Art and Design Commons^™

Director's Statement, Andrea Leland

Jamesie: King of Scratch

No abstract provided.

Technology & Tradition: Shaping Indigenous Collections For The Future, Gretchen Faulkner, Harold Jacobs, Alex Cole, Jonathan Roy, Reed Hayden, Anna Martin, Duane Shimmel

Technical Publications

The Hudson Museum received a UMAI seed grant to support
a collaboration with the Advanced Structures and Composites
Center and Intermedia Programs to replicate a culturally -
sensitive object in our collection. This is a technical publication to describe the process of replicating a Tlingit Frog Clan Helmet (HM5040) requested for repatriation by the Central Council of Tlingit and Haida Indian Tribes of Alaska (CCTHITA).

Martin Puryear: 40 Years Since Sentinel, Merlyn I. Maldonado Lopez, Shannon Egan

Schmucker Art Catalogs

Artist Martin Puryear’s commitment to seeing objects as connected to history and culture resonates with a moment when Gettysburg College reflected on the significance of its own historical place and time. As the College approached the sesquicentennial anniversary of its founding, it decided to mark the occasion not with a ball or parade, but with “an intelligent artifact,” a permanent marker that both recognizes its maker and offers its own history. In 1980, Associate Dean of the College Robert Nordvall suggested to President Charles Glassick that they ought to commission a monumental sculpture on campus. Glassick then created the Ad …

Mary Rodning's History, Mary Rodning

Sumi-e

Mary Rodning provided a written document of her life story and her work with the Sumi-e group in Mobile, Alabama

Neorrealismo Y Cine En Cuba: Historia Y Discurso En Torno A La Primera Polémica De La Revolución, 1951–1962, Anastasia Valecce

Purdue Studies in Romance Literatures

Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 examina la historia estética y las relaciones entre la producción cinematográfica cubana y el neorrealismo italiano. El recorrido histórico comienza en 1951, antes del triunfo de la Revolución, y termina en 1962, año que marca la ruptura entre los cineastas cubanos y la estética neorrealista italiana. Las colaboraciones principales sucedieron entre los directores de cine Tomás Gutiérrez Alea y Julio García Espinosa y el cineasta neorrealista italiano Cesare Zavattini. Las circunstancias que llevaron al fin de las relaciones entre Zavattini y los cineastas …

The World Chronicle Of Guillaume De Nangis: A Manuscript's Journey From Saint-Denis To St. Pancras, Daniel Williman, Karen Ann Corsano

Research in Medieval and Early Modern Culture

The heart of this book is the biography of a manuscript codex, British Library Royal MS 13 E IV: the Latin Chronicle (Creation to 1300) of Guillaume de Nangis, copied in the abbey library of St-Denis-en-France. This volume was used as evidence in the legal and political battles of the French royal family until it came into the treasure of Jean, duc de Berry. In 1416 it vanished from Paris and France. Modern British scholarship has placed it in the library of King Henry VIII, whose autograph notes appear in its margins. The authors show how it traveled from one …

A Drawing A Day Keeps The Pandemic Away: Vol 8, University Of Nevada, Las Vegas

A Drawing a Day Keeps the Pandemic Away

The project is called A Drawing a Day Keeps the Pandemic Away. We created it on March 17th, which was the day when we realized that we weren’t going to be able to go back into the museum and continue installing the exhibitions we had been planning to open on March 27th. People were asking us what we, as an art museum, were going to do to reach out to the community during the pandemic shutdown and honestly we were wondering that ourselves, so we had an online brainstorming session and came up with the idea of posting a daily …

A Drawing A Day Keeps The Pandemic Away: Vol 7, University Of Nevada, Las Vegas

A Drawing a Day Keeps the Pandemic Away

The project is called A Drawing a Day Keeps the Pandemic Away. We created it on March 17th, which was the day when we realized that we weren’t going to be able to go back into the museum and continue installing the exhibitions we had been planning to open on March 27th. People were asking us what we, as an art museum, were going to do to reach out to the community during the pandemic shutdown and honestly we were wondering that ourselves, so we had an online brainstorming session and came up with the idea of posting a daily …

A Drawing A Day Keeps The Pandemic Away: Vol 6, University Of Nevada, Las Vegas

A Drawing a Day Keeps the Pandemic Away

The project is called A Drawing a Day Keeps the Pandemic Away. We created it on March 17th, which was the day when we realized that we weren’t going to be able to go back into the museum and continue installing the exhibitions we had been planning to open on March 27th. People were asking us what we, as an art museum, were going to do to reach out to the community during the pandemic shutdown and honestly we were wondering that ourselves, so we had an online brainstorming session and came up with the idea of posting a daily …

A Drawing A Day Keeps The Pandemic Away: Vol 5, University Of Nevada, Las Vegas

A Drawing a Day Keeps the Pandemic Away

The project is called A Drawing a Day Keeps the Pandemic Away. We created it on March 17th, which was the day when we realized that we weren’t going to be able to go back into the museum and continue installing the exhibitions we had been planning to open on March 27th. People were asking us what we, as an art museum, were going to do to reach out to the community during the pandemic shutdown and honestly we were wondering that ourselves, so we had an online brainstorming session and came up with the idea of posting a daily …

A Drawing A Day Keeps The Pandemic Away: Vol 4, University Of Nevada, Las Vegas

A Drawing a Day Keeps the Pandemic Away

The project is called A Drawing a Day Keeps the Pandemic Away. We created it on March 17th, which was the day when we realized that we weren’t going to be able to go back into the museum and continue installing the exhibitions we had been planning to open on March 27th. People were asking us what we, as an art museum, were going to do to reach out to the community during the pandemic shutdown and honestly we were wondering that ourselves, so we had an online brainstorming session and came up with the idea of posting a daily …

A Drawing A Day Keeps The Pandemic Away: Vol 3, University Of Nevada, Las Vegas

A Drawing a Day Keeps the Pandemic Away

The project is called A Drawing a Day Keeps the Pandemic Away. We created it on March 17th, which was the day when we realized that we weren’t going to be able to go back into the museum and continue installing the exhibitions we had been planning to open on March 27th. People were asking us what we, as an art museum, were going to do to reach out to the community during the pandemic shutdown and honestly we were wondering that ourselves, so we had an online brainstorming session and came up with the idea of posting a daily …

A Drawing A Day Keeps The Pandemic Away: Vol 2, University Of Nevada, Las Vegas

A Drawing a Day Keeps the Pandemic Away

The project is called A Drawing a Day Keeps the Pandemic Away. We created it on March 17th, which was the day when we realized that we weren’t going to be able to go back into the museum and continue installing the exhibitions we had been planning to open on March 27th. People were asking us what we, as an art museum, were going to do to reach out to the community during the pandemic shutdown and honestly we were wondering that ourselves, so we had an online brainstorming session and came up with the idea of posting a daily …

A Drawing A Day Keeps The Pandemic Away: Vol 1, University Of Nevada, Las Vegas

A Drawing a Day Keeps the Pandemic Away

The project is called A Drawing a Day Keeps the Pandemic Away. We created it on March 17th, which was the day when we realized that we weren’t going to be able to go back into the museum and continue installing the exhibitions we had been planning to open on March 27th. People were asking us what we, as an art museum, were going to do to reach out to the community during the pandemic shutdown and honestly we were wondering that ourselves, so we had an online brainstorming session and came up with the idea of posting a daily …

The Story Of Here: A Graphic Guide To Holy Cross And College Hill, Sarah Luria, Jesse Carson, Mia Cronin, Daniel D'Ambrosio, Sara Donohue, Kerry Flaherty, Hannah Ford, Jenna Giardina, Andrew Lydon, Cameron Magalotti, Brett Mccarron, Matthew Shea, Nora Sheehan, William Solomon, Marco Spataro, Connor Sullivan, Thomas Thiel, Paihan Wu

Holy Cross Bookshelf

This illustrated guide captures the history of the section of Worcester where the College of the Holy Cross is located. Historical sources and imaginative interpretations based on historical research are combined to create a unique "then and now" approach and experience of "double vision" to tell the story of College Hill.

This guide was a project of Montserrat Seminar 111N, taught by Prof. Sarah Luria in Spring 2020.

Original, Nicole Donisi, Skyler Hayes, Ash Horn, Naomi Likayi, Trudy Chin, Fahad Al-Meraikhi, Matt Davidson, Wolfgang Schildmeyer, Nicola Cheadle, Melissa Delzio, Olivia Ridgley, Portland Design History

Student Work

This magazine showcases some of the people, brands and organizations of significance from Portland’s design scene with a focus on the 1960s & 1970s.

Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury

Fasciculus Temporum

Early printed books were illustrated by means of woodcut block illustrations. These illustrations frequently depicted well-known biblical events or stories and cities, and the woodcuts were frequently reused, sometimes within the same edition.

The focus of this paper is two woodcut illustrations in PSU’s 1490 edition of Werner Rolewinck’s Fasciculus temporum: Noah’s Ark and the destruction of Sodom. Comparisons are made between these two illustrations and relevant woodcuts in other editions of the Fasciculus temporum, as well as those found in a 1493 edition of the Nuremberg Chronicle by Hartmann Schedel.

Reggie Mccleroy,, "Living Legacies Of Lincoln Parish", University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Drawings by area artist of local NAACP leaders in Lincoln Parish, Louisiana: Clara Carr, E.D. Smith, C.C. McClain, Thalia Williams, J.K. Haynes

Salvatdre Dali. La Conquette Du Cosmos, Ii, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

This boxed set of numbered chromolithographs is apparently the work of the famed Spanish artist Salvador Dali (1904-1988) although we have been unable to identify this title within his total work and the accessions record is lacking

Indigenous Woman., Annabelle R. Broeffle

Senior Art Portfolios

Abstract three-piece series created by Annabelle Broeffle in the fall of 2019. It includes sculpture and installation art. The series is focused on indigenous social issues.

El Paso Women’S History Coloring Book Volume Ii / Historia De Las Mujeres De El Paso: Cuaderno De Colorear Volumen Ii, El Paso Women’S History Coloring Book Committee

Books

The year 2020 marks the 100th anniversary of women’s suffrage in the United States. The El Paso Women’s History Coloring Book Volume II celebrates this anniversary and women’s achievements, while also acknowledging that much work still remains to be done regarding women’s and voting rights.

This new bilingual (Spanish and English) coloring book builds upon the El Paso Women’s History Coloring Book, published in March 1991. The original coloring book was created by Eva Ross, a retired teacher and former Equity Program Specialist of the Ysleta Independent School District. This second volume was developed as a free educational resource. …

Drach, Prüss, And The Fifteenth-Century Book Trade, Jonathan Taylor

Extra-Textual Elements

The development of the moveable-type press in the mid-fifteenth century led to the rise of a new industry, the manufacture and trade of printed books. Before this, written works existed as handwritten manuscripts individually produced by scribes.

The printing press allowed works such as the Malleus maleficarum and Fasciculus temporum contained within Portland State University’s codex to be produced in a significantly more efficient manner. The printers of the two volumes contained in the codex, Peter Drach and Johann Prüss, successfully avoided the pitfalls facing early printers to become successful in their trade, and may have actively cooperated in the …

C. V. Ramachandra Rao Papers, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Vita of C.V. Ramachandra.; "A.K. Coomaraswamy, an Inspirer of Indian Renaissance & Other Cultural Causerie", by Ramachandra Rao; lists of publications; and memo regarding Ramachandra Rao's visit to Tech.

Mary Moffett "Portrait Of Avon Wallace", University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Framed oil portrait of Avon Wallace.

National Society Of Colonial Dames Monroe Committee Textile Collection, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Collection transferred to Textile Museum.

The Holy Cross: Symbol Of Victory And Sign Of Salvation (Research Materials), Holy Cross Libraries

Library Resources for Campus Events

A bibliography of resources available through the Holy Cross Libraries which provide additional information related to "The Holy Cross: Symbol of Victory and Sign of Salvationr," a lecture by Robin Jensen. The lecture was sponsored by the Rev. Michael C. McFarland, S.J. Center for Religion, Ethics and Culture as a 175th Anniversary Event and was held at the College of the Holy Cross on September 17, 2018.

Color Our Campus: A Holy Cross Coloring Book, Holy Cross Libraries

Holy Cross Bookshelf

To commemmorate the 175th anniversary of the College of the Holy Cross, the Holy Cross Libraries Outreach Team designed and created a coloring book using photographs from the College Archives and other sources. The images were edited using Adobe Photoshop® to create line drawings more suitable for coloring.

This project was co-sponsored by the Office of Alumni Relations. The Outreach Team of the Holy Cross Libraries and the Office of Alumni Relations are pleased to offer this coloring book, and hope it will bring hours of relaxing enjoyment as well as a nostalgic stroll down Linden Lane.

Coronal Plane: Cristin Millett, Grace Linden, Shannon Egan

Schmucker Art Catalogs

Coronal Plane is the culmination of Millett’s research on the anatomical theater at the University of Padua built in 1594, the oldest surviving anatomy theater in the world. The installation allows viewers to walk into and through a space that evokes physical, emotional, and psychological reactions similar to those experienced in the historic anatomy theater in Padua by audiences of the past. Illustrations depicted on red “windows” in Millett’s work are appropriated from De Formato Foetu, a text written by Girolamo Fabrizi d’Acquapendente (Hieronymus Fabricius), the Chair of Anatomy at the University of Padua. It was under his leadership that …

Wonders Of Nature And Artifice, Schmucker Art Gallery

Schmucker Art Catalogs

A stuffed blowfish, a meticulously-drawn insect, a ravishing lily, and a rhinoceros horn carved with scenes of plants and animals—these were among the wonders of nature and artifice, the marvels that fueled the Renaissance quest for knowledge. This exhibition explores the intellectual and aesthetic motivations of Renaissance naturalists and collectors, whose wonders of nature and artifice were displayed in elaborate gardens, illustrated books, and remarkable cabinets of curiosities. Collectors were driven by curiosity and a sense of wonder about what seemed to be an ever-expanding world. Students from Prof. Felicia Else’s upper-level art history course and Kay Etheridge’s First Year …

Mybarrio: Emigdio Vasquez And Chicana/O Identity In Orange County, Natalie Lawler, Denise Johnson, Marcus Herse, Jessica Bocinski, Manon Wogahn

Exhibition Catalogs

"Emigdio Vasquez created artwork that challenged Orange County’s more prominent narrative of wealthy beachside neighborhoods. He painted the brown bodies and brown histories that defined our earliest communities and economy... Vasquez produced much of the local art history that Orange County should be known for and should protect. It is with this perspective that Chapman University is proud to present the exhibition, My Barrio: Emigdio Vasquez and Chicana/o Identity in Orange County, in conjunction with the Getty Pacific Standard Time: LA/LA initiative. We hope to initiate discourse not only about Vasquez’s prolific career, but also about the larger political …