Art and Design Commons^™

Continuing, Shauna Le Ann Smith

MSU Graduate Theses

Taking something whole, breaking it apart, and making it into another form of wholeness is the essence of both papermaking and grief. The papermaking process involves separation, maceration, and forming of new life; the grieving process involves a similar evolution. Creating this body of work has been a pursuit of continuation—a part of me forming new life. Using papermaking processes, I create work that is visually quiet. The details are only noticeable through sustained attention and close proximity. The quiet visual qualities are intended to create a viewing experience that is meditative and slow. The lack of details of the …

Exploring Growth, Integration, & Play Working In Clay: Finding Pathways To Healing And Hope, Dana A. Bridges

MSU Graduate Theses

I find therapeutic qualities in all the aspects of my studio practice and haptic experience: from the grounding sensory experience of clay, the quiet meditative motions of creating and constructing, acceptance or repair of mistakes, and the integration of failures which may occur. Specifically, I channel my experience to explore the themes of growth, integration, and play. By exploring these themes in the quiet and safety of my clay-studio, I engage in the opportunity to investigate these themes on a formal, practical, and personal level. I create the forms by hand or on the potter’s wheel. After constructing the forms, …

A Part From You, Kenneth Rick Briggenhorst Jr.

MSU Graduate Theses

I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …

Celebrating Mundane Moments, Meidi Karampourdashti

MSU Graduate Theses

I feel appreciation for life and recognize the beauty of being present in the moment, not only living for a future goal. I paint moments that highlight shared slices of life that are common throughout many contemporary cultures. The theme of my paintings is to celebrate mundane moments with images living them, regardless of their geographical location. I am pausing the moments representing what appears over and over through life, reminding myself I can enjoy all of them. This body of work slows down to focus on the beauty of a moment’s essence spent with family members or friends and …

Ouroboros, Haley R. Biere

MSU Graduate Theses

My work uses both painterly and sculptural elements to convey my personal transgender experience. My work is for the little girl who I was, who was incapable of speaking out or expressing themselves. I create work for others that face similar situations, as well as for those who face feelings of gender dysphoria, as I did and still do by not conforming to the gender I was assigned. Working the way that I do is a way for me to rediscover myself after years of shoving my identity to the side for the sake of others. Growing up in rural …

Saga Beyond The Gate: Chapter One, The Coming Of The Gate Ghost, Tristan B. Miller

MSU Graduate Theses

“Saga Beyond the Gate: Chapter One, the Coming of the Gate Ghost” explores performance sculpture used as religious ritual. My work emphasizes ritual, creation myths, relics, physical manifestations of lived religion, and the power of narrative belief. One often turns to religion, science, or spirituality, to seek answers to questions about being a conscious entity, and one’s journey to the end. This saga uses scripts from all three of these schools of thought, placing the world of the Gate Ghost into tangible reality, as a play on a stage. Artefacts represent objects of power and mystery. Characters embody morality tales, …

Coping With Burdens, Jennifer Rose Wolken

MSU Graduate Theses

How to carry and cope with burdensome circumstances beyond my control is the main theme I am currently exploring in my artistic practice. I create art objects and experiences that can elicit an empathetic connection to the realities of living with burdens like grief and chronic illness, or help you to process your own relationship to a wide variety of burdens. Individual pieces explore aspects of how I or close family members cope. My practice is multi-disciplinary and the forms focus on reinterpretation of the book as a sculptural art object or artists’ book. The processes I use are overwhelmingly …

The Good, The Bad, And The Unspoken: Complex Layers Of Motherhood, Casaundra R. Beard

MSU Graduate Theses

This body of work represents my frustrations about domestic life, by

communicating the raw, unfiltered side of how sometimes my anxiety and

motherhood coincide. By addressing the harsh stigmas society has towards both

anxiety and motherhood, I hope to normalize the reality rather than continue the

cycle of these idealized notions of what motherhood is supposed to be. Each piece

represents a small seemingly insignificant moment from my average day, but it is

when they start to accumulate together that results in an anxiety attack. The titles

of each piece are the positive mantras I repeat endlessly to convince myself …

Character Development And Refiguration Of Narrative, Vladan Djordjevic

MSU Graduate Theses

Character development is the process of creating believable fictional characters by giving them depth and compelling visual characteristics, which reveal a narrative framework behind formal solutions. Character development is the creation of effective communication. It gives essential information about character progression and the thought process behind a character’s evolution over time in the practice of visual development. This approach is a procedure of creating visual forms that convey clear messages, very often intangible ones. Their meaning is constructed through the use of different iconographic and narrative structures that, when presented within the same context, give thought-provoking and unusual formal solutions. …

Not All Dreams Are Nightmares, Not All Nightmares Are Dreams, Neal G. Polallis

MSU Graduate Theses

My art deals with mental illness, particularly schizophrenia, PTSD (Post-Traumatic Stress Disorder), and addiction.

It is how I work out the problems in my relationships and within my head. My art is where I explore

ideas, alternate possibilities, my dreams, and my fears. Drawing inspiration from photographers such as

Jerry Uelsmann, Richard Avedon, and Irving Penn; painters like Caravaggio, Picasso, and Bacon, as well as,

concepts from the Surrealists and the Futurists, the art I produce is dream-like: familiar objects in unrelated

places. The work that I create stems from years of working with patients in their most acute states. …

A Journey Into My Mind, Shen Chen Hsieh

MSU Graduate Theses

During my time as a student in the MFA in Visual Study Program, I have been interested in creating imagery that expresses my inner world that is based on my emotional experience. I believe my identity is influenced by my multi-cultural background, relationships, daily moments and my own introverted personality. I continue to experiment with various mediums and visual styles to communicate these feelings. Drawing, silk-screen printing, mixed media, and three-dimensional sculpture are the main mediums in my artwork. Exploring diverse mediums provides me opportunities to develop my self exploration in my images. I seek to express and understand the …

My Work - My Diary - My Inner Thoughts, My Que Luu

MSU Graduate Theses

My work is about my self-discovery. Upon my move to the United States to pursue a Master of Fine Arts in Visual Studies, I took the opportunity to explore the concept of “self-image” and tell my life story, which I rarely discuss in real life conversations. rough my body of work, I intend to identify and expose my true-self.

Journey To My Roots, Ainura Ashirova Barron

MSU Graduate Theses

This autobiographical body of work is a visual journey that involved the investigation of my personal identity and roots as well as the exploration of my cultural history through a process that relied on photographs, stories and family traditions, such as crafting. I consider this process and practice to be my passage into a globalized society while simultaneously finding my niche in my newly adopted country of America.

The Study Of Culturally Relevant Visual Imagery And Student Interest In Contemporary Secondary Art Classrooms, Carly Marie Anderson

MSU Graduate Theses

Contemporary art pedagogy indicates some educators are using visual cultural exemplars that contain little cultural relevance to many students in their secondary art classrooms. The purpose of this study was to investigate students’ preferences and interests concerning visual imagery as the focus of curricular content in current secondary art classrooms in Southwest Missouri. This investigation began with a review of visual imagery within traditional fine art academies and what role this imagery plays in contemporary art rooms. The research question included: Were current secondary art students more interested in contemporary, culturally relevant imagery or traditional Eurocentric Western fine art imagery? …

Narratives Of Loss, Carla R. Stine

MSU Graduate Theses

My research revolves around impermanence, loss, and the grief that accompanies loss. My thesis work consists of digital collages interlaced with short stories, an interactive digital media piece, traditionally-made collages, a picture book, art objects, and an assortment of other supporting work. My ultimate aim is to employ both traditional techniques and digital skills to create visual narratives that supply glimpses into my personal history of loss and that speak to life’s brevity.

Going Home, Emily Susannah Budd

MSU Graduate Theses

I continue to explore the space that exists between worlds and ideology in an attempt to blur the demarcation between them. Using the everyday, I attempt to show features of the uncanny and sublime nature of common objects by including fantastic elements while maintaining an illusion of reality. Rather than showing the audience one true meaning, I offer them a lens to one of the infinite possibilities. The story is left for the observer to complete, each narrative unique and valid. As the Western viewer tends to seek out absolutes and categorical placements, I try to create a venue that …