stackhouse (Exhibition Catalogue), Sam Yates, Donald Kuspit, Robert Stackhouse

Ewing Gallery of Art & Architecture

Exhibition catalogue published to accompany Robert Stackhouse Deep Swimmers at the Art and Architecture Gallery in 1985.

This exhibition consisted of a carefully edited selection of new work and earlier pieces from the artist's personal collection. This exhibition follows the development over ten years of site-specific "passage structures" and watercolors which extend pictorial and structural narrative of Stackhouse's postminimalist position in American art.

Ewing Gallery Dedication, Department Of Art

Historical Material

University of Tennessee Chancellor, Jack Reese, with Mary Ewing, widow of C. Kermit "Buck" Ewing, founder of the Art Department at UT, at the dedication of the Ewing Gallery of Art and Architecture.

Sculpture Tour 84 85 (Exhibition Catalogue), Jack E. Reese, Dennis Peacock

Sculpture Tour

Curated by UT Department of Art sculpture professor, Dennis Peacock, the 84/85 Sculpture Tour features the work of twenty-eight sculptors from Alabama, Florida, Georgia, Indiana, Kentucky, Mississippi, North Carolina, Pennsylvania, Tennessee, Washington, and Ontario, Canada.

Participating artists were: Robert Clemons, James J. Esneault, Joseph Falsetti, Horace Farlowe, James S. Gibson, Jack Gron, Charles Hook, Walter Jackson, James C. Myford, Philip Nichols, Dennis Peacock, William Glen Phifer, Anthony Rice, John Rodger Strickland, Norman J. Taylor, Patrick Thibert, John Kehoe, Alfred S. Keim, James Knecht, Peter MacElwain, Julie Warren Martin, John Mishler, Caroline Montague, William Morningstar, William Thompson, Phillip Vanderweg, Harold C. …

Brochure: Al Volo By Enzo Torcoletti, University Of North Florida Foundation, Inc.

UNF Foundation Art

No abstract provided.

1985-1986 Course Catalog (Graduate), Columbia College Chicago

Course Catalogs

1985-1986 graduate course catalog

Cubism In America, Donald Bartlett Doe

Sheldon Museum of Art: Catalogs and Publications

Synthetic Cubism not only synthesized "real" materials with painted/constructed reality, but also synthesized earlier discoveries, permitting objects to seem tangible while forms and surfaces were shuffled in space as thin as gossamer.

World War I ended the joint investigations of Picasso and Braque and dispersed the international community of artists who had gathered in Paris. Excepting Juan Gris and Ferdinand Leger, all of these artists, including the American artists, were on-lookers. Few grasped all of the issues and formal ideas with which Braque and Picasso experimented. Most seized upon an aspect of the style and wedded it to theories of …

Jene Highstein: Shapes In The Stream, Donald Bartlett Doe, George W. Neubert

Sheldon Museum of Art: Catalogs and Publications

This exhibition of Jene Highstein's sculpture initiates a series of exhibitions entitled the Resource Series. This series is a two-fold exhibition program, the first is: Resource and Response which will be a series of small scaled exhibitions in response to current issues and ideas of contemporary American art and artists. These Response exhibitions are to be far ranging in subject and content, but will reflect a regional component. The second part of the Resource Series is entitled Resource and Reservoir and these exhibitions will be drawn from the Sheldon Gallery's important permanent collection and will focus on subjects and themes …

Goldberg, Donald Bartlett Doe

Sheldon Museum of Art: Catalogs and Publications

This exhibition, the second in the Resource and Response Series, assembles approximately a score of works which span nearly four decades of Michael Goldberg's career as a painter. In so doing, this exhibition also reflects upon perhaps the most fabled chapter in the history of American art: the emergence of the New York School and, with it, the creation of an "independent, self-generating, and specifically American art.'" Here, as for all shows in this series, the intent is not to rival a full retrospective, but to develop a focused response to prominent issues and concerns in the world of contemporary …

Alice Aycock: The Machine That Makes The World, Alice Aycock

Sheldon Museum of Art: Catalogs and Publications

"There is a state of free fall where you don't know up, down, left, right, backwards or forwards; they're totally confused. Those seem to me to be the six ways of orienting yourself. What I would like to do is probably just disorient all those sensations. On the other hand, that also can be a very euphoric state; it can be very pleasing and people engage in all kinds of activities which involve this titillation (skydiving, amusement parks) ... What are they all but ways of titillating yourself? They always have to do with whirling in space, for pleasure as …

Before And After, Donald Bartlett Doe

Sheldon Museum of Art: Catalogs and Publications

The contrast between the appearance of a work of art which has been professionally restored and one which continues to suffer from at least some of the ills which art can be heir to can seem nearly miraculous, or so subtle as to be invisible to the casually observant eye.

The ills are numerous and reflect the fragility of many if not most works of art. Variations in relative humidity can cause a canvas to shrink or expand. Variations in temperature can do the same. With time and continued fluxations, tiny cracks may appear and grow into fissures that cross …

American Impressionism, Suzanne T. Wise

Sheldon Museum of Art: Catalogs and Publications

T he term American Impressionism, when used in the context of stylistic analysis, implies a specific set of definable characteristics, and by extension, a traceable lineage that will fit comfortably in the historical narrative of American art. If one seeks to assert this notion when confronted with an exhibition of American Impressionist painters, the result will be confusion coupled with a healthy dose of skepticism. For unlike their French counterparts, who established a style in close proximity to one another, both geographically and philosophically, American artists arrived at Impressionism from a variety of viewpoints.

Early surveys of American art tend …