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Articles 1 - 12 of 12
Full-Text Articles in Art and Design
Ideation And Iteration For Creatives, Sandee M. Chamberlain
Ideation And Iteration For Creatives, Sandee M. Chamberlain
KSU Distinguished Course Repository
This course addresses the development of visual literacy including concepting, initial approaches of creating an encompassing aesthetic, creating timelines for production, and exploring the refining aspects of creative production. Students will devise an advanced creative problem and provide a documented account of their creative journey to present as a process journal at the end of the course.
Thirsting, David Platter
Dordt In 3d, Vaughn Donahue
Hungering, David Platter
Sacrifice, James Metzger
Forgotten, Megan Mishler
Forgotten, Megan Mishler
TYGR: Student Art and Literary Magazine 2018-present
No abstract provided.
Ceramic Vessel: Blue Binary 1, Brenda Roveda
Ceramic Vessel: Blue Binary 1, Brenda Roveda
The Graduate Review
No abstract provided.
Ceramic Vessel: Connected Ii, Brenda Roveda
On The Cover: Artist’S Statement For B-Phone, Brenda Roveda
On The Cover: Artist’S Statement For B-Phone, Brenda Roveda
The Graduate Review
No abstract provided.
Ceramic Vessel: All Blue Binary, Brenda Roveda
Ceramic Vessel: All Blue Binary, Brenda Roveda
The Graduate Review
No abstract provided.
Ceramic Vessel: Color Binary, Brenda Roveda
Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden
Butler Journal of Undergraduate Research
How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …