Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- American Indian (1)
- Anthropology (1)
- Apparel design (1)
- Apparel, Merchandising and Design (1)
- Arsenic (1)
-
- Arts Writing: Contemporary Criticism (1)
- Biocultural evolution (1)
- Canada (1)
- Chinese painting (1)
- Design process model (1)
- Diet (1)
- Documentary methods (1)
- Entrepreneur (1)
- Evaluation methods (1)
- Fashion (1)
- First Nations (1)
- Holidays (1)
- Identity (1)
- Nationalism (1)
- Native American (1)
- Native North America (1)
- Spices (1)
- Wearable art (1)
- Publication
- File Type
Articles 1 - 6 of 6
Full-Text Articles in Art and Design
From Chinese Painting To Wearable Art: The Development Of Wearable Art Design Process Model And Evaluation Methods For Wearable Art Designers, Ling Zhang
Ling Zhang
Wearable art is “art composed of materials structured so they can be worn on the body and that exhibit visually exciting design elements and principles” (Bryant & Hoffman, 1994, P.86). It is a unique (Becker, 1987) and visible symbol that not only depicts the mood of a designer, but also communicates her/his belief, life style, culture, knowledge, and aesthetic tastes to the world. The goals of creating this wearable art collection were to: (a) incorporate traditional Chinese Xie Yi painting themes, ideals or motifs into modern fashion designs with the silhouettes of Western clothing through the use of a variety …
The Art And Artifice Of Hand-Lettering, Lauren Gallow, Ellen Caldwell
The Art And Artifice Of Hand-Lettering, Lauren Gallow, Ellen Caldwell
Lauren L. Gallow
Is there a reason we’re so drawn to hand-lettering right now? Why are we craving handmade cards, signs, and posters in this moment? Why do we gravitate towards making hand-lettered flyers and signs and cards as opposed to designing on the computer? Maybe it’s just because we don’t know how to use Adobe InDesign and Illustrator… but we think there’s more to it than that.
Wallpaper Mania, Ellen Corrigan
Wallpaper Mania, Ellen Corrigan
Ellen K. Corrigan
Text panels from "Wallpaper Mania," a local exhibit in support of the Booth Library installation of the National Library of Medicine traveling exhibition The Literature of Prescription: Charlotte Perkins Gilman and "The Yellow Wall-Paper," on display September 23-November 2, 2013.
The Seven Spices: Pumpkins, Puritans, And Pathogens In Colonial New England, Michael Sharbaugh
The Seven Spices: Pumpkins, Puritans, And Pathogens In Colonial New England, Michael Sharbaugh
Michael D Sharbaugh
Water sources in the United States' New England region are laden with arsenic. Particularly during North America's colonial period--prior to modern filtration processes--arsenic would make it into the colonists' drinking water. In this article, which evokes the biocultural evolution paradigm, it is argued that colonists offset health risks from the contaminant (arsenic poisoning) by ingesting copious amounts of seven spices--cinnamon, cloves, nutmeg, cardamom, allspice, vanilla, and ginger. The inclusion of these spices in fall and winter recipes that hail from New England would therefore explain why many Americans associate them not only with the region, but with Thanksgiving and Christmas, …
Designing, Producing And Enacting Nationalisms: Contemporary Amerindian Fashion In Canada, Cory Willmott
Designing, Producing And Enacting Nationalisms: Contemporary Amerindian Fashion In Canada, Cory Willmott
Cory A. Willmott
Today, generations after the adoption of European styles, Amerindian peoples’ everyday clothing is almost indistinguishable from that of other residents of North America. Until recently their culturally distinct clothing has been mainly reserved for ceremonial occasions such as powwows and religious rituals. This bifurcation of clothing styles and contexts parallels the dichotomy between ‘traditional’ and ‘assimilated’ Native identity that has been imposed by the dominant society. The dichotomy is a double bind: adopting ‘traditional’ identities, Native peoples are cast into a static ahistorical frame, while appearing ‘assimilated’ erases cultural distinctiveness. In both cases, Native peoples cannot effectively stake claims to …
Artful Identifications: Crafting Survival In Japanese American Concentration Camps, Jane E. Dusselier
Artful Identifications: Crafting Survival In Japanese American Concentration Camps, Jane E. Dusselier
Jane E. Dusselier
"Artful Identifications" offers three meanings of internment art. First, internees remade locations of imprisonment into livable places of survival. Inside places were remade as internees responded to degraded living conditions by creating furniture with discarded apple crates, cardboard, tree branches and stumps, scrap pieces of wood left behind by government carpenters, and wood lifted from guarded lumber piles. Having addressed the material conditions of their living units, internees turned their attention to aesthetic matters by creating needle crafts, wood carvings, ikebana, paintings, shell art, and kobu. Dramatic changes to outside spaces of "assembly centers" and concentration camps were also critical …