Art and Design Commons^™

Sky Is Sinking Below The Trees : Two Years Of Documentation And Observations, Xuelun Li

Masters Theses

I see landscape through my own eyes, hands and body, and also through the lenses of Chinese poetry, calligraphy and ink painting. These art forms are rich in metaphor. The way they imagine and depict landscape is romantic, often including observations on dual concepts as lightness and heaviness, movement and stillness, change and stability, all of which have inspired this collection of work.

These furniture pieces include benches, tables and lamps. They are abstracted landscapes, to spark imagination about natural forces and transformations, both through the process with which they’ve been made and through their final forms. I engage with …

Externalized : Origins Of Aesthetic Motivations, Tim Miller

Masters Theses

My thoughts and behaviors are influenced by a compulsive disorder. Observing this, I’ve learned how much my outlook can be shaped by my own ritualistic patterns. I live with a heightened sense of awareness toward my particular compulsions which has shaped how I see the world. In this thesis writing and collection of designed objects, I am seeking to further explore my own experience with compulsive thoughts and behaviors, unpacking how they manifest in the day-to-day, how they direct my perception, and ultimately how they serve as a driving force behind my design process. By observing these tendencies and articulating …

Mis Jarrones, Marco Sebastián Arroyo Hoebens

Masters Theses

This thesis offers an insight into the complex relationship between identity, memory and the creative process. A Q&A follows, designed to deepen the understanding of the self in different situations, places, cultures and design objects.

Apparently, memory has a leading role in triggering creative processes and this has forced me to do further research on my own past and on the objects that my memory retains. In the end, this “research on the self” has produced an interesting view on this particular creative process of designing.

A Natural Circus, Cecilia Plasencia

Masters Theses

I’ve come to the conclusion that I have no interest in controlling and manipulating matter to my own heart’s content. I’m rather bored of rigidly perfect geometries and sentiments. Rather than controlling materials I allow them to do as they please. I capture their moment of revelation, and allow them to speak for themselves. I realize this process of making demotes me from creator to conduit, but I’ve noted that the materials have a far more unique and intelligent message than I could ever imagine.

So, I listen to matter. Matter has one very good friend, the center of the …

Objects In Mind, Leah Kenttämaa-Squires

Masters Theses

Daily distractions and interruptions are abundant and often cause anxiety, irritability, and impatience. The world is constantly in a battle for our attention making it difficult to be in one moment. Our continuous motion of both body and mind to combat these constant disturbances cause us to lose perspective, become quick to make judgments, and unable to recognize errors. We no longer take time to fully consider where our thoughts are leading, nor do we allow for a moment to let our thoughts go.

An object can promote open-minded thought by altering our perception or perspective of it, preventing automatic …