Art and Design Commons^™

How I Came To Jam With The Angels Of The Dirty South: A Journey Into Art And Art Education, Miki Skak

Graduate Theses and Dissertations

This paper dives into my personal journey from a far-left activist youth into becoming an artist. It explains how a poet saw artistic potential within me, introduced me to the world of art and eventually art education. I reflect on the art education I have received from several different art schools and how they try to adapt to the demands of the contemporary art world that has been in a constant condition of reshaping itself since Marcel Duchamp’s readymade. As an artist who is less focused on the techniques of traditional artistic mediums, I investigate how the state of art …

Reflections, Relationships And Art Class, Rochelle St. Martin Pettenati

Artizein: Arts and Teaching Journal

My homeroom class was 8H. At that time the district grouped students homogeneously by rank or GPA. The “lowest” ranking class was 8H and they were mine. I remember the first day I met them, I was full of knowledge after completing my Master of Art Education just a few months before. I knew just what to do, just what to say. Undoubtedly, the students would love and respect me, and I would inspire them and teach them to love art. They would use art as another language for learning, I would differentiate to meet their needs and identify their …

Art Education As Mutual Aid: Community And Social Justice Based Initiatives, Janelle O'Malley

Student Projects

In the wake of the COVID-19 pandemic, education has drastically changed. The months of pandemic coupled with rising political upheaval left issues with schooling at the bottom of the list. Yet, the repercussions of the pandemic have forever changed the face of our educational system. Especially hard hit during this time was subjects deemed unimportant such as music and art. These classes, which already have faced their fair amount of cutbacks, were once again left on the chopping block. Even though the Every Student Succeeds Act (ESSA) in 2015 ensured that art would be treated as a core subject, it …

Game-Based Learning: Building Competence In Visual Literacy Through Simulation, Carol Record

Theses

Game-based learning is an ideal experiential learning framework for introducing the critique process to reduce student anxiety and create competence in visual literacy and self-assessment. Critique, the assessment, and analysis of one’s work is an essential step in any creative process. It is an integral part of art school. However, it can also be a source of high anxiety for new students. This paper discusses the importance of critique, the challenges associated with teaching critique, and the benefits of utilizing game-based learning. Examples of game-based learning solutions are explored, including the development of, and response to, Lumen, a card game …

Studio Expressive Arts Therapy: Towards A Classroom Method That Incorporates Art And Music, Michael Greenberg

Expressive Therapies Capstone Theses

This thesis explored the ways in which expressive arts therapy (ExAT) could be incorporated into a small therapeutic high school’s visual arts program. Through the development and implementation of a method, intermodal exchange between visual art and music was integrated into both the school’s art program and its group counseling offerings. Informed by a literature review of studio art therapy (SAT) as related to ExAT, three different interventions were used to fit within the frameworks of the high school’s offerings. The first intervention focused on making music with a few students within art classes while the rest of the class …

Analysis And Critique In The Secondary Art Classroom, Sarah Nott

Masters Theses

This paper is a study of analysis and critique in the secondary visual art classroom setting. I begin by examining the purposes these two practices can serve, and then document some of the positive outcomes of analysis and critique as well as their inherent flaws. The flaws are subcategorized into examinations of the risks of formal analysis or Formalism, the unintended emotional impacts critique and analysis can have, effects of teacher behavior, a survey of critique-caused trauma and notes on implicit bias. For the purposes of my literature review, I analyze analysis and critique through phases and writing exercises specifically, …

You Belong Here: A Critical Look At Community Engagement In Museum Education Through K-16 Place Based Pedagogy, Janelle O'Malley

Student Projects

Historically museums exist as object centered spaces with little consideration of the community and artists that support them. Therefore museums as pedagogical sites must reorient themselves to become people centered spaces incorporating participatory pedagogical experiences for both community members and artists.

There is a lack of research in place-based pedagogies in museum education. It is important now more than ever to recognize the need to center community in museum education. This study will seek to investigate how museums can exact meaningful change through their educational practices and create a sense of belonging in museums for their immediate community. The outcomes …

Co-Creation With Youth: Teaching Artistry And Art Outreach Programs, Hallie Morrison

Artizein: Arts and Teaching Journal

This article shares my process and reflection as a teaching artist on a specific project with the Chicago Opera Theater (COT). An extension of my personal and professional practices that aims to provide larger painting experiences for students than they are normally provided, this project takes place in Chicago public schools through a model of Arts Partnership in which COT brings in multidisciplinary arts education. Beyond being an educational program, this school-based artistic co-creation resulted in opportunities for professional learning, intracultural bonding, and empowering moments for youth. This article includes images of the art teaching process, arts integration program tools, …

Designing A Toolbox To Improve Creative Output: A Guide For Cultivating Critical, Creative, And Conceptual Thinking Skills In An Increasingly Distracted Society, Cara Tuttle

Critical and Creative Thinking Capstones Collection

Frequent digital distractions can hamper undergraduate design students’ ability to perform the kind of deeper level thinking needed for creative problem solving and creative output, yet there are tools that can help students focus on the present and delve deeper into their creative work. This paper focuses on the details of a pedagogical toolbox created for educators of undergraduate design students to target critical thinking, creative thinking, and conceptual thinking (the 3Cs) in order to improve creative output. I explain how critical, creative, and conceptual thinking work holistically to develop and promote creative output. By demonstrating 3Cs tools and activities, …

The Impact Of University And Atelier Instruction On Classical Realism Art In America, Rebecca Chyenne Brock

Undergraduate Honors Capstone Projects

Students who aspire to become realism artists are faced with a difficult decision about where to learn classical drawing and painting skills. Where should they study and what type of education should they pursue? These students can attend a college or university and obtain a traditional contemporary art education. This choice will provide young artist with a basic education in painting and drawing. Students will also receive an education across different areas of art as well as a liberal arts education. However, students may select to attend an atelier, fashioned after the 19th century pattern for training classical artists. This …

Femagogical Strategies In The Art School: Navigating The Institution, Barbara Knezevic, Amy Walsh

Articles

This writing aims to define and examine ‘femagogy’ and the transformative potential for an inclusive intersectional feminist teaching practice in Fine Art education in the context of the contemporary Irish art school. This writing will trace the influence of linguistic power structures and the influence of broader institutional patriarchy in an educational setting and outline the inspirations and genealogies of femagogy. This writing provides situated embodied examples of femagogy in practice. It proposes the femagogical model of teaching as one that situates itself outside prevailing patriarchal models and proposes strategies to reimagine knowledge production and navigate the prevailing structural patriarchy …

Reaching Across Community Lines: How Informal Visual Art Educational Programming Bridges The Gap, Janelle O'Malley

Student Projects

Economic disparity in underserved communities is in large part responsible for a lack of access to quality visual arts education. The communities most in need are often hit first when it comes to funding the arts, and the students suffer these financial consequences. How can we ensure those underserved communities receive a complete education with the visual arts? What other ways can access to the visual arts be provided to schools?

Fielding, Emily Tareila

Masters Theses

Fielding is an ongoing exploration of place-making, spaces of learning and relationship building in formal and informal learning environments. The project is comprised of a series of events and workshops that are embodied, multimodal, olfactory and engagement-focused and a mobile cart that helps to facilitate these happenings both in and out of the formal gallery space. I regard my art practice as pedagogical, a blurring of art and life into intentional ways of being in the world; an experience of sharing practices with others and a form of what is regarded in institutionalized art as social practice. I find art …

Wightman Philosophy, Don Wightman

Reflective Teaching

A handout with quotes by Don Wightman and other writers on creativity, communication and the relationship between nature and humans.

Art Education Feedback, Don Wightman

Reflective Teaching

Don Wightman provided feedback to his students on their work from the first semester of an art course. While Wightman expressed positive comments on their work, he mentioned that students needed to “acknowledge the relationship between conceptual objectives and visual manifestations” and unify these two in their artwork. Students needed to be more intentional and to connect what they created with the underlying concepts they were trying to convey. He said that in order to facilitate this goal, he would present more restrictive parameters for the assignments in the second semester.

Visual Arts: Teaching Creativity From Within, Del Camara

University of the Pacific Theses and Dissertations

In the ever-changing world of visual arts education, there is a gap in the literature about the incorporation of creativity, risk-taking, and play in the curriculum. The purpose of this study was to understand how high school visual arts educators teach visual arts and creativity in the age of digital media, including the practices art teachers use to engage their students in their development of art-making and ways teachers encourage students to take risks in art-making practices. Utilizing an arts-based research method focusing on four case studies in the Central Valley of California, this inquiry examined the way visual arts …

Redefining The Mfa: Artistic Pragmatism For The Twenty-First Century, Cristina Ann Correa

Theses and Dissertations

The twenty-first century economy demands a culturally-adaptable and technologically-innovative workforce. Despite the expansion of creative industry, at least half of academically-trained artists will work in fields unrelated to their studies. Statistics reflecting employment changes every three years parallel twenty-first century, pragmatic realities. Job seekers must consistently adapt and add to acquired skill sets to remain marketable.

Visual artists constantly engage in research and experimentation to move their practice beyond comfort zones. While many artistic processes can be learned through the internet, books, and observational study, the road to a career in academia must begin with a Master of Fine Art …

Elements, Stephen Anthony Geffre

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis consisted of a gallery exhibition titled “Elements” featuring sculpture created by Stephen Geffre for his Master of Arts in Sculpture from University of Minnesota-Mankato, located in Mankato Minnesota. The exhibition ran from October 16, 2017 to October 31, 2017. The artwork explored sacredness---sacredness rooted in the natural, sacredness rooted within the minds of human kind, sacredness in the form of the classical elements Earth, Air, Fire and Water.

All the work was created in part with material that was going to be thrown away or sold at a fraction of its cost because of its imperfection.

Understanding The Expressive Cartoon Drawings Of A Student With Autism Spectrum Disorder, Michael S. Collins

Theses and Dissertations

This study focuses on the highly expressive comic drawings of Amy, a child with autism. This study connects larger fields of research: the study of how people with autism spectrum disorder [ASD] process faces and emotions; and, research about artists with ASD. Amy's understanding of emotion was analyzed by asking her to view and identify humans and cartoon characters expressing different emotions. Her ability to illustrate emotion is tested by asking her to respond to various drawing prompts. The study concluded that Amy has difficulty identifying the emotions of humans and cartoons, but she does have the ability to illustrate …

The Peter London Papers, Aaron Darisaw

Artizein: Arts and Teaching Journal

No abstract provided.

Socially Engaged Art Education Beyond The Classroom: Napping, Dreaming And Art Making, Barbara Bickel

Artizein: Arts and Teaching Journal

Article and video offer a socially engaged art project as an example of dynamic lived curriculum. Through what the Gestare Art Collective call a Nap-In students , faculty and the community encounter and engage the unusual experience of communal napping, social dreaming and art making.

Other-Than-Ego Consciousness: Approaching The “Spiritual” In Secular Art Education, Nico Roenpagel

Artizein: Arts and Teaching Journal

Alternative worldviews bring forth alternative visions of education. This article sheds light on one contemporary approach to a spiritual worldview and its implications for secular art education. It proposes that high school visual art is a particularly conducive environment to engaging teenagers with existential and spiritual questions. An approach to spirituality grounded in a worldview of “profound interconnectedness” and “other-than-ego consciousness,” rather than religious systems, offers a timely basis for renegotiating the spiritual in secular art education settings. Through five concepts, the article bridges broader discussions on spirituality with concrete learning and teaching in the art classroom. For example, it …

Inverse Inclusion: A Model For Preservice Art Teacher Training, Angela M. La Porte

Artizein: Arts and Teaching Journal

A university community-based intercession course offers preservice art teachers a unique opportunity to experience inverse inclusion in an art class for special needs adults. Inverse inclusion allows preservice teachers to become students working side-by-side with an equal or greater number of special needs learners, and also places them in occasional roles as teacher, teacher’s assistant, and videographer. Their observations and interactions within these roles provide preservice teachers with perceptive insights and perspectives about teaching, and nurture a better understanding of special needs students’ personal interests and abilities. Applying, reflecting upon, and adapting open-ended art curriculum theory and practice from multiple …

Misunderstandings And Consequences Of Labeling Artists As Self-Taught, Kristin Congdon

Artizein: Arts and Teaching Journal

I have championed artists who have been invisible and underrepresented for decades. Sometimes these artists have been labeled by race or ethnicity and many of them have fallen into the categories of folk and self-taught. When writing about artists who have fallen into one of these categories, I have often tried to avoid labeling them, hoping to have them viewed simply (and complexly) as artists worthy of (high) art consideration. However, I have found that sometimes labeling has been necessary and even useful. Labeling helps a writer, curator, scholar, educator, or arts facilitator focus on a particular cultural group, worldview, …

Application Of Piaget’S Cognitive Development Theory To Art Education In A Multicultural Setting, Kaled Ostraff, Dan Barney

Journal of Undergraduate Research

My project’s aim was to apply Piaget’s cognitive developmental theory to art education. His theory describes the process children use to create views or schemas of the external world. He was “intrigued with the reasons children gave for their wrong answers” (McLeod, 2012). I was interested in analyzing drawings of children from two different cultural sites. To investigate what impact culture and the experiences of children have on the development of those children’s schemas as expressed through their drawings. I went to two sites: Summit Academy in Utah and Sylvia Park School in New Zealand.

Forget Me Not: An Exhibition –And– Creative Reuse: How Rescued Materials Transformed My A/R/Tographic Practice: An Exegesis, Susan Girak

Theses: Doctorates and Masters

This thesis, comprising of a written exegesis, solo exhibition and an artist book, emerged from research undertaken by an artist-researcher-teacher. For that reason, a/r/tography was the overarching methodology used, incorporating a bricolage of methods to address a multifaceted study undertaken in two settings: a primary school classroom and an artist’s studio. A/r/tography is a multilayered interdisciplinary Arts education research methodology that correlates well with my expertise as a primary Visual Arts specialist. The methodology allowed me to immerse myself in both teaching and the artmaking process, as ways of gaining a deeper understanding of Visual Arts pedagogy. The purpose of …

Expanding Art's Audience, Tony Connors

Journal of Undergraduate Research at Minnesota State University, Mankato

This paper investigates the need for contemporary art museums to expand their audience to fit their role as educational institutions. It is based on research that looks at ways museums have typically been operated in the past and then focuses on newer modes of operation, using the Brooklyn Museum as an example of a museum that educates and reaches a greater audience. Lastly, the paper looks at how particular artists have broken the mold of presenting art in order to interact with and relate to audiences in new ways. This research explains ways that art can be made accessible to …

Student’S Achievement And Artistic Growth Through The Implementation And Enrichment Of The Visual Journal, Emily Nannette Quesenberry

Masters Theses, 2010-2019

Abstract This study investigates the incorporation of the visual journal as a learning tool within the art curriculum to understand how it contributes to students’ perception of themselves as artists, students’ understanding of art content, and how it can be used as a source of formative and summative assessment of student growth over time. This study was conducted with a control and a test group. Each group participated in the creation of visual journal pages throughout the course of one semester. However, the test group received additional information on visual journal artists and techniques as well as daily time to …

The Effects Of Constructive Language Instruction And Cooperative Learning On The Quality Of Artwork At The Middle Level, Laura Allison Thompson

Masters Theses, 2010-2019

This study investigates the effects of explicit instruction in constructive language and cooperative learning activities on the quality of art work produced by seventh grade art students. Data collection included pre- and post-intervention cooperative learning surveys, student and teacher rubric evaluations, artist statements, teacher observations of student interactions, and photographs of artwork. Rubrics included five criteria: 1) idea formation and development, 2) problem-solving, 3) openness to suggestions, 4) depth of theme, and 5) perseverance. Students completed a self-portrait project individually to provide base line data and samples with which to compare collaborative works after two interventions. During the interventions, students …

Peer Critique In The Secondary Art Classroom: Strategies For Best Practices, Krista Nicole Castrodale

Masters Theses, 2010-2019

The Virginia Standards of Learning and National Visual Arts standards require that art criticism and student peer critique are present in the secondary art curriculum. The standards set minimum requirements and serve as a starting point for comprehensive art education. Additional guidance for art teachers is necessary to ensure that peer critiques become a crucial component of their secondary art curriculum. Art teachers rely on their own experiences with critique for instruction. However, traditional models of art criticism do not seem to utilize the varied strengths of students. Contemporary student peer critique strategies are needed for teachers in secondary art …